Tag: humour

Cat God (Nekogami Yaoyorozu)

What’s it about ?

Slice of life comedy about mini-gods hanging around on Earth.

Characters

Mayu, our protagonist, a mini-god sent down to Earth 4 years ago because she kept skipping curfew and going out gambling. Dad was mellow enough to let it go, but Mom put her foot down. Anyway, she spends a lot of her time playing videogames.

Yuzu, the poor human woman Mayu is rooming with. (I don’t think it’s ever explained how that happened.) She’s mostly there to suffer and be nice to everybody.

We see quite a few other mini-gods hanging around, but they’re all already blurring together in my mind. The plot of the week involves a poverty god wreaking havoc in the city, but the twist is so dumb I’m trying my best to forget about it.

Production Values

Bright and shiny artwork with everyone in super-deformed character designs that make them look like toddlers. Okay for what it is, and thankfully devoid of fanservice.

Overall Impression

Deathly dull and instantly forgettable, if you hadn’t guessed from my pitiful attempts at remembering anything about it mere hours after watching it. It’s another of those comedies that aren’t funny in the least, but it has the good grace of being completely inoffensive, which is better than several shows I’ve reviewed in this thread. But there’s nothing worth watching here.

via [In which I review] New anime, Summer 2011 – Page 8.

R-15

What’s it about ?

The Academy of Inspiration, where teenage geniuses from every possible field are gathered to cultivate their talent. Also, smut.

Characters

Taketo, our protagonist. He’s the best at what he does, and what he does is… writing porn novels. Since middle school. No, really, that’s the plot. Obviously, all his female classmates tend to view him with disgust… which isn’t unwarranted, considering how whenever he looks at one of them, he starts imagining them in porn scenarios and writing it in his notebook (when he’s not dreaming aloud). From what we can see of it, his output is cliché-ridden purple prose that sounds more laughable than arousing.

Ritsu, genius mathematician, his best friend, aka the Gay Option. He’s very defensive of Taketo, despite the guy not deserving it at all.

Raika, genius photographer, seems to be the only girl who genuinely likes Taketo and his perversion. They’re both in the Newspaper Club, and as such are tasked with interviewing…

Fukune, genius clarinette player. You’d think she’d be perfect fodder Taketo’s writing, but he’s actually somehow unable to write anything smutty about her (although he can still write cliché-ridden magical girl stories about her). Of course, his attempts at getting close to her are a complete disaster, given his (well-deserved) reputation.

The campus is filled with geniuses in every possible field. We’ve got a genius inventor (whose rockets coincidentally always seem to target Taketo…), a genius idol singer… and even a genius narrator who delivers a complete summary of Taketo’s life story. Which is admittedly the one genuinely funny joke in the whole episode.

Production Values

Average, and of course with tons of fanservice. We get to see a good number of Taketo’s fantasies, and it’s no wonder some of them are heavily censored.

Overall Impression

Dear gods, that was painful. Setting aside the repulsive premise and the bland characters, it commits the worst sin possible for a comedy : it’s not funny in the slightest.

I’d say this was easily the worst show in the season (yes, worse than pedo-bait Ro-Kyu-Bu), but there’s still three to go and at least one of them looks like a strong contender. But it’s certainly down there with the worst things I’ve ever watched.

via [In which I review] New anime, Summer 2011 – Page 7.

Mayo Chiki!

What’s it about ?

Ordinary high school dude discovers that the butler of his very rich classmate is actually a girl in drag. Hilarity ensues.

Characters

Jirou, our protagonist. His mother has left the country in search of something that’d challenge her in a fight, and his little sister’s routine to wake him up involves beating him to a pulp, so he has no problem taking a punch ; an ability that is sure to come handy. He’s afflicted with a bizarre allergy that makes him nosebleed when touched by a girl (and pass out on prolonged contact), so of course his repeated avoidance of anything female makes everyone think he’s gay.

Kanade, the super-rich girl whose Daddy owns the school. She looks like the perfect girl, but her demure exterior hides a grade-A sadist with no shame whatsoever.

