Tag: light novel adaptation

GJ-Club (GJ-bu)

(12 episodes)

What’s it about ?

Comedy show set in one of those ubiquitous high school clubs with no purpose aside from goofing off.

Adapted from what calls itself a “4-panel light novel”.

Characters

Mio, the club president. She’s small and annoying.

Kyouya, the token guy and straight man to all the jokes.

Shion, the more-than-slightly creepy genius.

There’s also a girl who dresses like a maid, and a borderline-feral girl.

Production Values

Adequate, I guess. Most of the budget seems to have been spent on the elaborate school uniforms.

What did I think of it ?

The characters are the usual one-note archetypes. I have no clue what “GJ” even means here. And most of all, there are barely a few jokes that raise a smile ; most of them are just dreadfully unfunny.

This is a show with no selling point whatsoever, and is instantly forgettable. Avoid.

via [In which I review] New anime, Winter 2013 – Page 6.

My Girlfriend and Childhood Friend Fight Too Much (Ore no Kanojo to Osananajimi ga Shuraba Sugiru)

(13 episodes)

What’s it about ?

High school harem romantic comedy.

(Adapted from light novels, as you can guess by the ridiculously long and plain title.)

Characters

Eita, our protagonist. He’s been badly burned by both his parents walking out of his life after finding love elsewhere, and thus doesn’t want to hear about any romance whatsoever. He’d rather concentrate on his studies, thank you.

Chiwa, his very annoying childhood friend. The kind that now stalks him relentlessly and regularly invites herself for meals. I get the notion that he mostly tolerates her because chasing her off would involve too much energy.

Natsukawa, the beautiful and ultra-popular girl in his class. Like him, she has no interest in romance, and she’s getting tired of getting proposed once a day ; her solution is to use him as a fake boyfriend so as to finally get some peace. She’s somehow got her hand on his embarrassing diary, so it’s not like she’s got any say in the matter…

There are two other girls featured prominently in the OP and preview artwork ; maybe it’s related to that club mentioned in the next-episode preview.

Production Values

Perfectly okay as far as visuals go ; the main distinguishing feature is very bright, pastel colours. The score is nearly entirely crap, always slightly out of place and emphasizing the artificiality of the scene breaks.

It’s telling that Eita is entirely absent from the OP sequence…

Overall Impression

Hum. The first half of the episode was very unengaging indeed, with haphazard storytelling (must Chiwa really be the one to exposit to Eita about Natsukawa ?) and the childhood friend character being obnoxiously annoying. However, it changes radically once the “girlfriend” finally gets to speak : it’s Yukari Tamura at her best, cynical, whimsical, and affecting various personae at will. She’s clearly this show’s most (if not only) entertaining character, and its main selling point.

Is this enough to make the series worth watching ? Er, I’ll get back to you about that in an episode or two, once we actually see her interacting with someone besides her beard, and the “plot” gets properly underway (so far, the two title characters have yet to even meet, let alone fight like the title suggests). I’m not too optimistic, but maybe the show will click together then.

In a busier season I wouldn’t have bothered with this one, but I’m willing to give it a bit of rope for now.

via [In which I review] New anime, Winter 2013 – Page 3.

MAOYU – The Dark Lord and the Hero (Maoyuu Maou Yuusha)

(12 episodes)

What’s it about ?

Heroic fantasy mixed with economics.

Characters

The Hero, champion of the human realms in their war against the demons. He’s in such a hurry to defeat the Dark Lord that he runs towards the Evil Castle, leaving his usual party members behind. He’s very gung-ho about the whole thing until he actually meets…

The Dark Lord, who’s really a gentle young woman, and has no desire to fight whatsoever. She’s sick of the war and would rather they find a way to end it together (well, that, and she’s smitten by the legendary dashing young man). Her death/capture/whatever would solve nothing, as there are way too many vested interests on both sides to keep the war going (cue a comprehensive lecture to a bemused Hero about the subject). They’re going to need to be more clever than that…

(In case you’re wondering, nobody in this show has any name beyond their role ; for example the Hero’s party comprises, beyond him, of the Female Knight, the Magician and the Old Archer.)

Production Values

One could have expected the worst from studio Arms, who have barely contributed to anything of worth since Elfen Lied nearly a decade ago, but did produce the likes of Queen’s Blade, Ikki Tousen and various porn OVAs. Well, while the camera is very interested in the Dark Lord’s huge tracts of land indeed, the fanservice level remains quite tame ; there’s nothing too egregious on that level.

