Tag: humour

Sakura Trick

(12ish episodes)

What’s it about ?

High-school romantic comedy about lesbians. (Adapted from a 4-panel gag manga.)

Characters

Haruka, our main point-of-view character. She would be the straight man in half the jokes if she wasn’t a lesbian girl. A bit airheaded and clumsy.

Yuu, her longtime girlfriend. They were already friends each other in middle school, and are now pushing it to the next level. More brash and fiery-tempered.

There are quite many other lesbian girls in their class… oh, fuck it, this is so boring I fell asleep and can’t remember anything about them.

Production Values

Studio Deen recruited a SHAFT alumnus to direct this, and it shows ; he’s trying his darnedest to spruce up those talking heads with every visual trick in his bag : unusual shots, some good use of colour, and of course many close shots of young girls’ thighs.

Overall Impression

How can this show be so DULL ? Admittedly I often run hot and cold on 4-panel gag manga adaptations, but the jokes here just aren’t very funny, and the characters are instantly forgettable. It feels like the show’s only selling point is “Lesbians!”, and that just won’t cut it.

Don’t bother with this one.

via [In which I review] New anime, Winter 2014 – Page 5.

Hoozuki the Cool-headed (Hoozuki no Reitetsu)

(12ish episodes)

What’s it about ?

Adaptation of a comedy manga about hell bureaucrats.

Characters

Hoozuki, our protagonist, is a key member of Hell’s administration ; more specifically, he’s the guy who’s dispatched everywhere to deal with whatever problematic situations arise. It’s way less glamorous than it sounds, as the complaints are usually petty and/or misdirected. Still, that’s his job, and he accomplishes with imperturbable (but always slightly irritated-sounding) phlegm.

King Enma of Hell, his boss, is completely overwhelmed by all the complaints addressed to him, and is all too happy to offload the whole of them onto his subordinate. He respects his competence, and spends the second half of the episode trying to make some small talk with him.

Momotarou, the Peach Boy, invades Hell in the first half to kill some demons, with his three animal sidekicks in tow. (If you’re not aware, killing demons was his shtick over in his tale.) He thinks himself a man with a mission, but really he’s just embarrassing himself, and his sidekicks are tired of his antics. Hoozuki deals with him with barely any use of violence.

(Apparently, each episode will feature two independent tales.)

Production Values

Well, it’s certainly got a distinctive artstyle, well-detailed and full of background jokes. It’s good at conveying how both alien and mundane Hell is, and that’s key for the joke to work.

Overall Impression

On an intellectual level, I appreciate what this series is doing. It’s got a decent joke at its core, the dialogue is witty, and it looks like nothing else being aired right now. I had every reason to want to like it.

Unfortunately, it’s Very Japanese Indeed : it relies heavily on folklore and pop-culture jokes I have no familiarity with. As it is, I just can’t connect with it, and enjoy it ; I’m going to have to give it a pass.

via [In which I review] New anime, Winter 2014 – Page 5.

Engaged to the Unidentified (Mikakunin de Shinkoukei)

(12 episodes)

What’s it about ?

Adaptation of a 4-panel gag manga about teenage arranged marriage.

Characters

Kobeni, our protagonist, is a normal high school girl. Who’s just learned she’s been forcibly engaged to some far-related cousin from the boonies. And he’s coming to live with her family right now. Obviously, she’s not too happy about this, despite her generally easy-going nature.

Hakuya, said fiancé, does seem like a decent dude. He’s got no presence whatsoever, though.

Mashiro, his younger sister, is the big problem. For one, she’s also coming to live in. But mostly, she’s just very, very annoying in her worship of her brother and her jealousy against Kobeni.

Benio, Kobeni’s older sister, is the idol of her high school… but a lecherous, borderline-lolicon at home. Maybe she’s just joking, but Mashiro certainly hates her attentions.

Production Values

Perfectly okay for this kind of thing. There are heavy white highlights that give a somewhat pastel look to the characters (if that makes any sense), which looks okay enough.