Subaru, Kanade’s butler. Who’s secretly a girl, as part of those weird contrived family traditions that come up all the time in anime. Jirou stumbles on her in the male bathroom and accidentally learns his secret, which is only the beginning of his troubles. She wants to “get rid of the evidence”, of course, but Kanade eventually makes a deal between the three of them to keep all this a secret.

We catch a glimpse of various other side-characters, such as the mandatory lecherous best friend or the random cat-eared girl, but they don’t matter much yet.

Production Values

Average, and with a hefty dose of fanservice through convenient clothing damage. Nothing to write home about, although I quite like the soundtrack.

Overall Impression

I was all set to hate this, as the premise is unoriginal crap replete with clichés. But it surprised me by being actually quite funny : the jokes are well-timed, Kanade gets all the best lines (“The nurse left after I slapped her repeatedly with a bundle of cash”), and Jirou gets some decent sarcastic one-liners. Even Subaru’s not as irritating as her archetype (“supposedly strong girl who melts when the protagonist touches her”) would suggest.

Don’t mistake me, this is still crap. But it’s entertaining crap, and I’m perfectly willing to give it at least one other episode (although the next-episode-preview seems designed to make me reconsider by foreshadowing even more contrived stupidity).

via [In which I review] New anime, Summer 2011 – Page 5.

Yuruyuri

What’s it about ?

Slice-of-life comedy about middle-school girls in the “Amusement Club”, who loiter around doing nothing in the Tea Club’s room (which they’ve hijacked after it got dissolved). Surprisingly light on yuri-related content, despite the title and the theme of the magazine publishing the original manga.

Characters

Akari, the butt of most of the jokes. It at first looks like she’d be the main character (including the “late-for-school, slice of bread in mouth” cliché scene), but she quickly fades into the background… to the point that the last half of the episode devoting itself to the girls trying to make her a more striking character.

Kyouko, the hyperactive idiot. She’s also the only of the main girls who’s actively a lesbian (although all her come-ons get brushed off quickly).

Yui, the straight man (er, girl) of the group. Not much to say about her.

Chinatsu, the newcomer who joined the Club by mistake (she wanted to join the Tea Club) and that Kyouko never let go (Chinatsu looks exactly like the Magical Girl character she’s a rabid fan of).

We get a glimpse of the (of course obstructive-looking) Student Council, as well as a disturbing glance inside Akari’s elder sister’s room (which includes a body pillow of Akari as well as a stalker-level number of pictures of her).

Production Values

The bare minimum of quality acceptable these days. It doesn’t help that we sometimes get random bumps of animation quality (and weird camera effects) in a way that feels inappropriate and distracting.

Overall Impression

Welcome to False Advertising Central ! The yuri content here is minimal, this is really a slice-of-life comedy with heavy meta overtones. And I’ve quite lost patience with the genre : this type of “we’re joking about how cliché we are” humour, especially brought awkwardly in halfway through the first episode, feels like creative bankruptcy. Hanging a lampshade over your flaws doesn’t excuse them, show.

Frankly, there’s nothing to recommend to this cross between A-Channel and Seitokai no Ichizon that manages to be worse than either. Avoid.

via [In which I review] New anime, Summer 2011 – Page 3.

Double J

(4-minute episodes)

What’s it about ?

A high school club where everyone is a representative of an inane, this-should-really-have-been-automated-by-now kind of manual labor (such as engraving toothpicks or gluing enveloppes).

Characters

Four minutes is a bit short for anyone to develop beyond stereotypes. We’ve got the newcomer girl, her brash friend, the solemn toothpick girl, the club secretary… and the club chief, a dude who gets drawn in a much rougher artstyle for some reason.

Production Values

By the makers of Haiyoru! Nyaruani: Remember My Love(craft-sensei) ! Which tells you everything about what to expect, really : barely animated sets of talking heads.

Overall impression

Well, on a writing level it’s somewhat better than Nyaruani : the jokes are funnier and the pacing has much more punch to it. On the other hand, it doesn’t have a killer hook like its predecessor… and it’s not good enough for me to care.

