Yellow Mosaic (Kiniro Mosaic)

(12 episodes)

What’s it about ?

Adaptation of a 4-panel gag manga about an English girl transfering to Japan. (Except the first 15 minutes in this episode are a flashback that explains why she’d do that.)

Characters

Shinobu, our initial point-of-view character. A few years ago, she spent a week of vacation in England at some friends of her parents’ country house. (Good thing they were fluent in Japanese, because she can’t speak English to save her life.) By all appearances, everyone had a great time.

Alice, the daughter of said family, was very shy and reluctant to approach Shinobu at first, but by the end of the week they were BFF. And this was such an important encounter for her that a few years later, she transfered to Shinobu’s high school after learning the language. And she’s staying at her home, too.

There are a couple of Shinobu’s school friends (the nice one and the sarcastic one, respectively, in contrast with Shinobu’s ditzy ways) that look like they’re going to be part of the main cast. The OP sequence (shown near the end here) also makes it look like Alice’s best friend in England is also going to be prominently featured, which is a bit problematic, as it’d kinda dilute the uniqueness of this blonde foreigner in Japan (which is what the series takes its name from, after all).

Production Values

Gorgeous backgrounds, although the CG landscape during the train ride is a bit of a misfire. Still, this is quite nice to look at.

I’m really not sure about the score, which makes damn sure to underscore that Shinobu’s original trip was an Epic Adventure and plays up the sense of wonder up to eleven. It works, but it’s a bit heavy-handed when the events are so mundane.

Overall Impression

Il was all ready to dismiss this one quickly, but you know what ? This is actually quite pleasant to watch. We’re all used to foreigners randomly attending anime schools (often rationalized as half-Japanese or whatever), but this commits all the way into re-establishing the novelty factor of it and having fun with the cultural differences. Having all the English characters talking English (with subtitles) when they should helps quite a lot, too (although the voice actors seem to struggle more than a bit with the accent.) I’m less thrilled with how quaint England looks, but it’s not too distracting.

I also quite like the relationship between Alice & Shinobu, especially how once in a while Shinobu will absent-mindedly do something ditzy that’s very scary for Alice. Comedy gold, there.

It’s more than a bit rough around the edges, and I’m not sure the joke can sustain 12 episodes. But I’m willing to give it a bit of rope, which I didn’t expect coming in.

via [In which I review] New anime, Summer 2013 – Page 5.

Fate/kaleid liner Prisma☆Illya

(10 episodes)

What’s it about ?

A comedy spin-off of Fate/stay night with Illya as a magical girl.

Characters

Illya, our prepubescent heroine, who lives in a weird parallel universe where the von Einzberg family is all happy, and especially her mother is stated not to be dead (although she’s on a business trip or something). She’s also got a random older sister, as well as Taiga acting as housekeeper and “cousin” Shirou living with them. Er, sure.

It turns out it was Rin who was originally given the magical girl powers, but since she kept using them to feud with her new rival Luvia (a haughty noble cliché) instead of their nominal goal of hunting “Class cards”, bother their power artifacts got fed up with them and left. (While they were battling in the sky. Ouch.)

Magical Ruby, Rin’s wand, has a LOT of personality (the same for Magical Sapphire, Luvia’s, but it gets less screentime). Unfortunately, when it stumbles onto Illya while looking for a replacement for Rin, that makes it sounds fishier than Kyubey having just binged on salmon. Ruby is a very nasty bugger who isn’t above tricking Illya if that suits its purposes.

The OP sequence makes it look like there’s going to be an age-appropriate rival for Illya (presumably powered by Sapphire), but that’s for future episodes.

Production Values

Well, it’s a bit hard to tell since the streamed pre-air had a lot of nasty blocking whenever there’s a little action, but this looks quite good indeed.

Overall Impression

Well, I’ll give it that : it’s funny, and you really don’t need to know anything about the Fate/ series to understand it. Let’s be honest : those are very shallow versions of the characters, put into new roles for comedic effect. And there’s nothing wrong with that.

Well, except that I don’t see the joke carrying 10 episodes ; and the genre-parody at work here is a bit too bad-natured for me to tolerate too long. It’s nasty for the sake of being nasty, and I can only laugh at that for so long.