Overall Impression

Well, this could be a lot more cringe-worthy, what with the forced-marriage and lolicon elements of the premise. As it is, it feels oddly charming.

On the other hand, it’s not that funny, and I have better comedies to watch. So I’m not going to bother with it.

via [In which I review] New anime, Winter 2014 – Page 5.

Winter 2014 Capsules

Double Circle is quite a bizarre project. It spends most of its short screentime introducing its cast of quirky oddballs (that aren’t too interesting yet), until the reveal that they’re actually a sentai hero team. This is quite a gear change, to put it mildly. Apparently this series was produced by Toshiba to promote its clean-energy and environment-friendly projects ; that it’s barely visible in the final product might speak of a core problem. Anyway, it’s fairly generic and the irregular release schedule makes it pretty sure to fall off my radar by the time the next episode is out.

Pupipo! is more conventional stuff. This manga adaptation tells the story of a gloomy girl who’s the only one who can see the many ghosts surrounding her. Presumably they stick around her because she’s the only one who can interact with them ; unfortunately, they’re quite jealously demanding her attention, and she has to fend off any attempts from kids her age trying to be friends with her, lest they get attacked. This understandably puts a crimp onto her social life. This all changes one day when (1) she meets a girl too stupid and stubborn to back off like everyone else, and (2) she finds “Po”, a mysterious creature that looks like a fuzzy pink ball and is scary enough to make the ghosts start behaving a bit.

It’s a standard coming-of-age story, clearly aimed at young girls ; but it’s decently done, and quite good at developing its atmosphere. The gloomy protagonist has a striking design, as well. And it’s short enough not to overstay its welcome ; I could quite see myself sticking with it for the whole season.

via [In which I review] New anime, Winter 2014.

Okay, I tried watching Future Card Buddyfight, but there’s only so much I can stand from a blatant cardgame advertisement. Everyone gushing about how awesome Buddyfight is ? Check. The whole world revolving around it, to the point that this cop offers a criminal a choice between surrender, and duelling him at a cardgame ? Check. School classes that include unpacking new cards at the start of the lesson ? Okay, that’s a new one for me, but whatever. Blatant token introductions for a dozen of bit characters that are obviously going to be featured later on ? Par for the course.

Sigh, I’m just not in the market for this. It actually looks quite fine, and there are some decent jokes, but I just can’t get any enthusiasm into watching this. The two annoying protagonists (good samaritan kid and his new dragon-buddypet that just can’t stop complaining about everything) just get on my nerves way too much.

via [In which I review] New anime, Winter 2014 – Page 2.

I tried, but I just can’t gather the will to write at length about Robot Girls Z. It’s a very gimmicky show (mecha-girls patterned after mecha from vintage shows such as Mazinger Z) that falls completely flat for me. I have no nostalgia for those old series (they were before my time), and the actual machines are what I find the least interesting in that genre anyway ; crossing them with moe girls doesn’t help. And it’s not like these shorts really do anything with the premise aside from pure fanservice.

via [In which I review] New anime, Winter 2014 – Page 4.

Strange+ is yet another of those shorts adapting a gag manga. (Not a 4-panel one, though.) It follows the wacky hijinks of a team of “detectives”, and while it’s far from subtle, it did get a few laughs out of me. It looks terrible, but that’s par for the course for this kind of thing.

I know some of you were waiting for my take on pupa, but what is there to say ? I already had an inkling of what I was in for, and anyway the first episode barely gets anywhere, what with clocking at barely four minutes long. For what it’s worth, it’s a straightforward horror series about a girl who gets transformed into a cannibalistic monster ; we don’t even get to the part where she starts eating her brother. Still, it’s good at building atmosphere, and that’s what really matters. I’ll probably keep watching to see where it goes.

Z/X Ignition is a full-length show, but it was so boring I literally fell asleep halfway through ; and I have no wish whatsoever to try rewatching it to get a better sense of the plot. From what I can gather, a bunch of dark portals appeared all over the world, spawned monsters and “destroyed civilization” ; somehow civilization seems mostly fine a few years later, with some people having somehow domesticated monsters. There’s a lot of impenetrable exposition about monster classification and so on, because of course this is adapted from a card game.

