Busou Shinki

(12 episodes)

What’s it about ?

Cute sentient dolls action figures doing cute things.

Characters

There’s a token generic dude who owns the show’s starring dolls, but he’s so superfluous and lacking any personality that he disappears offscreen for most of the episode.

Not the three main dolls have much personality either. There’s the generic main one, the jerk and the pushover who likes maid outfits. They spend most of the episodes “comically” unpacking the guy’s stuff after they just moved back into Tokyo. They meet a fourth one in a park. A fifth one shows up at the end of the episode.

Frankly, it’s a pain to describe such bland characters, especially as they do virtually nothing for 24 minutes.

Checking out the cast list on ANN is utterly depressing, as it promises appearances by dozens of other dolls, in what looks like a catalog of nearly every currently at least mildly popular voice actress. I’d hope they at least get a decent paycheck for this, but considering how the numbers are in favour of those merely being glorified cameos…

Production Values

Mostly okay, although be advised that the dolls are in leotards (and thus don’t wear pants). Fanservice isn’t too obnoxious, though.

What did I think of it ?

Oh gods please shoot me. This isn’t awful, but it’s terminally boring if you’re not an action figure fetishist. This was really a chore to watch to the end, and I’m not wasting any more of my time on another episode.

Which is disappointing, considering how the short ONA was actually decent and had semi-interesting ideas (although Angelic Layer did it better a decade ago). None of which are on display here, leaving just a empty pile of nothing. Avoid.

via [In which I review] New anime, Fall 2012 – Page 3.

BTOOOM!

(12 episodes)

What’s it about ?

Battle Royale with bombs.

Characters

Sakamoto is one of the world’s top players of BTOOOM!, an online FPS whose distinguishing feature is that your only weapons are bombs (of various types : contact-triggered, timed, etc.). The downside to his virtual fame is that, well, he’s a bit of a complete loser : unemployed for two years and spending all his time in front of his computer. Bonus points for verbally abusing his poor mother, who has the audacity to keep trying to find him a job, any job. (He’s got his eye on an opening at the game company producing BTOOOM!, but if he really believes he has a chance, he’s deluding himself.)

One day, he wakes up stranded on a tropical island, without any clue as to how he got there. (An eventual flashback shows that MIB seem to be involved, always a bad sign). His starting inventory : his grocery shopping from just before he got abducted, a starting set of 8 timer bombs, and a jewel incrusted into his hand that seems to work a bit like the sonar feature in BTOOOM! (except a lot less accurate).

The first dude he meets on the island’s beach never bothers to introduce himself, and point blank refuses to explain what’s happening to the n00b. Instead, he just attacks our protagonist with impact-triggered bombs.

Later on, our hero stumbles on another participant, a girl washing herself in a small lake. I suspect she’s his briefly-mentioned in-game wife, although if this show has any sense of humour that was probably the earlier dude. Anyway, she doesn’t even get a line of dialogue yet ; the next-episode preview suggests it’s entirely devoted to her backstory. (Are we having rotating point-of-view characters ?)

Production Values

Perfectly alright, although the girl’s character design is very fanservice-y indeed. Let’s hope she doesn’t poke anyone’s eye out.

What did I think of it ?

How can you hate a show so refreshingly honest about its nature that it’s called “BTOOOM!” ? This is a thoroughly dumb premise that’s fodder for nicely tactical action sequences and lots of explosions. The unsubtle bits of social satire aren’t unwelcome, either.

Ontological mysteries can often get a bit silly, and with only 12 episodes for an still-ongoing manga I doubt we’ll be getting many answers, but so far I’m tentatively enjoying the ride.

via [In which I review] New anime, Fall 2012 – Page 3.

K

(13 episodes)

What’s it about ?

Magic gang warfare in the future. With heaps of style.

Characters

Yashiro, an albino student who seems to have no care in the world. Friendly with everyone, but not letting anyone close enough to actually be his friend. An exchange student from wherever, he enjoys the heck out of living in Tokyo. He’s fun to watch, especially as it’s more than hinted that he’s got more depths beyond the cheery surface. He’s targetted by…

Mikoto and his crew of fire-magic users, last seen shaking some intel from some mafia-style group in the action prologue. They’re a bunch of tough guys with the token gothic lolita who has lie-detecting powers. Why exactly they’re after Yashiro isn’t clearly explained, but he may well be a key player in the gang war in disguise. Or they’re just framing him for whatever reasons.