Avoid.

via [In which I review] New anime, Summer 2011.

Spring 2011 capsules

I won’t bother profiling Suzy’s Zoo Daisuki! Witzy in detail. It’s a 2-minute-long preschooler’s cartoon where animals and teddy bears act cutely for the little children. Even the all-star voice cast (Mai Nakahara as the duck main character ! Maaya Sakomoto as the narrator !) can’t make me care.

via [In which I review] New anime, Spring 2011 – Page 4.

I watched the first episode of Maria†Holic Alive. To my complete lack of surprise, it has exactly the same problems as the first season : (1) Kanako is very, very annoying ; (2) Mariya is barely a dick at all, despite it being a key part of the purpoted premise ; and (3) it’s just not very funny.

Now, this show is proof that SHAFT can animate the crap out of any old shit and make it visually interesting, but it clearly falls short of being actually any good. A well-polished turd is still a turd. I really should have known better than entertaining the thought that this sequel’d show any improvement.

I’m starting to reconsider checking out every single short kiddy show that gets subbed. Happy Kappi clocks in under six minutes, barely managing to outline its premise (grade school girl finds a plush toy that turns out to be a prince from a fantasy world, and has magic powers. Wacky hijinks ensue). It’s very cheap-looking, too.

via [In which I review] New anime, Spring 2011 – Page 7.

Yesterday was the premiere of The World God Only Knows, Season Two. It’s basically more of the same, although on the upper range of the series : the jokes mostly work, and there’s some very good use of Keima’s genre savvy for comedic effect. The romance’s still as terrible as ever, but it’s not too annoying in this first episode.

via [In which I review] New anime, Spring 2011 – Page 9.

Yondemasu yo, Azazel-san

(?? half-length episodes)

What’s it about ?

A detective agency routinely summons a demon to solve their clients’ problems. But since he never stops long enough to hear his orders, hilarity ensues.

Characters

Azazel, the titular demon. A rude womanizer… who’s less than two feet tall. He would really like to get out of this contract, but he’s consistently outwitted by…

Akutabe, the head of the detective agency who summoned Azazel. A complete jerk, but he’s so marvellously deadpan !

Sakuma, Akutabe’s part-time assistant. Our point-of-view character, as Akutabe judges she’s just got enough experience to learn how the agency really works. She spends most of the episode bemused by the whole thing, but then you’d be too.

Our client of the week is a classic ugly cheated wife. The various “solutions” offered to her problems get more and more bizarre as the episode goes.

Production Values

Low but adequate, I guess. It does the job.

Overall Impression

This is very low-brow humour indeed, but it works. It’s got very good comedic timing, the character play well off each other, and I liked the punchline. Stupid but fun.

via [In which I review] New anime, Spring 2011 – Page 8.

Abnormal Physiology Seminar (Hen Zemi)

(13 half-length episodes)

What’s it about ?

Slice of life about very special college course where the students hand reports about their fetishistic experiments.

Characters

Matsutaka, our somewhat prude-ish heroine, who isn’t enthusiastic at all about this course. If you’re wondering why she’s attending, that’s because it’s a way to get closer to…

Komugi, who looks and acts like a nice guy but is actually quite an irritating jerk under the deadpan façade (but since he’s voiced by Akira Ishida, you can’t quite bring yourself to hate him…). Totally unashamed about his fetishes and what the Hen Zemi does.

Pr Meshiya, the teacher/researcher in charge of the Hen Zemi. A complete creep, and one wonders how he gets away with this with the faculty.

Mizukoshi, the nymphomaniac best student. She’s into really extreme stuff (seriously, her report in this episode ? Ewwww !). Beware her slobber whenever someone talks dirty in front of her.

We get to see a few more students attending the course : the peeping tom who camps with his camera under the stairs, the ecchi manga artist and his innocent-looking sadistic girlfriend…

Production Values

Adequate. I actually quite like the stylized artstyle : it gives everyone (apart from the teacher) a look of complete innocence that contrasts very well with what they’re talking about.