To be honest, I have no clue whatsoever which of the characters I’m supposed to be rooting for. They’re all very generic, I seem to have missed out the part where their motivations get explained. Not even a lead role for Miyuki Sawashiro (whom I’ve surprisingly heard nowhere else this season) can make me pay attention to this crap.

via [In which I review] New anime, Winter 2014 – Page 5.

D-Fragments!

(12 episodes)

What’s it about ?

Adaptation of a comedy manga about one of those high school clubs that don’t do much of anything.

Characters

Kazama, our male lead, is a Delinquent. He’s even got a posse named after him (with an ugly short fat dude, and a tanned hunk who may be partially foreign). On the other hand, they’re way more talk than actual action, and it’s even joked later on that there are far more prominent delinquent group in this school anyway. Really, Kazama is more the straight man than anything here.

Roka is a small girl who’s the head of the Game-Making-Club. Who don’t actually create any games (they just play around), and don’t even have the required number of members for the club to survive. So obviously she’s desperate to find new members, by any means necessary. The joke here is that each of the members patterns themselves after an element ; Roka wields “fire” (read : moe) as a weapon. And when that doesn’t work, she can fall back on her alternate type : Darkness.

Other members : Sakura, who’s Water (read : waterboarding) ; Minami, who uses Thunder (with a taser) ; and Chitose, who’s Earth mostly by virtue of having her hands dirty when she punches people. They’ve actually got a bit more depth beyond that ; I won’t spoil the joke with Minami, but Chitose managed to get elected Student Council President, apparently by beating up everyone else to submission. Why this devious mastermind is slumming it with such a club remains to be elaborated.

Ataru used to be part of Kazama’s group of friends, except he stayed a straight arrow and is now the Student Council Vice-President. Er, the “straight arrow” part shouldn’t be taken at face value : he looks to be as much of a pervert as the lot of them, if not bigger. At the very least, he’s very attracted to Chitose, and it’s obvious what their rivalry is really about.

Production Values

Quite good ; the action sequences are animated fluidly, and the director knows how to set up atmosphere for a throwaway gag.

Overall Impression

Well, crap : I found this hilarious. It’s got some impressive comedic timing indeed, and more than one joke. It helps that it’s got characters with actual personalities, served by some great voice-acting. (In particular, Hana Kanazawa as Roka is a riot.) And it’s just very funny. I have no clue whether it can sustain itself for three months, but I’m game for it.

This is the very reason why I try out everything : it’s a kind of unassuming gem I could have let pass by otherwise.

via [In which I review] New anime, Winter 2014 – Page 4.

My Neighbour Seki (Tonari no Seki-kun)

(12ish 8-minute episodes ?)

What’s it about ?

Adaptation of a gag manga.

Characters

Seki is a high-school boy who does anything but pay attention in class ; this episode, he builds an impressive chain of dominoes with dozens of erasers, and other various stationery.

Yokoi, our point-of-view character, sits right next to him ; she’s both bemused and fascinated by her neighbour’s antics. And of course it’s always her who gets chastised for not paying attention.

Production Values

Not very good, but it’s well-directed enough to sell the jokes.

Overall Impression

From what I understand, the manga features endless variations of the same basic joke. But it’s a good joke, and 8 minutes is the right duration to give each iteration the room to breathe, without outliving its welcome.

It made me laugh, and I’m up for more of the same.

via [In which I review] New anime, Winter 2014 – Page 3.

Space Dandy

(26 episodes)

What’s it about ?

Shinichiro Watanabe (Cowboy Bebop, Samurai Champloo) makes his grand directing return (let’s all politely ignore Kids on the Slope) with a comedy S-F series he’s described as “26 episodes of Mushroom Samba”.

This isn’t false advertising.