Actually, this does look quite good. The backgrounds are quite good-looking (although the CG scenes look a bit awkward, especially that spinning battlefield one with the Hero’s party left behind), and the animation of the Dark Lord’s body language is very good indeed.

Overall Impression

They had me at “Jun Fukuyama & Ami Koshimizu flirting while talking about economics”, a formula with some pedigree indeed.

Now, this is a rough first episode. The (deliberately generic) backstory is rushed through in a terse narration infodump so that we can get to the one scene that matters, with our two leads meeting. This makes the Dark Lord’s infatuation come a bit out of nowhere, although the episode does manage to eventually sell it by its end. Similarly, the Hero’s final decision feels a bit too quick.

But that’s nitpicking. The two main voice actors make a very convincing job of quickly fleshing out their characters beyond the stated archetypes, while exuding tons of charisma throughout. (I had no clue you could display any charisma while spending the whole episode entirely baffled. Jun Fukuyuma somehow pulls it off.)

Also promising : the economics described here paint a very detailed picture of the human realms (the Dark Lord is more vague about the demon side of the equation) that makes perfect sense and feels impressively real. I’m eager to see what other aspects further episodes are going to explore. It certainly makes the stakes quite high from the get-go, and I wonder what the Dark Lord is planning to do. (The title for the second episode is… most intriguing.)

So. There are bits that don’t quite work. (By the way, why exactly is the Magician spouting the same catch-phrase as her voice-actress’s character in Smile Precure, of all things ?) But there are a lot that do work, including the show’s main selling points (the economics and the relationship between the two leads). So on balance I’m quite happy with continuing to watch this.

via [In which I review] New anime, Winter 2013 – Page 2.

Sakurasou’s Pet Girl (Sakurasou no Pet na Kanojo)

(24 episodes)

What’s it about ?

Sakurasou is a special dorm for an “art” school, designed to keep in check the most socially-inept-but-artistically-brillant students.

Characters

Sorata is the one “normal” guy in Sakurasou ; he’s there because he likes taking care of stray cats and the dorms for normal people don’t allow pets. As the only person with a head on his shoulders, he’s often tasked with helping out with the other residents’ idiosyncracies.

The current students attending the dorm include : Misaki the energetic artist/animator with no sense of decency ; Jin the casanova writer, and some programmer dude who only communicates through his maid-avatared answering machine.

And also Mashiro, the newest arrival, incidentally the teacher-in-charge’s niece. Very un-energetic indeed.

Sorata’s also got a kinda-girlfriend patiently waiting for him with the normals, although I’m not sure he’s noticed.

Production Values

Perfectly okay.

What did I think of it ?

Hum. I heavily dislike the “guy takes care of socially-inept girl” genre on principle, and even this series mostly playing it for comedy doesn’t manage to overcome that. There are some decent jokes, but it mostly degenerates into “ahahah she can’t dress herself that’s so funny” fare by the end of the episode.

Maybe in less busy a season I’d give this more time to find its feet, but no thanks. (Especially as it’s going to last for 6 months.)

via [In which I review] New anime, Fall 2012 – Page 6.

Just because you’re my brother doesn’t mean there can’t be love ! (Onii-chan Dakedo Ai Sae Areba Kankeinai yo ne)

(12 episodes)

What’s it about ?

The title says it all, doesn’t it ?

Characters

Akiko, our protagonist, has just moved to her brother Akito’s high school dorm after six years living apart. (The reason why they’ve been separated for so long, or indeed whether they have any parents at all, is left unstated.) For some reason she’s madly in love with him, and tries to sex him up at every opportunity.

To Akito’s credit, he’s completely baffled by this, and tries as tactfully as possibly to push her advances away. Well, until ten minutes into the show, where he stops being subtle.

Because this premise gets annoyingly repetitive already by the halfway point, the show spices things up by adding three other female roommates : the brash tomboy with an inexplicable eyepatch, the emotionless deadpan snarker, and the nice one. Because lazy storytelling, all five of them are somehow make up the student council.

Production Values

It’s a shame Silver Link get wasted on animating this crap, because at least they’re making it look decent. Well, aside from the numerous close-up on female thighs. (Boobs aren’t forgotten either.)

Overall Impression

Oh dear gods please shoot me. Akiko is thoroughly annoying within mniutes of showing up on screen, and stays that way throughout. I suppose this show is slightly better than its ilk for making its central point that everyone thinks that Akiko’s obsession is ludicrous and unhealthy. The problem is that the joke is barely funny to start with, and certainly isn’t anymore by the hundredth time it’s hammered home.