Mikoto’s crew are chiefly opposed by the Blue Coats, a law-enforcement group that are trying their best to look half as cool despite only carrying swords. They’re not entirely unsuccessful, as they appear to have put Mikoto himself behind bars after the action prologue.

The wild card is some telekinetic guy called Kuroh, who saves Yashiro from Mikoto’s gang just to have a better shot at trying to kill him. That’s cold, dude.

Production Values

This is hands-down the best-looking show of the season by far. Not only has it got fantastic world-building with its city landscapes, and incredibly fluid animation that really shines in the action sequences, but it’s also served a colour palette which keeps shifting to better underline whatever’s on screen. This isn’t a realistic show by any reasonable measure anyway, so why not make everthing just pop off the screen through some carefully chosen use of bright pinks and blues ?

Everything here, from the shiny colours to the quirky soundtrack through the slow pans of people just walking ominously, obeys to a coherent aesthetic : making everyone look cool and stylish.

What did I think of it ?

It works. It’s very much style above substance, but the awesomeness of the presentation makes it a very fun ride. The characters aren’t very developped yet, and the actual plot remains obscure before the final twist, but the show has enough energy and charisma to let further depth slowly sink in between the fireworks.

We’ve got a winner here.

via [In which I review] New anime, Fall 2012 – Page 2.

Blast of the Tempest (Zetsuen no Tempest – The Civilization Blaster)

What’s it about ?

Conspiracy action thriller, with a dash of magic.

Characters

Yoshino, our viewpoint character. He seems to be a very ordinary high school student, leading a perfectly normal life (beaten up by the local bullies, etc.). He spends most of the episode being baffled by the increasingly crazier stuff happening around him. Which includes being held at gunpoint by…

“Evangeline Yamamoto, single, 28 year-old and currently unemployed” (one of her actual first lines of dialogue). Whoever she actually works for (she claims she’s just a concerned citizen acting independantly, but if you believe that I’ve got a bridge to sell you), she’s looking for…

Mahiro, Yoshino’s BFF, who disappeared a month ago. He got more and more agitated after his sister Aika got killed some months ago, especially as the police investigation is going nowhere. Which led him to become an apprentice to…

Hakaze, “one of the most talented mages in the world, even in [her] underwear” (actual monologue). One of the heirs of a powerful magic-using family, she was left stranded on a small desert island so she wouldn’t interfere with their plans. (So why not just kill her, especially as you expect her to starve to death anyway ?) She made contact with Mahiro through that old standard plot device, the message in a bottle.

I have no clue what the baddies are trying to achieve, but this somehow involves unleashing a plague upon the city that turns people into metal. (Fortunately, as a magic user Mahiro is immune, Yoshino and Evangeline were close enough to him to be protected too, and everyone Yoshino cares about – his parents and girlfriend – were conveniently out of town.) They also have a giant rock thingie emerge from the sea and float in the air, which somehow sprouts a huge eye.

Production Values

The visuals are quite good, as can be expected from Studio Bones. I’m not fond of the character designs, but they work.

I can’t decide whether the score is horribly misused or just crap ; it tries to be Dramatic! All! The! Time!, which really doesn’t work and makes the narrative’s sudden mood changes even more jarring.

What did I think of it ?

Wow, this is a complete mess. The dialogue is chronically terrible, as nearly everyone talks in exposition all the time. The pacing of the episode is horribly jumbled, with sudden timeline jumps and a general ordering of events which is plain bad storytelling (why have Hakaze narrate her contact with Mahiro instead of just showing it in a quick montage ?). The mood shifts don’t quite work either, with some of the slapstick material with Hakaze on her island not fitting well with the thousands of dead people in the city (not that the show seems to care about them).

And still… there are some intriguing ideas in there, not the least of which being the very well-executed twist at the end, putting a lot of what happened into question. I’m actually kinda interested in seeing where this is going.

