Tag: half-episodes

Brotherhood – Final Fantasy XV

(5 11-minute episodes released on the web on an unknown but presumably monthly schedule)

What’s it about ?

A glorified trailer for the next Final Fantasy game ; it won’t be out until September, so in the meantime SquareEnix starts hyping it up with this prologue broadcast on their Youtube channel.

Characters

Noctis is the (adopted ?) son/heir of the Lucis kingdom. He was on a road trip to his marriage when the nearby rival Empire invaded and conquered the kingdom. Since he has no real news about his family in the capital and wouldn’t be able to do much there anyway, he decided to keep on with his road trip to check on his fiancée.

Fortunately, he’s not alone, as he’s with three friends with more street smarts than him : Ignis the serious mother hen, Gladiolus the big guy who’s always mouthing off at the latter, and Prompto the hyper, younger one. And since they’re a FF hero party, the four of them are plenty enough to handle the dozens of robotic Empire shock troups on their way (although they’d rather avoid them as much as possible to get to their destination quickly).

Production Values

The bland competence that you’re used to see studio A1-Pictures bring to the table when they’re not particularly inspired. And of course the character designs are the kind of over-designed nonsense you get in FF games these days.

I really hope that the hordes of identical robots are supposed to barely react to our heroes and politely attack them one by one, because their behaviour certainly looks laughable.

What did I think of it ?

It’s utterly inoffensive, and instantly forgettable : the platonic ideal of the skippable prelude for hardcore completists of the franchise only. It does a decent job of sketching out the main characters and their quest, but not to the point of selling me on actually buying the game. It’s also doomed by the foreknowledge that it can’t resolve anything major, as that’s presumably the game’s job. (Especially as all I’ve heard about it is that it is wholly about those dudes’ road trip.)

I may get around to eventually watching the next few instalments of this… or just completely forget about it by the time they do come out.

Source: [In Which I Review] New anime, Spring 2016

Winter 2016 Capsules

Sushi Police has exactly one joke : an elite police task force regulating the quality and authenticity of sushi. Unfortunately, the execution is rather dismal : few of the gags land, and the animation style is an acquired taste at best. You probably shouldn’t bother seeking it out.

 

Old Man & Marshmallow is an office romantic-comedy about a middle manager who loves marshmallow. One of his underlings keeps teasing him about him in a way that makes it clear she’s flirting with him ; he’s oblivious. Nothing great here, but it’s paced decently, mildly funny, and rather okay overall. I may stick with it.

 

Oh, and I’m giving up on Assassination Classroom. The first season had huge pacing and consistency issues ; mostly, it wasn’t that funny. So this new season really had to hit it out of the park to keep my interest… It didn’t. It’s a below average episode with nothing particularly interesting happening ; it might have worked partway through the season as a breather, but something much more punchy was needed at this stage.

Source: [In Which I Review] New anime, Winter 2016 – Page 2

 

I’ve given up on writing a full review for Divine Gate. This is an adaptation of a smartphone game where characters aligned with six different elements fight against each other. The show makes it darnedest to try and build up my interest into the token plot and make it look visually interesting, but I just don’t care. I just can’t summon the energy to take interest into whatever is going on here, and the characters certainly aren’t appealing enough to carry the show.

Source: [In Which I Review] New anime, Winter 2016 – Page 3

Sequel watch !

Durarara!!x2 had a very good start for its last third. Most of it is taking stock of the story so far, as Celty desperately tries to get an explanation of what the heck is going on and WHAT ARE ALL THOSE PEOPLE DOING IN HER HOME, but superbly executed. Izaya & Shizuo also get good scenes, so I’m perfectly content with this.

Koyomimonogatari are the latest instalment of the -monogatari franchise, this time around as shorts only available on a mobile-app. (So ready your eyepatch if you want to watch it.) It adapts a bunch of short side stories, so it’s not that great a loss if you miss it. “Koyomi Stone”, the first one, is set before Bakemonogatari and fun enough, as an insight into Ararararagi’s early character development.

By the way, Snow White with the Red Hair is still as fun and engaging as before the break, it’s the one bright spot on Mondays.

I’ve Had Enough of Being a Magical Girl is basically a similar premise to Nurse Witch Komugi R, i.e. a magical girl parody, except as 3-minute shorts and actually half-way engaging. Nothing to write much home about, though.

Source: [In Which I Review] New anime, Winter 2016 – Page 4

Rainbow Days (Nijiiro Days)

(25ish 13-minute episodes)

What’s it about ?