Characters

Space Dandy, our protagonist, makes a living exploring the universe to catalogue exotic alien species. (From what I understand, he’s a freelancer working for some governmental office.) If these travels coincidentally happen to make him visit every single space restaurant of the aptly-name “Boobies” franchise, well that can’t be helped, can it ? If you haven’t twigged by now, he’s a lecherous lout, and not exactly the sharpest bulb in the mixed metaphor ; but he’s got the charisma to kinda get away with it. Well, just barely.

QT is his long-suffering robot assistant. The poor thing is so obsolete it has to read books to keep up to date. Still, by default it has the highest IQ in the spaceship, and so it’s stuck being the straight man robot to Space Dandy. And complaining about the crappy unhelpful narration.

“Meow” (real name unpronounceable) is a cat-alien that Space Dandy initially mistakes as a rare species. He’s not ; he’s a completely ordinary Betelgeusean. But he vaguely remembers a place with exotic aliens, so our heroes take him for a ride. After a trippy journey that involved accidentally unravelling the fabric of spacetime, it turns out that this is a very dangerous place indeed.

Dr Gel is an agent of the Gogol Empire (*snicker*) who’s tracking our hero because he’s the Key to the Universe or somesuch nonsense. Now, I hope he survives being summarily executed by his boss for losing track of his target (during the spacetime havoc previously mentioned), as the design for his ship is so amazing (the Statue of Liberty’s head in bondage !) that I want to see more of it.

Production Values

Very impressive indeed ; it’s bursting at the seams with creativity and style, and the wild action sequences have to be seen to be believed.

It helps that Yoko Kanno turns out one of her best scores in ages.

Overall Impression

Warning : this is a very dumb show that starts with Space Dandy monologuing about how butts are better than boobies. It sets the mood : every character in this is a moron, and haphazardly bumbles from mishap to disaster. You’ve been forewarned ; the stupid is deep in this one.

This being said, it’s every bit as good as you’d expect from its pedigree : there’s nothing wrong with plain dumb fun, and Watanabe is a master of the form who knows how to produce a damn entertaining show. He somehow manages the tour de force of making Space Dandy somewhat bearable as a character, despite all the boneheaded actions he does during the course of this episode. (QT and even Meow savagely mocking him helps.)

Everything it’s been hyped up to be, and then some. Definitely one of the best shows of the season already.

via [In which I review] New anime, Winter 2014 – Page 3.

Noragami

(12 episodes)

What’s it about ?

Urban fantasy action-comedy, adapted from a manga series.

Characters

Yato, our protagonist, is a god. Admittedly, not one of the big leagues : he’s a vagrant god with no dedicated shrine and barely any followers. But he’s ambitious, so he’s eager to answer the prayers of the rare people calling to him to try and build his fanbase. His “missions” include anything from purging the nefarious ghosts haunting various place, to finding a lost cat.

Tomone, his partner, is a magical blade who’s very efficient at dispatching ghosts. Unfortunately, she’s about had it with her master’s hobo lifestyle, and leaves him without even a month’s notice. How rude.

Hiyori used to be an ordinary high school girl before crossing Yato’s path… no, wait, scratch that, she was already a bit weird even before that. Still, her life completely changes when she’s hit by a truck while trying to push Yato out of the way (not that he even needed the help), and she’s now half-dead. Basically, her soul randomly leaves her body from time to time. Obviously she doesn’t enjoy the situation, but it’s not like Hato has any clue whether she can even be made “normal” again. Still, if she makes the token 5-yen offering, he’ll be happy to look into it…

Production Values

Pretty good, as you’d expect from Studio Bones. The ghosts are creepy as heck, and the action sequences are well-directed.

Overall Impression

This was perfectly okay. It’s got a decent premise, with some fun world-building, and some very good comedic timing. A lot depends on how much you can bear with Yato, who’s a bit of a cocky brat ; but Hiyori is a good foil for him, and they play well together.

I’m probably going to give it a couple more episodes to see where it goes ; but I’m not sure I’ll stick with it, as this is a busy season for me… Oh, wait, Taku Iwasaki is doing the score. Well, that settles it : I’m in.

via [In which I review] New anime, Winter 2014 – Page 3.