Oh, fuck it. It’s got Miyuki Sawashiro (the only reason Hakaze still has any dignity after that underwear line) AND Hana Kanazawa (in full-on bitchy mode as Aika in the flashbacks). Of course I’m going to keep watching this, and complain all the time on how stupid and badly-plotted it is. Let’s this be my token trainwreck show of the season…

via [In which I review] New anime, Fall 2012 – Page 2.

Kamisama Kiss (Kamisama Hajimemashita)

(13 episodes)

What’s it about ?

Shoujo male harem with god bishies.

Characters

Nanami, our female protagonist. She’s got a bit more spunk and personality than the usual, what with now being on the streets due to her dad running away and the debtors taking the house over. She then meets…

Mikage, the local god, who ran away a long time ago and doesn’t really want to come back. So he kisses her on her forehead, which somehow transfers the local godhood to her. The scamp then disappears after giving her directions to the temple. Well, at least it’s a roof over her head…

Tomoe, a more minor local god, who’s been waiting for Mikage for ages. He’s really not fond of this normal human taking over the business, and was about to storm off when she kissed him, which somehow forces him to assist her. (Don’t ask me how it works, I was barely able to pay attention by then.)

There’s also a couple of mini-dudes in masks hanging around and being obnoxiously helpful.

Production Values

Very average.

What did I think of it ?

Snore. It may be because I have no interest in the genre, but I found this very boring. The two leads have no chemistry, and the jokes stop working halfway through. The OP/ED (and the next episode preview) promise more god bishies in further episodes, which I don’t find enticing at all.

I’ll pass.

via [In which I review] New anime, Fall 2012 – Page 2.

Regardless of My Adolescent Delusions of Grandeur, I Want a Date! (Chuunibyou demo Koi ga Shitai!)

(12 episodes)

What’s it about ?

Chuunibyou : a syndrome in which middle-schoolers with an overactive imagination act out a fantasy life, which wrecks most of their chances at a social life as their classmates have no time for those antics and shunning them. Apparently it’s a thing in Japan.

Characters

Togashi, our protagonist, used to think of himself as the DARK FLAME MASTER (cue Jun Fukuyama doing his Zero voice). He’s now thoroughly embarrassed by this, and trying his best to distance himself away from it. This includes entering a high-school quite away from his home just so that he can avoid anyone who knew him in middle school, and make a fresh start.

Unfortunately, Takanashi, his new neighbour, is still very much in this phase. He’s dismayed to discover she’s in his class, has found out about his dark secret (not that he’s much good at hiding it), and seems stuck to him whether he likes it or not.

Also introduced this episode without much development : the Togashi family (mother apparently working a lot, two little sisters) ; the mandatory lecherous new best friend ; a homeroom teacher who’s happy to rely on Togashi to deal with Takanashi ; and the perfect class representative who’s probably hiding something.

Production Values

Standard KyoAni fare, although in their lower range : good animation and attention to detail. (When Takanashi’s antics make a cupboard half-fall, it stays that way the whole scene.)

There’s a show within the show that shows up here and there, including taking over the ED ; it’s a cute parody of the kind of angsty nonsense those kids are obviously riffing off.

What did I think of it ?

The “guy takes care of a socially-inept girl” subgenre is always fraught with peril and unfortunate implications, but KyoAni dodge most of that minefield by focusing first and foremost on its protagonist, making it clear that he was suffering from the same problem mere months ago (and that he’s not entirely over it yet). It helps that they’ve got Jun Fukuyama, a voice actor with enough talent and charisma to sell every aspect of the character.

Obviously the topic at hand can be a sore one for the geek audience, but it’s to this show’s credit that it’s not really patronizing or insulting. It pokes fun at its characters without mocking them, which is a tricky balance to achieve. So far, so good.

via [In which I review] New anime, Fall 2012 – Page 2.

My Little Monster (Tonari no Kaibutsu-kun)

(13ish episodes ?)

What’s it about ?

Standard shoujo romance : a girl falls for the angry good-looking bad boy. After all, he stalks her, threatens to rape her, kisses her forcefully and casually backhands her, injuring her in the process ; this must be love, right ?