If you’re a die-hard fan of the franchise, you’ll probably get more out of this than I do ; there are tons of easter eggs and it’s as good as such a comedy spin-off can be. But I already have a lot on my plate this season, and I can do without this one.

via [In which I review] New anime, Summer 2013 – Page 5.

Love Lab (Renai Lab)

(13 episodes)

What’s it about ?

Comedy about students at an all-girls middle school practicing romance.

Characters

Riko, aka “The Wild One”, because she does delinquent-ish things like hiking her skirt up and tying her hair up. (This is the kind of elite middle school that frowns down on such trivial matters). Also, she’s athletic and more than a bit of a tomboy, which has netted her many female admirers. To tell the truth, she’s a bit bored, until she stumbles upon…

Maki, aka “The Princess”, the student council president. To everyone else, she’s perfect : diligent at her work, good grades, pretty. In reality, though, she’s a complete goofball that Riko finds practicing kissing on a bodypillow. Maki is absolutely obsessed with preparing herself for romance, and forcefully enlists Riko as a coach, because surely she must have tons of experience ? (Riko has too much pride to admit her love life has been pretty crap so far.)

There were originally three other members to the student council, but…
– The actual president (Maki was only vice-president originally) got annoyed by Maki doing all the work and leaving nothing for her to do ;
– The treasurer got thrown out for acting way too creepily while counting the money ;
– And the secretary still comes in occasionally, but she’s got so little presence you’d barely notice she was there.

Production Values

Perfectly okay for this kind of thing.

Overall Impression

I’m shocked : I was in stitches for the whole episode once we got to the reveal about Maki. This is very funny stuff, mostly because Maki never stops being hilarious. This combination of earnestness and cluelessness works perfectly, especially as she’s still able to be menacing to Riko when she feels the need to. Riko herself has some good jokes, too ; the flashbacks to her failed love life have perfect comedic pacing.

This is why I’m glad I’m doing those season reviews and watching the first episode of everything : once in a while, one of these shows that were completely under my radar and would never have tried out otherwise (how can you make a title more unpromising than “Love Lab” ?) turns out to be a very pleasant surprise.

via [In which I review] New anime, Summer 2013 – Page 4.

Servant x Service

(13 episodes)

What’s it about ?

Work-com about civil servants at the welfare office.

(Adapted from a manga by the creator of Working!!.)

Characters

Yamagami, our protagonist. She has just joined the welfare office for one purpose only : finding and exacting revenge on the person who authorized her parents to name her

Lucy Kimiko Akie Airi Shiori Rinne Yoshiho Ayano Tomika Chitose Sanae Mikiko Ichika […]

. For very understandable reasons, this is a bit of a berserk button for her, and she’s got a general grudge against public servants.

Hasebe, another new hire, is the epitome of everything she hates public servants : he’s lazy, takes every opportunity to slack off, and uses his job to try and pick up girls. He’s also surprisingly competent and reliable on the very rare occasions he takes his job seriously and helps the other newbies out.

Miyoshi, the third newbie, is very awkward, but absolutely loved by the customers. Maybe it’s because she looks like the ideal daughter.

Ichimiya, their supervisor, has eight years of experience… and absolutely no clue how to handle them. He seems to spend half his time running ragged trying to prevent Hasebe from slacking off.

Chihaya, Yamagami’s senior at her desk, is very efficient at her job but sounds terminally world-weary. Yeah, this job can do this to you after a while.

Production Values

Quite nice ; a lot of the jokes are sold by the attention given to body language in this. Also, I quite enjoyed the gimmick for the OP sequence (which is only slightly less catchy than “Someone! one! one!”).

Overall Impression

Even better than I expected. This is a very funny series, made all the more hilarious because all of it sounds so true. It strikes exactly the right balance between mocking and empathizing with its characters. It’s also quite well-paced, letting the mystery of why the heck Yamagami is always hesitating before omitting to say her given name when introducing herself build up nicely. And it’s got more than one joke, which is always welcome in a gag show.

Definitely a must-see for me this season.

via [In which I review] New anime, Summer 2013 – Page 2.

Chronicles of the Going-Home Club (Kitakubu Katsudou Kiroku)

(12 episodes)

What’s it about ?

