Everything Becomes F : The Perfect Insider (Subete ga F ni Naru)

(11 episodes)

What’s it about ?

Adaptation of a 1996 mystery novel. It has already been adapted in manga, visual novel and live-action drama formats ; so next is the prestige noitaminA anime series.

Characters

Moe, our protagonist, looks at first like an ordinary college student ; somewhat brattish and superficial. But over the course of the episode, it becomes clear that she’s got more depth than that ; she’s quite clever, inquisitive, and is quick to catch on. Also, her family is connected enough to help the plot along.

Saikawa, the teacher overseeing her circle and thesis, tries to remain as stonefaced as possible while shutting down her attempts to be too friendly. (The question whether she means any of it remains open at this point.) Most of the episode happens in his office. Anyway, he’s investigating for research purposes a bizarre murder case…

Shiki, a teenage genius, was accused of having killed her parents a few years ago. Because of her claims a doll did it, she was declared non compos mentis, after which she vanished. It seems that all this time she’s been holed up in a lab on a remote island ; Moe managed to snag an interview with her (on Saikawa’s behalf) that we see in flashback.

Hey, let’s hold the circle’s vacation on that island ! It’ll be fun, they may learn more, and nothing wrong can happen !

Production Values

Hum. This is the kind of serious show that is intent on spending many minutes with Moe doing very mundane stuff before anything of significance happens, as proof that it’s adapting Serious Literature. Which feels like a mistake, as the attention to detail regarding Moe’s body language shines much more when she gets to interact with other people.

Also, awesome visuals for the OP sequence.

Overall Impression

A mystery show on noitaminA ? It’d have to be a complete trainwreck for me to skip it.

And, well, it starts off very pretentious indeed ; but it all comes into focus when the flashback interview with Shiki comes into play. She’s an eerie presence, and Moe’s uncanny cheerfulness in contrast raises many questions (especially as we learn more about the backstory).

I’m quite interested in seeing where this is going.

Source: [In Which I Review] New anime, Fall 2015 – Page 4

A Corpse is Buried Under Sakurako’s Feet. (Sakurako-san no Ashimoto ni wa Shitai ga Umatteiru)

(12 episodes)

What’s it about ?

Adaptation of a mystery light novel series.

Characters

Sakurako is a woman obsessed with bones. It comes from family, but she’s taken it to a whole new level, taking a hobby of digging them out wherever it takes her fancy. She’s certainly affluent enough to do it just about all the time. She has no people skill ; but what she lacks in common sense she makes up for with a very keen detective mind (especially if the mysteries involve skeletons). But while she’s delightful to see barge in and annoy people, she’s saddled with…

Shoutarou, a generic high school dude. Who’s not so much boring as an complete buzzkill. His only purpose is to be annoyed or creeped out when Sakurako does interesting stuff. Well, that and presumably as an audience-standin figure, but he’s such an ass about disabling the heroine that I end up rensenting him being there. There’s no explanation whatsoever for why the two of them hang out together (it’s a story left for later), and there’s a relative lack of chemistry between them. Heck, they don’t seem to be romantically involved at all… Which, given the age difference, I’m thankful for at least.

Production Values

Very, very pretty, with tons of scenery porn. TROYCA are a very new studio (their only other series of note is the co-production of Aldnoah.Zero), but they certainly aren’t lacking budget here.

Overall Impression

Oh, dear. I love mystery shows, and Sakurako’s excentricities are a lot of fun to watch. So why partner her with the worst Watson figure ever ? I get that some degree of contrast between them is required, but he’s so persistently annoying that he nearly entirely kills the show for me by his lonesome.

I’m giving this a second episode against my better judgement because of the genre, but it’d better shape up soon.

Source: [In Which I Review] New anime, Fall 2015 – Page 4

Dance with Devils

(12 episodes)

What’s it about ?

Ah, the standard romance show with a heroine surrounded by creepy and devilish-looking handsome boys. Except this isn’t a shoujo manga or visual novel adaptation but an original project. And a musical.

Characters

Ritsuka, our protagonist, is your ordinary, slightly naive high school girl. She lives alone with her writer/translator mother, as her older brother is busy being ordained in England. If that last bit wasn’t already eyebrow-raising, then there’s the whole deal with her Mom being very insistant she wear a fresh new talisman every week. Considering it saves her bacon twice this episode, that sounds like a reasonable precaution.