Overall Impression

Quite fun, actually. I appreciate the directness of the approach, and thankfully all the people involved are consenting adults (Matsutaka can quit whenever she wants…). There’s quite a lot of mileage in the sheer weirdness of those fetishes.

But it clearly won’t be to everyone’s tastes. Some of the fetishes described here are bound to squick you out. Also, and that’s a bit more problematic, not all of the jokes are that funny. Moreover, I worry that the short format won’t give the series the time to properly gel. Still, if you have any interest in the subject matter, it mostly works.

There’s been a couple of OVA out ; they seem to have been some sort of pilot or something. It’s basically more of the same, but they aren’t necessary at all to understand this first episode (which introduces all the key players properly).

via [In which I review] New anime, Spring 2011 – Page 7.

Dororon Enma-kun Meeramera (“*Bamf* It’s Enma ! *Crickle Crackle*”)

What’s it about ?

The wacky adventures of Enma and his Demon Brigade, in charge of hunting down demons who’re wreaking havoc on Earth’s surface.

Characters

Harumi, our point of view character. A young girl whose friends get attacked by a face-stealing demon and calls on Enma & co for help. Very snarky indeed (to the point that she snarks at her own tendency to snark on inappropriate occasions), and quite bemused by Enma’s antics.

Enma, our idiot hero (and that’s quite an understatement). A fire demon. Wears a talking hat.

Yuki, his purported love interest (although it’s obvious they’ve known each other for so long that they’re getting on each other’s nerves). An ice demon. Maybe the most sensible of the bunch, although by a fairly narrow margin.

Kapaeru, a kappa. Mostly there to deliver exposition and horribly dated impersonations, although he does get to save Harumi from drowning at one point. He might be the most heroic of the bunch, which of course makes him a target for abuse.

Production Values

All over the place. There are some gorgeous pieces of animation, especially in the hell house with its wonderfully gorgeous backgrounds… and then there are a few shots drawn with crayons. WTF ?

Let’s be clear, this is an aggressively retro series, especially with the character designs ; but then, what do you expect of a remake of a 70s Go Nagai series ?

Overall impression

WHY ?

Why did someone greenlight a remake of a random 70s series, without updating much besides the animation ? (It’s even set in the 70s.) It’s not bad or anything (it’s standard inoffensive shounen fare), but it’s so obviously a nostalgia piece that I can’t bring myself to care. Especially as its tone doesn’t do much for me (this kind of constant hyperness tires me out very quickly).

I’m bemused. This show obviously has quite some money behind it ; is the market for it really that big ?

via [In which I review] New anime, Spring 2011 – Page 7.

A Channel

(12-ish episodes ?)

What’s it about ?

Slice of life about four high school girls, with a heavy lesbian subtext. Wait, it’s pretty much text, actually.

Characters

Run, the ditzy central character. She can barely walk without tripping over her thoughts ; don’t let her lean over a window !

Tooru, Run’s self-appointed bodyguard. She’s one year younger than the rest of the cast, and very worried that Run may be moving on from her. In consequence, she’s (i]very[/i] possessive of Run and tries to prevent anyone from getting too close to her (with her baseball bat, if needed).

Let’s be honest : there’s no way to interpret her behaviour without yuri glasses. (Run’s mostly oblivious… or is she ?)

Mika, the sarcastic glasses girl with a bit of a mean streak.

Yuuko, who got off the wrong foot with Tooru by being a bit too close to Run when they met, and desperately tries to make friends with the runt (to no avail, alas). Mostly there to be the butt of jokes.

Production Values

That’s some very impressive animation, especially for a 4koma adaptation that doesn’t really warrant it. What’s with the trend this season of slice of life series with bizarrely high budgets ?

Overall Impression

It’s okay, I guess. It’s a middle-of-the-road high school slice-of-life series… with one selling point : Tooru. Most of the other characters are kinda bland, but the little gal’s got a striking emotional hook and is by far the most memorable aspect of the series. (Aoi Yuuki’s superb voice-acting doesn’t hurt, either.)

I’m probably going to give it a couple more episodes to see where it goes.

via [In which I review] New anime, Spring 2011 – Page 6.