Fall 2013 capsules

Miss Monochrome has a bizarre genesis. This is a virtual idol character, a bit like Hatsune Miku… except she’s voiced by proper idol/VA Yui Horie (with some mighty autotune, if the end song is any indication). Anyway, this is a series of 4-minute shorts starring the character, trying to become an idol.
The good news is that, after a bit of a dull start, it manages to place some good deadpan jokes. It’s genuinely funny, which is more than I expected of such a gimmick show.

On the other hand, I can’t make head nor tails out of Super Seishyun Brothers, another series of 4-minute shorts starring (unlike the title suggests) two brother-sister pairs. It actually started airing a couple of weeks ago, but I was (unsuccessfully) waiting for a second episode to get translated to get a better feel of it.
So far, it’s a gag show that barely raises a smile at all. It utterly failed to make it clear whether there’s any premise beyond “here are four character with outlandish (but generic) personalities.” I’m giving it a second episode just in case, but it looks completely skippable.

via [In Which I Review] New anime, Fall 2013 – Page 4.

Hey, there are still more new shows getting released !

Admittedly, that means the like of Gaist Crusher : a kids’ sentai show adapted from some collectible card game. It’s the blandest and most generic piece of crap I have watched for a long time, which is saying something. From off-the-shelf one-dimensional characters to nearly absent world-building (what are the heroes even fighting ?) to character designs that would have been rejected by any self-respecting Saint Seiya clone… There’s absolutely nothing to recommend in this, and no way I’m bothering with a full review for it.

(That I watched this with terrible subtitles that seem to have gone through several languages before reaching English probably didn’t help. But even a decent translation can’t save this show.)

via [In Which I Review] New anime, Fall 2013 – Page 14.

Samurai Flamenco

(22 episodes)

What’s it about ?

Wannabe superheroes.

Characters

Hazama is a young man who was fortunate enough to start a career as a popular model, but that’s not what he really wants to do. No, his true calling is to be the superhero SAMURAI FLAMENCO!, modeled on the sentai heroes of his youth. Do note that this guy has no superpowers whatsoever : he just puts on a silly costume and patrols the streets of his neighbourhood at night to tell off drunken salarymen, jaywalkers and rowdy middle schoolers. Who often proceed to beat the crap out of him, since it’s not like he has any fighting skills.

Goto is our point-of-view character : he’s a beat cop who happens to stumble on Hazama after a badly-timed costume change. Since he was off-duty at the time, he doesn’t bring him in immediately, and takes the time to listen to the guy’s story. While he facepalms regularly at the moron, he’s not entirely unsympathetic ; he begrudgingly admits to liking sentai shows too, and presumably this had a hand in him becoming a cop. Of course, he’d rather Hazama channeled his thirst for JUSTICE! through non-vigilante and non-stupid means, but for now he’s not turning the idiot over (and goes out of his way to bail his new friend out when he gets into too much trouble).

Notionally Goto has a girlfriend, but it’s a long-distance relationship, and doesn’t impede on the burgeoning bromance.

The OP sequence shows off a lot more characters (and the ED focuses on the so far barely present female cast), but this first episode is squarely about establishing the two leads.

Production Values

Very nice looking. The OP sequence promises some actual sentai-style action down the line, but that’s for much later ; the “action” scenes so far solely consists of people beating SAMURAI FLAMENCO! up. But with lovingly animated detail.

Overall Impression

I had no clue what to expect of this show… but certainly not “realistic” superheroes. It’s a pleasant surprise, though ; while a lot of the appeal may depend on how much you love sentai shows (because everyone involved in producing this surely does), but this is a lot of fun to watch. And it’s a very polished first episode, perfectly establishing the premise and the two leads.

I’m genuinely curious about where this is going, as it should have enough time to develop its story properly. I’m onboard.

via [In Which I Review] New anime, Fall 2013 – Page 13.