One day she’s suddenly summoned by the Student Council, a quartet of creepy boys of various strikes. There were rumours she had broken some school rule, but they refuse to be more precise. Since her talisman prevents them from doing anything too nefarious, she’s just dumbfounded at this group of jerks and their unfounded accusations.

As she comes back home that evening, she sees a bunch of hooded thugs ransacking the place, and her mother motioning her to stay away. Of course, by the time she comes back with the police, everything is back to normal (aside from her mother being mysteriously absent), and they don’t believe her. As a perfectly sensible precaution, she decides to stay the night at one of her friends. However, than plan is hijacked by…

Rem, jerk student council president, who “rescues” her from the thugs attacking her again and… wait, did he just incinerate two of them while she wasn’t looking ? Anyway, he escorts her back to his mansion, supposedly for her own safety. He claims the student council are investigating a circle of devil worshippers at school, and initially mistook her for one of them… but I have a hard time taking anything he says at face value.

Production Values

As mentioned above, this is a musical. It opens with a glorious villain song featuring an evil Greek chorus being ominous as crap, goes on with Ritsuka going to school like she’s a Disney princess under the cherry trees, and also has the student council being introduced as super-creepy in their library den. It’s thus slightly disappointing that there’s so much plot setup that we don’t see anymore of those musical numbers in the second half of the episode. Hopeful the next episodes will balance them better, as they’re gorgeous-looking and the clear highlight of the show, both musically and visually. (Though the rest of the show looks quite good too.)

Overall Impression

From previous reviews, you may have notice I have very little time for this genre, especially if the numerous prettyboys aren’t particularly distinctive. But this pulls of the stops to get me onboard with a series of glorious musical numbers that are so over-the-top they’re incredibly charming. Which is a feat, for a series about rapey boys.

I’m less sold about the actual plot and characters (although I have seen much worse heroines than Ritsuka), but if the show can keep the musical numbers as impressive as this opener, then, to my complete surprise, I’m in.

Source: [In Which I Review] New anime, Fall 2015 – Page 4

STAR-MYU – High School Star Musical

(12 episodes)

What’s it about ?

Oh, dear. This is a show about a colour-coded boys’ band attending high-school. There’s just no way I can take this seriously, given how the previous show lampooned the genre to hell and back.

Characters

Hoshitani is our central protagonist. He’s enrolled into this school because he’s looking for some handsome singer he once saw wearing this uniform, and for some reason hasn’t bothered at all to look into how things work here.

Fortunately, this shy guy called Nayuki is perfectly willing to provide him with tons of helpful exposition. They end up being roommates, of course.

So the idea is that there are “Star” singer groups which are created from a very selective process organized by the most senior and elite Star group. You enter individually, and there’s certainly no guarantee you’ll end up with people you enjoy the company of. Hoshitani certainly has already managed to piss off a couple of them.

Since the Super-Star group are all humourless and stern dudes, I’m pretty sure the bizarre and mismatched group our heroes end up with is the work of one Ootori, who’s been roped in to help the Super-Stars out through a combination of nepotism and plain awesomeness. I like this dude, he’s a fun troll.

Since there’s not a single female character of any significance in sight, I’m guessing this is a boys-only school.

Production Values

Good enough for this kind of thing, and the musical numbers aren’t too bad.

Overall Impression

Yeah, no, sorry, I just can’t judge this fairly. It’s actually quite decent, with enough of a sense of humour about itself to be perfectly watchable despite piling on the clichés. I’ve seen much worse in the same genre. (Shonen Hollywood, I’m looking at you.)

But, well, I’m just not the audience for this kind of thing, and it was unlucky enough that context destroyed any interest I may have had in it. I’ll pass.

Source: [In Which I Review] New anime, Fall 2015 – Page 3

Osomatsu-san

(12 episodes)

What’s it about ?

Osomatsu-kun was a 60s family-friendly gag manga which got an anime adaptation at the time, then another one in the 80s. This year would have marked the 80th anniversary of its creator, so here’s another go at it. But freshening it up for a modern audience is by all measures an uphill challenge, for reason I’ll get into just below.

You can just hear the producers behind this revival loudly shouting : CHALLENGE ACCEPTED.

Characters

So, the gimmick here is that Osomatsu is the eldest of sextuplet teenagers. And the gag was that they’re indeed all identical, with only their voices and personalities barely helping the audience to call them apart. Well, that and their really dated 60s-pop-culture-derivative catchphrases. Let’s even politely not talk about the supporting cast, a bunch of ridiculous-looking stereotypes. There’s no way modern audiences will want to watch this, right ?