A comedy show that’s dreadfully unfunny. Avoid.
(But then, as someone who actually has a younger sister, I get the feeling I’m not in the audience for those siscon/brocon shows and just shouldn’t bother with any of them.)

via [In which I review] New anime, Fall 2012 – Page 4.

Regardless of My Adolescent Delusions of Grandeur, I Want a Date! (Chuunibyou demo Koi ga Shitai!)

(12 episodes)

What’s it about ?

Chuunibyou : a syndrome in which middle-schoolers with an overactive imagination act out a fantasy life, which wrecks most of their chances at a social life as their classmates have no time for those antics and shunning them. Apparently it’s a thing in Japan.

Characters

Togashi, our protagonist, used to think of himself as the DARK FLAME MASTER (cue Jun Fukuyama doing his Zero voice). He’s now thoroughly embarrassed by this, and trying his best to distance himself away from it. This includes entering a high-school quite away from his home just so that he can avoid anyone who knew him in middle school, and make a fresh start.

Unfortunately, Takanashi, his new neighbour, is still very much in this phase. He’s dismayed to discover she’s in his class, has found out about his dark secret (not that he’s much good at hiding it), and seems stuck to him whether he likes it or not.

Also introduced this episode without much development : the Togashi family (mother apparently working a lot, two little sisters) ; the mandatory lecherous new best friend ; a homeroom teacher who’s happy to rely on Togashi to deal with Takanashi ; and the perfect class representative who’s probably hiding something.

Production Values

Standard KyoAni fare, although in their lower range : good animation and attention to detail. (When Takanashi’s antics make a cupboard half-fall, it stays that way the whole scene.)

There’s a show within the show that shows up here and there, including taking over the ED ; it’s a cute parody of the kind of angsty nonsense those kids are obviously riffing off.

What did I think of it ?

The “guy takes care of a socially-inept girl” subgenre is always fraught with peril and unfortunate implications, but KyoAni dodge most of that minefield by focusing first and foremost on its protagonist, making it clear that he was suffering from the same problem mere months ago (and that he’s not entirely over it yet). It helps that they’ve got Jun Fukuyama, a voice actor with enough talent and charisma to sell every aspect of the character.

Obviously the topic at hand can be a sore one for the geek audience, but it’s to this show’s credit that it’s not really patronizing or insulting. It pokes fun at its characters without mocking them, which is a tricky balance to achieve. So far, so good.

via [In which I review] New anime, Fall 2012 – Page 2.

Summer 2012 capsules

Because I didn’t have anything better to do while waiting for the big premieres tomorrow, I checked out some of the OVA that surfaced over the last couple of weeks. This might have been a mistake.

Most perplexing is probably Ai Mai! Moe Can Change!. It’s an adaptation of a “moe-girl raising” game, where the key gimmick is that the player can change their clothes ad nauseam. None of this here… well, except that the girls keep changing clothes. Seriously, they rarely keep the same ones for more than a minute, thanks to a magical phone app (although its inventor later shows she can produce the the same effect with cakes !). There’s barely any plot in sight here, just sadistic barely-developed characters tormenting each other. Who the heck enjoys this kind of brainless drivel ?

Mahou Tsukai Nara Miso o Kue! (“Eat Miso if you’re a sorcerer !”) is barely any better. It’s basically a 12-minute trailer for an award-winning light novel… which is so painfully generic one wonders who thought it’d deserve any awards. The plot is a cliché-storm (down to the opening scene having a short bratty girl crashing into generic male lead’s flat), the characters have no personality beyond their archetypes, and the jokes are well-worn indeed. It’s the kind of stuff you’d expect to be parodied in Genshiken, except without any indication the writers know that. And did I mention it’s padded out with facepalm-inducing lingering candid shots of the main female characters ?

Don’t bother with either of those.

via [In which I review] New anime, Summer 2012 – Page 4.

A few words about Chitose Get You!, yet another series of shorts adapted from 4-panel manga. And well, whatever you think about its one joke (an 11-year-old girl with a crush on some random adult dude), at least it’s got some decent direction to sell it and make it somewhat watchable. Which is better than I expected.

via [In which I review] New anime, Summer 2012 – Page 7.

The Ambition of Oda Nobuna (Oda Nobuna no Yabou)

(12ish episodes ?)

What’s it about ?

Gender-swapped sengoku warlords, because there must be one of those in every season.