Characters

Shizuku, our protagonist. She’s very, very cold and misanthropic, and has no friends whatsoever, chosing instead to focus on her studying. I like her and her dry, cynical attitude (although she’d probably very annoying in real life). One day, she’s tasked with delivering transcripts to the recently-kinda-suspended…

Haru, our male lead. While he’s very violent, he’s not that bad a guy ; he’s just very awkward around people, has no sense of his own strength, and very little social knowledge. He likes Shizuku because she’s the only person who’s not afraid to look him in the eye, doesn’t exploit him (unlike that pack of “friends” that hangs around him early on), and just straight up tells him what’s what when she’s fed up with his haphazard behaviour.

What with some of the OP imagery and Haru’s body language, I’m starting to wonder whether the title might not be a metaphor (although this episode’s coy on the subject so far).

Production Values

Brain’s Base bring in their usual baseline of quality, although this is in their lower range. Most of the budget here seems to be spent on the body language, making sure that the lead characters are always doing something quirky or a weird face in every single shot.

What did I think of it ?

Ignore my generic annoyance at the usual shoujo romance tropes in my first paragraph (although all of those things do happen over the course of the episode) ; this is actually a very fun romantic comedy, with perfect comedic timing and hilarious sight gags and dialogue. The two leads have tons of charisma and chemistry, and are a delight to watch interacting. This is very much played for laughs, which makes the shoujo clichés more palatable.

It reminds me somewhat of KareKano ; while it’s nowhere that good a show, there are worse models to follow after.

A pleasant surprise, setting a high bar for the other shoujo romance shows also airing this season.

via [In which I review] New anime, Fall 2012.

Code Geass: Akito the Exiled (Boukoku no Akito)

(4 50-minute episodes ; next one’s out in March or something)

What’s it about ?

This is a side-story to the main Code Geass anime, apparently set at some point between the two seasons. Remember how that was mainly a struggle between the Brittanian Empire and occupied Japan, with the Chinese Federation meddling in ? Well, there was also a third superpower that was supposed to be kinda equal to those two, but never really got any screentime : the EU. The point of this story is to shed some light on those guys.

Characters

The titular Akito is one of the many Japanese people who fled to the EU when Japan got conquered by Brittania. Unfortunately, the EU is about as racist a society as Brittania, as it keeps them into camps where they barely survive and uses those non-citizens as cannon fodder for its war. Akito himself is an unbelievably talented mecha pilot, and has a bit of a death wish.

Our actual protagonist here is Commander Leila Malcal, who leads his unit. Because we can’t have an EU character who isn’t a jerkass, she’s actually adopted from a disgraced Brittanian family. She’s a tactical genius, sympathetic to the Japanese plight and all-around awesome ; her main flaw seems to be a tendency to avoid confrontation until it’s a bit too late (she lets another commander nearly botch the opening mission and get about her whole squad slaughtered before she takes the initiative to have him removed ; and then there’s the issues with her adoptive brothers…).

We also meet a group of Japanese gunrunners/terrorists who are very angry indeed. Predictably, Leila recruits them after they try kidnapping her mentor figure for ransom.

Our top villain for the overarching story seems to be Shin Hyuuga Shaing, who takes over the closest Brittanian outpost by the episode’s end. That he shares a last name with Akito is probably significant. To make things worse, he’s got exactly the same Geass as Lelouch, which feels very strange to me (didn’t every Geass user in the original series have a completely different power ?).

None of the characters from the main series have shown up so far, although the next episode preview already promises appearances by C.C. and Suzaku. From what I vaguely remember of the original plot, there’s a strong possibility of the latter slaughtering everyone at the end (which would explain why none of those new characters have any impact on R2).

Production Values

This doesn’t deviate much from the Code Geass aesthetics : noodle people, and baroque costumes.

The one big departure is for the mecha fight scenes : they’re fully CG animated now. They might have been rendered a bit too dark, but the animation is a thing of beauty, making the OVA worth watching on its own. Akito’s spider-mecha is dancing around at high speed, with a level of detail to every single movement that forces the admiration ; the camera’s wild movements and the spastic jazz soundtrack make it even more dynamic and enthralling.

(And as logic made me wonder why we didn’t see any of this fantastic mecha action in R2, I remembered that most of mecha combat has gone airborne by then, making such ground combat obsolete.)

Overall Impression

A lot here depends on how much time you have for Code Geass‘s glorious dumbness and awkward Japanese nationalism. If you didn’t enjoy the ride then, there’s little chance you’ll appreciate this, as it’s pretty much in the same vein.