But then, what are you going to do ? Stunt-cast A-rank voice-actors, the likes of Takahiro Sakurai, Hiroshi Kamiya, Jun Fukuyama & Daisuke Ono, to play the sextuplets ? Turn them into a colour-coded boys’ band attending (*snicker*) “BL Academy” ? Have them act out awful cliché personas that are wildly out of character for them ? Have the supporting cast turned into more “cool” clichés, such as the delinquents or the Awesome Rival who’s totally not the French caricature from the original show ?

This naked commercial grab is a complete disaster, as the characters end up being completely exhausted and direly long for the commercial break to come. Even the most gratuitous Attack on Titan parody ever, or downright blatantly copying famous shonen shows, can’t stop this from falling apart. It’s just… not what them, you see ?

And so the show ends with the sextuplets still grasping for an answer to their conundrum. And they’ve been at it for so long that they’re now all in their mid-20s ; which is a new status quo that should give the writers enough rope to tell new stories.

At least, they really hope so.

Production Values

Studio Pierrot have outdone themselves here. The fake-retro opener, in a B&W 4/3 format with tons of artefacts, feels true to the original show. The parody section that constitutes much of this first episode both feels true enough to work, while still having enough weirdness in the background to sell that this is all a sham. And the final designs it settles on are decent modern upgrades that feel true to the source.

Overall Impression

For the record, I don’t believe this episode is really indicative of what’ll come next ; it’s here to make a point about how anime has changed over the decades (and not always for the better), while acknowledging that just slavishly copying either what was done in the 60s or what’s popular now just wouldn’t work. It’s the writers clearly stating that nostalgia alone can’t carry the show.

It’s also absolutely hilarious from start to finish, with impeccable comedic timing, even when they have to deliver bad jokes on purpose. This is metafiction on steroids, but done really well. And since it’s a gag show, they can totally get away with it.

Now, there are worrying signs. The joke may have gotten a bit overextended to fill the whole episode ; not all of the gags land. I still can’t tell too many of the sextuplets apart. (There’s Osomatsu, the “leader” ; Choromatsu, the straight man to most of their ramblings ; and maybe Todomatsu, who’s the “youngest” one ? The others are still a bit of a blur.) And most importantly, there’s no evidence yet that the writers have solved their central quandary, i.e. how to tell modern stories with these characters without losing their soul in the process. Can this premise actually support a full season ?

But hey, this first episode was fun enough that I’m willing to give them a bit of rope to see them try.

Source: [In Which I Review] New anime, Fall 2015 – Page 3

Concrete Revolutio ~A Superhuman Fantasy~ (Choujin Gensou)

(13 episodes)

What’s it about ?

It’s like half a dozen superhero shows mixed together into a single one.

Characters

Kikko, our heroine, is a teenage waitress who’s suddenly told a spy drama is about to unfold in her restaurant, and is thus asked to stop this scientist for leaking state secrets to this very shady-looking guy in a suit that does scream “spy”. Actually, he’s an alien spy, and the exchange is about something else entirely. But nevermind ! We also learn that Kikko is a magical girl, complete with cute talking mascot hidden in her cleavage. Her powers are a massive help in the ensuing chase scene.

Jiro, the guy with the bizarre haircut who asked for her help to bust the spy, is from a secret agency to monitor and protect superheroes. Cue sudden flashforwards to five years later where he’s on the run and she’s the one leading an agency taskforce to chase him down. Er, sure, whatever.

The actual point of the whole spy-busting thing, besides preventing whatever the aliens’ nefarious plan is, was to draw out Grosse Augen, a super-famous sentai-style superhero who’s been helping humanity out for a while. However, the agency deems him to dangerous to exist, so he has to go. (Much to Kikko’s dismay, as she’s a fan.)

Presumably a side benefit was to bring Kikko into the fold, as her wildly versatile magical girl powers should be a tremendous help.

Production Values

Gorgeous ! This looks really neat, with wildly unnaturalistic colour work that makes everything pop. There’s also tons of creativity around Kikko’s powers, such as the time she manifested a giant arrow to point out where the giant-size Gross Augen & alien spy were fighting, as normal human Jiro couldn’t see them while they were out of phase. And then he transformed his car into a giant mecha and threw the arrow at the spy.