The “Going-Home Club” is an euphemism for the students who don’t join any club and just go home after class. (In the Japanese school system, there’s a lot of pressure to join a club, any club for social purposes ; the students who don’t are usually a minority.) Here, the joke is that there’s an actual official Going-Home Club, with clubroom and everything.

Adapted from a 4-panel gag manga, obviously.

Characters

Natsuki, our point-of-view character ; as a high school freshman, she joins the Going-Home Club on a Wacky Misunderstanding and spends the whole episode (and probably the whole series) complaining on how this club makes no sense.

Karin, the other new recruit of the club. The naive one, who pushed Natsuki into joining despite having herself no clue what the club’s about.

Before that, the club had three members : the very enthusiastic president Sakura, and two high-class girls whose social standing demands that they belong to a club but presumably didn’t want the hassle of join a real club.

Production Values

Not much good. There are some decent backgrounds, but the animation is very limited and the character designs leave something to be desired.

Overall Impression

Not very good. It’s got some decent jokes (I loved the “premature cliffhangers” where the ED music starts playing despite the show not being over), but they get fewer and farther between as the episode goes, and the premise is already wearing thin by the end of it. I just can’t see the joke supporting a full series.

Just not funny enough for me to bother with.

via [In which I review] New anime, Summer 2013 – Page 2.

Dog & Scissors (Inu to Hasami wa Tsukaiyou)

(12 episodes)

What’s it about ?

The adventures of a deeply eccentric novel author and her biggest fanboy… who’s a dog.
(Adapted from a light novel series, if you hadn’t guessed.)

Characters

Kazuhito Harumi, used to be a normal high school boy… well, as normal as a guy who spends all his money on books can be. One day, he’s killed in a diner robbery gone horribly wrong. He wakes up as a dog, for some unknown reason.

Kirihime Natsuno (nom de plume : Shinobu Akiyama), his favourite author. She hears his thoughts non-stop after his transformation, and tracks him down in order to get some peace. She refrains from killing him once she figures out he’s the same boy who saved her life during the robbery ; she’s obviously grateful and offers him to stay at her place. She remains very cold and borderline sadistic throughout the episode, though. Also, she carries a pair of scissors at her thigh at all times, hence the series’ title.

There are lots of other characters shown in the OP/ED sequences and making cameos at various point (including an idol who seems to be in every commercial), but their significance has yet to become apparent.

Production Values

Quite nice, actually. There’s some decent atmosphere, and it’s good enough to sell the jokes. The OP sequence is fun and catchy, which is quite an achievement since it starts with Marina Inoue rapping.

Overall Impression

Well, I’ll give it that : it’s better than I expected from the title and outline. There are some decent jokes, and the story happens to be way less stupidly than you’d have thought.

But it’s still not very good. Way too much time is spent on stale unfunny bust size jokes, and the S&M subtext is so blunt and generic that it becomes unsavoury. Moreover, there’s no sense that the story is going anywhere : sure, Natsuno is already going after the killer, and there’s the mystery of how Harumi became a dog in the first place, but none of these directions seem particularly promising ; this doesn’t feel like a premise that can support a 12-episode series.

In another season I might have given it more of a chance, as there were a few good laughs here, but I can’t justify keeping watching it.

via [In which I review] New anime, Summer 2013.

Spring 2013 capsules

It’s Tuesday, and for some reason this means we get a deluge of shorts. (Okay, the first one actually airs on Sundays, but it took a bit to get fansubbed).

Bloodtype-kun (Kitsuekigata-kun) is built around the stereotyped personalities that are associated with the various bloodtypes. I might get more out of it if I actually was familiar with them, but it’s actually somewhat fun even for the uninitiated, in part thanks to a very strong cast who could make the phonebook entertaining. (Jun Fukuyama, Akira Ishida AND Yuuichi Nakamura ? For THIS ?)

AIURA illustrates the perils of doing a very relaxed, well-animated slice-of-life show taking a lot of time to enjoy the little things of life… because in three minutes, it doesn’t even get close to any kind of point. The characters are reasonably fun to follow, but this is completely the wrong format for this. It’s just intensely frustrating.

Sparrow Hotel is the complete opposite, packing tons of jokes in its short running time… except barely any of them are actually funny. And this looks like complete crap, with a horrible character design for its lead character, and barely deserved to be called “animated” at all.

via [In which I review] New anime, Spring 2013 – Page 11.