Adaptation of a shojo romance manga series. Interestingly, it seems to follow the point of view of the boys.

Characters

Natsuki, our protagonist, is your standard highschool student, of the nice guy (bordering on Nice Guy) mold. He has three friends (Tomoya, Keiichi & Tsuyoshi) who mostly spend time being a jerk to him, each in slightly different fashion. (The credits suggest that they’ll each get their own arc and love interest in further episodes.)

Kobayakawa is a girl who he keeps running into and he’s fallen in love with. There’s no sign whatsoever she’s into him ; indeed, there are hints she’s having a tryst with the math teacher (also Keiichi’s older brother), although that could all be a misunderstanding.

Production Values

Perfectly okay ; especially the attention to body language and facial expressions to build the mystery about Kobayakawa.

Overall Impression

This turned out to be a lot of fun. The half-episodes help keep proceedings tight and and to the point, the cast have good chemistry, and the gags flow well enough.

It’s not like there’s a flurry of non-harem romantic comedies this season, so there’s a good chance I’m going to stick with this one. It’s fun.

Source: [In Which I Review] New anime, Winter 2016 – Page 4

Fall 2014 capsules

Hmm. For some reason Karen Senki wasn’t even on my checklist. I can’t even find any hint it’s actually airing in Japan. But hey, it’s at the very least a Japanese co-production by the creators of Sakura Wars, and Crunchyroll is streaming it, so close enough for a token mention in this thread.

This is quite an odd series. For one, it’s 12 half-length episodes. For two, it’s full-CG. And for three, I can’t tell whether the plot being so disjointed and making no sense whatsoever is intentional.

It follows the adventures of Karen, who wages an essentially single-woman war against robots, who have taken over society and killed her cute young sister. (Or so she claims ; the flashbacks show nothing of the sort.) But the robots’ rule doesn’t seem that drastic, as everyone else seems to be carrying on normally, aside from whenever they have to deal with the collateral damage of Karen’s battles. Her being randomly attacked by killer-bots seems to be the exception, not the rule. One of her associates seems perfectly fine having a robot lover. And frankly, Karen just doesn’t sound entirely sane.

Or this may just be because the series as a whole is an excuse to string along elaborate action sequences. Now, they’re quite well-directed ; the problem isn’t so much that they’re hard to follow, but that they don’t fit with their context. But the real issue here is that the actual character animation is goddarn awful. People don’t move that way ! They can emote decently, but just about anything else about them is awkward. This is massively distracting, and doesn’t help the series’ case.

I’m giving it the benefit of the doubt, and a second episode. But I dread it’s going to test my patience quickly.

via [In Which I Review] New anime, Fall 2014.

 

Anyway, let’s say a few words on I Can’t Understand What My Husband Is Saying (Danna ga Nani wo Itteiru ka Wakaranai Ken). It’s a series of shorts adapting a 4-panel gag manga series. Basically, it’s about a wife being flummoxed by her husband’s ultra-otaku ways. It’s mildly funny, but most of these jokes have already been done to death, and you often wonder why those two even got married in the first place. (That’s actually addressed immediately, but her reasoning is more than a little evasive.) This is a perfectly inoffensive show, but I doubt it’ll hold my attention for long unless it gets significantly better soon.

via [In Which I Review] New anime, Fall 2014 – Page 2.

 

As it turns out, I just can’t make a proper review of Fate/stay Night – Unlimited Blade Works. Too much of my viewing experience was influenced by my foreknowledge from the DEEN series & movie, as well as Fate/Zero. It’s not like I can remember exactly who’s a Master (and of which Servant), especially as we’re in a different route and things might change around a bit, but I still know more than a few incoming twists that make it impossible to offer a “virgin” preview. (And I do have doubts on whether the series is aimed at anyone but people who’ve already seen either or both of these previous shows.)

Still, this is a good start. Way less infodumpy than Fate/Zero, and with some actual impressive battles right off the bat in this opening double-length episode. It helps a lot that it features Rin as a protagonist ; as someone who actually has a clue what’s going on, but not the details of who she’s fighting, she offers a more interesting and proactive perspective than Shirou did the first time around.

So far, so good. I was wondering whether I had lost interest in the franchise, but this looks fun enough to be worth watching.

via [In Which I Review] New anime, Fall 2014 – Page 2.