Characters

Yoshiharu, our generic male lead. The narrative wastes no time and has him already thrown to the past (or whatever parallel world this is) by the episode’s start. The gimmick here is that he’s an avid player of videogames set in the Sengoku era, and can thus predict just about everything that’s going to happen. Well, aside from the fact that nearly every single major character is now a girl. Anyway, he stumbles on Hideyoshi getting killed way ahead of schedule, and has to take his place and become the servant of…

Oda Nobuna, our female lead, just starting on her quest to conquer the whole of Japan (and beyond). It’s a bit painful to see her reduced to a generic tsundere.

… But not less painful than seeing some of the other major historical figures now being 10-year-old (at best) girls that can barely speak ye olde Japaneseth. Urgh.

For some reason, Saitou Dousan is still a dude. Presumably he won’t matter beyond this first episode.

Production Values

Perfectly okay ; it’s always a shame to see the budget wasted on those things.

Overall Impression

Terrible. It’s a weak concept that’s been done before, and better. (Seriously, even Sengoku Otome was better executed than this.) None of the characters have any charisma and the protagonist’s gimmick kills any suspension of disbelief you might have (seriously, how the heck do exactly the same events keep happening despite the obvious differences in the setting ?).

Don’t bother with this one.

via [In which I review] New anime, Summer 2012 – Page 11.

Kokoro Connect

(12ish episodes ?)

What’s it about ?

Slice-of-life high school series… with body swaps.

Characters

Taichi, the main dude. Aside from an heavy interest in wrestling, he’s quite generic. Swaps out bodies midway with…

Iori, the fanciful and hyperactive girl. Technically the president of the “Student Culture” club (made from the 5 weirdoes who didn’t fit anywhere else), although she doesn’t act like it.

Himeko, the straight-laced girl who’s constantly annoyed by everyone else’s antics.

Yoshifumi, the casanova, and Yui, the shy girl, swapped bodies last night for a bit, which was very confusing to them both and quite awkward.

So far, nobody has a clue why this is happening or how.

Production Values

This is a lot more restrained than usual for studio Silver Link (BakaTest, CxCxC, Dusk Maiden of Amnesia), who are normally known for more showy directing techniques and artificial colour palettes. It’s still quite good-looking, and I like the effects used for denoting the body swaps.

Also, there’s refreshingly nearly no fanservice.

Overall Impression

This is a fun little series. The main characters have very good chemistry and play well off each other, which is essential for such a premise.

I was already hooked when the first half of the episode was previewed a week ago, but this confirms my initial good impression.

via [In which I review] New anime, Summer 2012 – Page 11.

Sword Art Online

(25 episodes)

What’s it about ?

A virtual-reality MMORPG gone horribly wrong.

Characters & Plot

Kirito, our protagonist. He was one of the beta players of this new Sword Art Online game, so now he’s fully prepared for the actual game. Besides “competent” and “very knowledgeable about SAO”, he doesn’t show off much personality yet. And he’s quite nice to…

Klein, the n00b, who stood in line for the midnight release of the game (10K copies in total). Kirito has the patience to teach him the combat system (no magic, only swordplay), and they spend some time killing slime-level encounters in the beginners’ area.

Kayaba, the creator of the game. I have to give him credit for style : when he shows up, it’s with a gigantic avatar literally bleeding from the skies. He announces that (1) the “logout” menu option is now disabled ; (2) outside disconnection of the VR helmet by friends or family will cause the immediate death of the player ; (3) running out of HP will kill the player for real ; and (4) the only way out of the game is to reach the 100th level of the worldmap.

Well, crap. This is gonna be a loooong gaming session…

(There’s a girl prominently featured in promotional material and the ED, but she’s yet to show up.)

Production Values

This is a gorgeous series, full of scenery porn ; for a while it kinda looks like an extended SAO commercial (well, until the death toll starts racking up). The combat sequences look good, and even the extras have a lot of life to them. (Aside from a few glaring static crowd shots during the announcement.)

Overall Impression

On the one hand, this is a very-well executed first episode, perfectly selling the premise and the stakes. The writers clearly made their homework about how MMORPGs and their players work.

On the other hand… it’s a MMORPG. Endless grinding and senseless quests are kinda built in, and I have no clue yet how the series is going to spice it up so that it doesn’t become tedious awfully fast.

Still, that was such a good first episode that I’m keeping an open mind about it.

via [In which I review] New anime, Summer 2012 – Page 11.