The big question mark on this OVA series was that, well, it focuses on the part of the setting nobody cared about the first time around, and doesn’t feature Lelouch at all (as his charisma held the original show together). The good news is that it does work and feels like a worthwhile addition to the story, instead of just a random cash grab (hello, Nunnally in Wonderland !).

I’m definitely on board for whenever the next instalment comes out.

via [In which I review] New anime, Fall 2012.

From the New World (Shinsekai Yori)

(25 episodes)

What’s it about ?

In the future, everyone gets telekinetic superpowers at puberty ! The consequences were so dire that the adults have set up a massive conspiracy (disguised as coming-of-age rituals and education) so that part of those powers get sealed off, and the most unstable kids get “disappeared”.

Characters

Saki, our protagonist. Her powers were late to bloom, so she joined the school-for-powered-kids after all her friends (a handy way to get some exposition out on her behalf). Not much in the way of a personality yet, aside from “somewhat scared”. (Which is a perfectly reasonable reaction in her position.)

Similarly, her friends fall into familiar categories (the quiet top student, the asshole loudmouth, the innocent guy, etc.) and don’t really stand out as characters yet. But then, this is an exposition-heavy first episode, and there’s 24 more for them to develop.

Saki’s parents aren’t really in a position to prevent the “disappearance” of their own daughter (the committee which oversees this is apparently quite autonomous). It really doesn’t help that Saki once overheard them talking about it.

Production Values

Quite good ; for some reason this is set in the countryside (did civilization take that much of a hit ?), and we are treated to some decent scenery porn on and off. The character designs are very generic but serviceable.

The direction is very good at creating a very toxic and paranoid atmosphere. It’s a bit rough around the edges, with sudden flashbacks often coming out of nowhere, but it helps building an oppressive mood. Especially effective is the opening scene depicting the emergence of superpowers in all its horror.

Overall Impression

This is quite promising. The setup isn’t particularly innovative, but it’s presented in such a way that it’s very creepy indeed. While most of the episode is centered about inoffensive-looking rituals, classes and slice-of-life scenes, the paranoia is slowly ramping up over the course of it.

The downside is that none of the kids really have any depth yet. Heck, Saki’s parent display more character and pathos in three minutes than the kids in the whole rest of the episode.

Still, that can be resolved later on, and at least this episode set the stage properly. I’m curious to see where it goes.

via [In which I review] New anime, Fall 2012.

Summer 2012 capsules

Because I didn’t have anything better to do while waiting for the big premieres tomorrow, I checked out some of the OVA that surfaced over the last couple of weeks. This might have been a mistake.

Most perplexing is probably Ai Mai! Moe Can Change!. It’s an adaptation of a “moe-girl raising” game, where the key gimmick is that the player can change their clothes ad nauseam. None of this here… well, except that the girls keep changing clothes. Seriously, they rarely keep the same ones for more than a minute, thanks to a magical phone app (although its inventor later shows she can produce the the same effect with cakes !). There’s barely any plot in sight here, just sadistic barely-developed characters tormenting each other. Who the heck enjoys this kind of brainless drivel ?

Mahou Tsukai Nara Miso o Kue! (“Eat Miso if you’re a sorcerer !”) is barely any better. It’s basically a 12-minute trailer for an award-winning light novel… which is so painfully generic one wonders who thought it’d deserve any awards. The plot is a cliché-storm (down to the opening scene having a short bratty girl crashing into generic male lead’s flat), the characters have no personality beyond their archetypes, and the jokes are well-worn indeed. It’s the kind of stuff you’d expect to be parodied in Genshiken, except without any indication the writers know that. And did I mention it’s padded out with facepalm-inducing lingering candid shots of the main female characters ?

Don’t bother with either of those.

via [In which I review] New anime, Summer 2012 – Page 4.

A few words about Chitose Get You!, yet another series of shorts adapted from 4-panel manga. And well, whatever you think about its one joke (an 11-year-old girl with a crush on some random adult dude), at least it’s got some decent direction to sell it and make it somewhat watchable. Which is better than I expected.

via [In which I review] New anime, Summer 2012 – Page 7.