 

Mysterious Joker (Kaitou Joker) might be at least partially to blame for my sleepiness. It’s a kids’ show about a quirky Gentleman Thief… and if you’re wondering what’s the difference with Magic Kaitou, it’s the targeted age group : this show aims much lower. All the characters are highly annoying and SHOUTING all the time, the jokes fall flat, and I literally couldn’t follow the plot because I was falling asleep every couple of minutes. Something about the protagonist recruiting a “ninja” fanboy kid ? I don’t care at all, and it really doesn’t help that another show with similar themes which is superior in every way is airing concurrently. Pass.

Also falling flat : The Circumstances in My Home’s Bathtub (Orenchi no Furo Jijo). Now, this type of series of shorts based on 4-panel gag manga often have the problem of only delivering the same joke over and over, never really amounting to anything. Here, the issue is that I can’t even see the joke. Dude brings a merman to his bathtub by mistake, and that’s pretty much it. They don’t even have much banter. I just don’t get it.

via [In Which I Review] New anime, Fall 2014 – Page 4.

 

Sometimes I’m baffled by weird gimmicky series of shorts. Such as Hi☆sCoool! SeHa Girls, where anthropomorphic personalizations of Sega’s consoles enter a bizarre dedicated school ; it’s mostly an excuse to string along “nostalgic” allusions that most often fly completely other my head (as I was more of a Nintendo fan). It’s a better use of full CG animation than we usually get for these, but it’s still a niche gag series where I’m not part of the audience.

Oh, and since I’m pressed for time, I’m going to quickly skip over Gundam Build Fighters TRY : long story short, it’s very promising, doesn’t require any knowledge of the first season thanks to a time jump and a different cast (although Mr Ral still makes a cameo), and I’m pleased to see it has the girl as a true fighter and the leader of the team.

via [In Which I Review] New anime, Fall 2014 – Page 5.

 

No full review for Ronja the the Robber’s Daughter, as as I fell asleep watching the first episode and don’t care to give it another try. This Ghibli adaptation of a Swedish fantasy book is just very, very dull, and the uninspiring full-CG animation doesn’t help. (Those characters emote way too exaggeratedly for my tastes.) Don’t care, won’t watch any more.

Bonjour Sweet Love Pâtisserie has a completely different problem : it’s a generic shoujo “male harem” romance show that barely gets to breathe in the 5 minutes or so of screentime per week it gets. As a result, all the characters are walking clichés, and the “glamourous baking academy” setup feels completely artificial. Not really worth your time, this one.

via [In Which I Review] New anime, Fall 2014 – Page 6.

Summer 2014 capsules

But before all that, a few words about Sword Art Online II : well, so far, it’s not doing a bad job of not rubbing me the wrong way, like Alfheim Online did. The writing is still pretty poor (go, go, tepid exposition !), but the setup of bringing in Kirito to investigate a bizarre murder spree in a new game setting is a decent one. (Also, anything that marginalizes the absence of chemistry he’s got with Asuna is welcome.) I might still watch this after all.

via [In Which I Review] New anime, Summer 2014 – Page 3.

A couple of shorts before moving on to the full Monday shows…

Mobile Suit Gundam-san is yet another of those comedy SD skits Sunrise puts out occasionally. (This one adapted from a 4-panel gag manga.) It starts off by an Austin Powers-style naked dance by Char, which should give you an idea of the high level of humour we’re dealing with here. It’s mildly funny, but nothing to go out of your way for.

Secret Princess Himegoto adapts a manga about a pretty boy being blackmailed into crossdressing by the student council. It’s got a main character called Unko (“Poop”). That kinda sums up my opinion of it.

via [In Which I Review] New anime, Summer 2014 – Page 4.

So, Persona 4 The Golden Animation. I reviewed the original series back in 2011 ; this is a weird spin-off that adapts an updated rerelease of the game.

The selling point here, apparently, is a new character being added to the main cast, Marie. The script thus chooses wisely to fast-forward through a very bare bones version of the plot (skipping all the business related to Konishi), so that Marie can get 5 minutes or so of screentime after the end credits. To say that her introduction feels very forced an unnatural is an understatement ; she’s just dropped in without any explanation by the gamemaster. The core problem here is that this series is at its best with deadpan weirdness, and Marie’s way too melodramatic to fit in. So, well, it doesn’t quite work.

(By the way, the whole thing seems to have been reanimated from scratch, with a somewhat higher budget ; every single scene is slightly different from the previous series.)

via [In Which I Review] New anime, Summer 2014 – Page 5.

Black Butler – Book of Circus spends its first episode re-establishing the premise with a “Day in the Life of Sebastian Michaelis”… Not that there’s anything wrong with that, as it’s a charming setup, and the script does get to play a bit with clever ellipses. I’ve got no clue where this would fit in continuity, but it’s not like this franchise ever sweats this kind of fine detail.