I’m not going to bother doing a full review for Yuyushiki, a 4-panel gag manga adaptation following three high-school girls whose name start with “Yu…” (yes, that’s the entire premise). It’s very vaguely funny if you squint, the animation budget is more than spartan, and it’s so generic and unremarkable on every level that I just can’t muster the will to write any more about it.

via [In which I review] New anime, Spring 2013 – Page 12.

The Pervert Prince and the Stony Cat (Hentai Ouji to Warawanai Neko.)

(12 episodes)

What’s it about ?

High school romantic comedy.

Characters

Yokoudera, our perverted protagonist. The kind of guy who joins the track & field club just so that he can have an excuse to squat up and down in front of the swimming pool’s window. The club president mistakes it as dedication to the club, and names him her successor ; he’d like to refuse, but couldn’t find the nerve to. That night, he makes an offering to the Stony Cat, which unexpectedly ends up working : he doesn’t have any inhibitions anymore. Considering his filthy mind, that’s not a good thing ; he’s quickly dubbed the “Pervert Prince” across all campus.

Azusa, a high-class student at his school who inherited his inhibitions : she’s now unable to publicly speak her mind regarding his antics for fear of losing face. Hopefully he can convince her to give them back ? (I’m not sure him grovelling like a dog is going to do the job, though.)

Tsukiko, a girl who made a wish to show less emotions on her face at the same time ; she’s now utterly unable to express anything. Her main purpose, beyond probable love interest, is to provide tons and tons of exposition.

Production Values

Utterly unremarkable.

Overall Impression

It’s not a real anime season without a tiresome embarrassment “comedy” is it ? While there are some decent jokes here and there, this is just painful to watch, with every plot twist making the characters more unlikeable and the show less entertaining.

Avoid.

via [In which I review] New anime, Spring 2013 – Page 15.

Namiuchigiwa no Muromi-san

(13 12-minute episodes)

What’s it about ?

Adaptation of a 4-panel gag manga featuring mermaids.

Characters

Muromi, the titular mermaid. She comes to the surface after falling for a fisherman’s bait. Annoying, prideful, more than a bit perverted… and not really charmingly so.

“Takkun”, said fisherman, probably a high-schooler. The straight man of the show.

The credits promise more mermaids in the supporting cast, but for now the only other characters with lines are random starfishes and jellyfishes.

Production Values

This looks terrible. But it’s a gag series, so who cares ?

Also, lots of fanservice, although it’s often played for laughs.

Overall Impression

Oh, dear. A comedy show that’s nearly funny. Some of the jokes do work, but there are a lot of them that fall flat or are crassingly exploitative. It doesn’t have quite the charm and innocence of the inevitable comparison point (Squid Girl), alas.

It actually does improve a bit over the course of the episode, so I’m probably going to give it a second one. But this really isn’t the best gag show of the season.

via [In which I review] New anime, Spring 2013 – Page 7.

My Teenage Romance Comedy SNAFU (Yahari Ore no Seishun Love Come wa Machigatteiru.)

(13 episodes)

What’s it about ?

Haganai clone. Which seems to be becoming its own subgenre of harem comedy now.

Characters

Hikigaya is your standard misanthropic protagonist, horribly bitter about being lonely and spinning it out as a way of life. Not that he’s fooling anyone.

Hiratsuka, his teacher, who won’t put up with his bullshit and forces him into the “Service Club”.

Yukino, sole member of the Service Club until now, also a loner, and now tasked with solving his “personality problem”, whether he wants it or not. (And whether she wants to do it or not.)

Yui, another girl, sent to the club to solve her “terrible cook” problem. She’s way more naive and upbeat, and the perfect foil for the two of them.

Production Values

Okay, I guess. There are flashes of nice direction ideas at various points to spice up the talking heads a bit (including some fun flashbacks), but they’re few and far between.

Overall Impression

Very average. This kind of show needs lots of zingers in its dialogue and good comedic timing to rise above the parade of rom-com clichés, and this doesn’t quite pull it off. The chemistry between the characters isn’t quite there yet, and it’s not like it’s got a particularly interesting premise.

I’m not even sure I’ll be bothering with a second episode of this.

via [In which I review] New anime, Spring 2013 – Page 5.