Overall Impression

If the above summaries sounded wildly disjointed and completely insane, well, I’m trying to convey what watching the show is like. It’s a crazy mashup of at least four different superhero shows (the alien spy ring, Kikko’s magical girl thing, Grosse Augen’s sentai trappings, and the paranoid dystopia flashforwards), all gleefully colliding together into utter chaos.

It’s more than a bit disorientating, and I can understand being irritated by this scattershot approach. But it’s so gloriously bonkers that I can’t help getting caught into its kitchen-sink universe, trying to find a method to the madness.

I’m hooked.

Source: [In Which I Review] New anime, Fall 2015 – Page 2

Comet Lucifer

What’s it about ?

Light-hearted mecha show.

Characters

Sogo, our teenage protagonist, has a hobby of looking for rare crystals, mostly in that giant gaping hole in the middle of the city. Mostly to prove a point : supposedly his (missing ? late ?) mother had seen something there, and he wants to confirm it. He’s also driving around a lot in his flying bike, pushing its speed up to widely unsafe levels.

Kaon, his female friend, doesn’t help when she shanghais him into helping her run away from her persistent (and unwanted) fiancé. Cue wild car chase. Then end up falling into the hole, and then even deeper into unexplored caves.

There they find the giant red crystal Sogo had been looking for ; it reacts to a smaller one he’d picked up earlier on, and explodes into… freeing a girl that was encased inside ? Well, she’s unconscious and can’t answer their questions yet.

There are a bunch of serious people in military-like mechas who were also looking for the crystal ; their excavations were partly responsible for digging it out. They soon burst in, and they don’t look like they want witnesses. Uh oh.

But never fear : another mecha jumps out of nowhere, as though summoned by the crystal, to protect our heroes ! Who wonder wtf is going on.

Production Values

Very nice ; it’s a brightly coloured show, and the action setpieces are well-animated.

Overall Impression

That was fun ! It’s got a kinda kids’ adventure vibe that’s a hoot to watch, and endearing characters who bounce off well each other. I’m not sure where this is going, but if it keep up the energy, that should be good enough for me.

Source: [In Which I Review] New anime, Fall 2015 – Page 2

Mobile Suit Gundam – Iron-blooded Orphans (Kidou Senshi Gundam: Tekketsu no Orphans)

(25ish episodes ?)

What’s it about ?

From the people who brought you Toradora and AnoHana ! And it’s indeed almost, but not quite, entirely unlike those shows.

Characters

Oh, dear. This has the very common modern Gundam flaw of introducing all at once dozens of characters in various factions, speaking in exposition only they can understand, and I spend half the episode trying to catch up. I don’t care that this is more “realistic”, as it’s bloody awful storytelling.

Anyway, as best as I can discern : this is the future, and there are colonies on Mars extracting stuff. The political landscape is a bit of a mess, with some people wanting independance from Earth, and some Earth factions wanting to squash this in the egg.

Kudelia Aina Bernstein is the young face of the independence movement. Which is ironic, considering she comes from a rich family which made its fortune from its links with Earth. Today they sell her out, giving the anti-independence faction intelligence about her visit to a random Mars settlement, and thus ample opportunity for something unfortunate to happen.

Said settlement does have a PMC hired to provide protection to her, but most of the senior officers run away after the super-modern mecha start showing up to attack. So it’s up to the teenage orphans making up the bulk of the grunts to try and stand their ground.

Orga is their de facto leader. He’s awesome, and a great tactical thinker. It’s very impressive how he manages to stall the attackers despite his pals having much inferior equipment.

Mikazuki, his best friend and loyal follower, is named in the promo material as the actual protagonist, but so far I’m not really seeing it. He does save the day by piloting the relic Gundam they had rusting in a basement, though, but that’s just following Orga’s orders ; he barely gets three minutes of screentime overall.

Biscuit, the heavyset guy with impressive technical know-how, is a much more active and initiative-taking member of the group. He’s a lot of fun, and I like how he contributed to setting the attackers onto the cowards who abandoned them.

Production Values

It’s Sunrise doing mecha, so of course it’s very competently executed. Also, for some reason all the kids are piloting their vehicles shirtless.

Overall Impression

Urgh, that first half…

But once the attack starts and we get to see Orga in action, the show finally clicks together. Suddenly the kids’ chemistry shines, the obscure political manoeuvring becomes crystal clear, and I actually start caring what happens to our protagonists.