Anyway, this is good fun, and I’m glad it’s back.

(Also, no Grell whatsover for now, which is a definite plus in my book.)

via [In Which I Review] New anime, Summer 2014 – Page 5.

Hey, someone finally fansubbed the first episode of Fran♥cesca : Girls Be Ambitious, more than a week after it aired !

… Having had a look at it, I can easily see why nobody bothered to do it for so long.

The high concept is that this is a series of 11-minute episodes built around a recently-created mascot character for Hokkaido, the titular Francesca. Who happens to be some sort of undead idol or something. But she barely shows up at the end of the first episode ; in practice, it mainly features the head of the anti-undead Hokkaido forces (of course a cute sassy girl) investigating killing the shit out of a recent surge of zombies rising from the ground. Also, tons of jokes that probably make sense to people who know of Hokkaido’s culture, but are completely impenetrable to me.

As far as promotional vehicles from tourism boards go, this one at least has the merit of originality. But that’s pretty much it ; it looks badly-animated (is this Flash-based ?), and at its core it’s comedy where I don’t get most of the jokes. (Which don’t look that funny, anyway.)

I’ll pass.

via [In Which I Review] New anime, Summer 2014 – Page 8.

Spring 2014 capsules

So, first, a few worlds about Insufficient Direction (Kantoku Fuyuki Todoki), a series of Flash-based shorts adapting the autobiography of Hideaki Anno’s wife. If you think that sounds interesting, you’ll be disappointed by the final product. It’s the perfect example of a private joke taken too far. For one, there’s no actual explanation of the premise at any point in it ; I only discovered it later on when I did a bit of research to write this. For two, she’s inexplicably depicted as a toddler throughout. Since this first episode covers their marriage ceremony, that’s more than a bit disturbing. But the most damning flaw of this thing is that it doesn’t seem to have much more insight to offer than “otaku are weird and kinda creepy” ; the Director character could be just about anyone and it wouldn’t change a thing.

Don’t bother with it.

via [In Which I Review] New anime, Spring 2014.

SEQUEL WATCH !

Mushishi is the same as it always was. Great mood piece, intriguing world-building, and nothing much for me to actually say about it. Well, except that this first episode is way less depressing than average.

JoJo’s Bizarre Adventure – Stardust Crusaders is a whole different kind of awesome. This is a textbook example of how to animate bigger-than-life characters. It seems to have gotten a budget upgrade too, which isn’t unwelcome. (Although really, part of the charm of the 2012 series is how they used colour and framing to compensate for the lack of animation.)

via [In Which I Review] New anime, Spring 2014 – Page 2.

QUICK CAPSULES !
Because I certainly don’t want to spend any more time than strictly necessary covering the sea of mediocrity we got this Monday.

Hero Bank, Dragon Collection and Oreca Battle are all kids’ shows bases on videogames (respectively for the 3DS, a social network, and arcades). All three of them feature an annoying redhead kid and his bland friends, fighting stuff with their collectible assets. (Hero Bank sets up some sort of permanent VR tournament, while the other two are the old “transported to another world” gimmick.)

Hero Bank is the least watchable of the three, partly because it’s a full 22-minute show, but mostly because everyone is just so annoying.

Dragon Collection has a slightly less annoying protagonist, and his initial sense of wonder at being transported to a fantasy world is decently done, but the only reason it doesn’t overstay its welcome is that it’s only 11-minute long.

Oreca Battle at least seems to have fun with its weird monster design. (Flying octopi that rain tomatoes onto kids ? WTF ?) This one actually suffers from being a bit rushed at 11-minute-long, completely losing me with a journey to a fantasy world that seems to come from nowhere. Especially as it’s way less interesting than the “monsters come alive out of this card game and run wild into our world” premise it’d been initially setting up.

So, yeah. Three show I’m thrice too old to watch, and I won’t be bothering with.

The Comic Artist and Assistants (Mangaka-san to Assistant-san to) is a different deal altogether. Again it’s a shorter format (11-minute-long), but the similarities end there. It adapts a comedy 4-panel manga, and manages to fit four sketches in its first episode. As the title lays out, it follows the hijinks of a quirky manga author, his assistant, and his editor. (More characters presumably coming, according to the OP & ED ; aside from the manga author, they’re all female.)

The problem here is that this show’s only joke is that the manga author is a pervert who sexually harasses his colleagues. And then makes puppy eyes for them to forgive him. It’s endless variations about the same theme : he wants some reference of breasts being groped, he launches a debate about how much panties should be revealed, and he buys tons of female underwear, again for “reference”. (You can guess what kind of manga he draws.)