I’m watching all of Gundam anyway (see my sig), but there’s a decent chance I’ll actually enjoy this one.

Source: [In Which I Review] New anime, Fall 2015 – Page 2

Utawarerumono – Itsuwari no Kamen

(25 episodes)

What’s it about ?

Originally Utawarerumono was a tactical-RPG/visual novel hybrid, which got an anime adaptation a few years later in 2006 to tie-in with its PS2 rerelease.

This series is an adaptation of a sequel/spin-off videogame, which got released a few days ago. Synergy !

Characters

It’s not really clear yet whether this is a straight sequel set after the first game, or an alternate universe take ; apparently some of the (surviving) supporting cast are supposed to show up later on. For now, though, it’s all about new characters… who have very close dynamics to the originals.

“Haku”, our new protagonist, is an amnesiac dude who wakes up in cave, with monsters about to eat him. Also, unlike anyone else we see, he’s a straight human wearing a modern hospital gown. Given what I remember of the mythos from the previous series, it’s not a good sign. Anyway, he’s not only an amnesiac, but also completely ignorant of the world and its inhabitants, or even of a honest day’s work. He’s not very athletic and more than a bit lazy, but he does have a knack for engineering.

Kuon, the travelling merchant who saves him, quickly takes him under her wing, declaring herself his guardian and coining his new name. She’s a cat-human hybrid (which shows mostly with the ears and the tail). Anyway, cue cute romantic comedy hijinks in a pleasant medieval-fantasy setting. (That she‘s the one who spies on him in the bath tells you everything about this show’s priorities and sense of humour.)

Production Values

Quite nice ; there’s a good amount of scenery porn, and the animators are careful to let the body language of both leads carry a lot of the story.

Overall Impression

Well, this is certainly a nice and fun early romance between consenting adults. It easily captures what I liked best about Utawarerumono, and even improves upon it by having a more proactive female lead. So far, so good.

On the other hand, there are lots of worrying signs that the original mythos is still valid, and that was quite dark indeed. The original series struggled a lot with the sudden tone shifts between goofy harem comedy and brutal war story (to say nothing of the weird stuff towards the end), and both Haku’s introduction and the fact that the second game is still billed as a tactical-RPG makes me worry we’re going to cover similar territory. Now, it’s very possible this is a “done right” quasi-remake that suppresses the original’s weaknesses ; stranger things have happened. But the trainwreck potential is very present.

Anyway, this is a good enough start, and I’m intrigued enough by the project, to keep watching for at least a while.

Source: [In Which I Review] New anime, Fall 2015 – Page 2

Chivalry of a Failed Knight – A Tale of Worst One (Rakudai Kishi no Cavalry)

(12 episodes)

What’s it about ?

Oh, just shoot me.

This is the second light novel adaptation about teenagers in magical high school, with tons of gratuitous fighting and technobabble, airing this season. At least the third one’s not out until next week.

Characters

Ikki, our male lead, is known as the Worst One in his magical academy, as his magical abilities are way below par. He overcompensates by training his physical abilities and swordsmanship, but those aren’t counted by the official grading system, so he’s still “F Rank”. His only hope of graduating resides in winning the inter-academy tournament, of course. One day, as he comes back to his dorm room, he walks into…

Stella, our tsundere female lead, in her underwear. She… has got fire powers and is an actual princess from somewhere in Europe. I swear I’m not making up how ridiculously same-y all those shows are. Anyway, the reason she’s half-naked in Ikki’s room is because the Headmistress trolled them by not telling her she’d have a roommate. Because of course this is a co-ed academy !

Cue mock duel between the two of them, which Ikki wins against all odds, of course. He’s a nice enough dude not to really take her up on her wager that the loser’d serve the winner like a dog.

There are a couple of characters with designs distinctive enough to suggest they’ll join the supporting cast, but proper introductions will have to wait.

Production Values

Decent enough ; the duel in particularly is nicely paced. I also note that there’s a degree of equal-opportunity fanservice, as we get to see Ikki’s abs quite a bit.

Overall Impression

Er… it’s better than the other one ? It does manage to get out some nice character moments along the way, and the Principal’s trolling has good comedic timing. On the other hand, it’s still a generic tournament battle show which oozes blandness and features awkward romantic comedy hijinks which should have been retired ages ago, so it’d be a stretch to actually call it good.

Yeah, no, I have better things to watch.

Source: [In Which I Review] New anime, Fall 2015 – Page 2