Yeah, no thanks. The joke is already tired by the episode’s end, I can’t bear anymore of it.

via [In Which I Review] New anime, Spring 2014 – Page 5.

It’s almost painful to watch the slow demise of studio Gainax. With most of their key staff having gone off to the greener pastures of Khara and Trigger, it’s now reduced to a shadow of its own glory, taking any bizarre project that might get them some direly-needed sponsorship money. Remember when they did a short magical girl show that was a glorified (and impenetrable) ad for Subaru ?

Well, Magica Wars (Mahou Shoujo Taisen) is a similar project : a series of 26 shorts starring magical girls who represent the various prefectures of Japan. Not that the premise is obvious from the first episode, which showcases the not-very-funny slapstick hijinks of an incompetent magical girl chasing small blobs.

It doesn’t even have any kind of novelty value ; it’s just boring and pointless.

via [In Which I Review] New anime, Spring 2014 – Page 6.

I’m not making a full review for Marvel Disk Wars : the Avengers, but I do want to note that it’s much better than I expected. Especially since it involves a bunch of kids using the titular disks to summon Avengers and fight bad guys. The chief reason the show manages to make that premise less terrible is to spend the first episode without it, instead devoting it to pure set-up. And it does a good job of selling this as a recognizable version of the Marvel Universe, with the Avengers behaving like they should throughout. The Disks are Stark Technology Gone Wrong ™, baddies try to steal them, the Avengers presumably get stuck in them next episode. And the kids are given plausible explanations for being around, which is a relief.

Let’s put it this way : I’m open to watching a second episode, which is more than I can say for just about any of the other marketing-driven kids’ shows this season.

Also, a few words about Inugami & Nekoyama, an adaptation of a 4-panel gag manga about a dog-like girl who likes cats, and a cat-like girl who likes dogs. That’s basically the whole joke, so it’s a good thing that it’s a series of 3-minute shorts. Sure, that’s a bit of a “stop-start” paced format, but the episode packs just enough content, and I’m not sure the source material could support a full-length adaptation anyway. As it stands, it’s perfectly pleasant to watch.

No full review for Escha & Logy’s Atelier either ; I fell asleep watching it and have no wish to try it again. It’s very boring indeed, with flat characters and a complete lack of any kind of narrative tension. You’d think a JRPG adaptation would have more punch, but no.

via [In Which I Review] New anime, Spring 2014 – Page 7.

Diabolik Lovers

(12 15-minute episodes)

What’s it about ?

This season’s token “otome game” adaptation : it’s a well-defined genre where the female protagonist can romance a variety of boys.

Trigger warning : rape. Plenty of it.

Characters

Yui, our teenage female protagonist and audience surrogate. Her father has sent her off to live in this mysterious creepy mansion, without much of an explanation. There are hints that she may unknowningly be more than an ordinary teenage girl (at the very least, she didn’t know she was adopted), but that’s news to her. She has enough sense to try and run away (as well as phone for help) once she catches on what kind of place this is, but of course it’s all for nothing.

The mansion is inhabited by six creepy prettyboys, covering the usual stereotypes : the angry one who casually punches walls, the childlike one, the one with glasses, the aloof one who seems to be in charge, the borderline rapist… Wait, scratch that : since those brothers are all vampires, they all take turns invading her personal space. Their casual ability to teleport makes it even creepier.

Production Values

This may be an effect of the reduced running time, but this looks quite good : it’s got lots of atmosphere, and sells the spookiness of the setup all too well. The character designs aren’t particularly original, but they’re not offensively generic either.

Overall Impression

Are there any otome games that aren’t about rape ?

Okay, there may well be, but this certainly aren’t one of them. It takes all of three minutes for Yui to be assaulted, and the guys keep going at her throughout. No actual sex yet, of course, and I doubt there will be any, given the transparent vampiric metaphor. But there’s no mistaking what this is all about. The characters are shallow and the plot a mere excuse for as many assaults as possible in the short running time.

It’s a relatively pretty package, but there’s no disguising that it will only appeal to a very narrow audience who enjoys this kind of stuff. I’m not part of them, so I’ll pass.

via [In Which I Review] New anime, Fall 2013.

Namiuchigiwa no Muromi-san

(13 12-minute episodes)

What’s it about ?

Adaptation of a 4-panel gag manga featuring mermaids.

Characters

Muromi, the titular mermaid. She comes to the surface after falling for a fisherman’s bait. Annoying, prideful, more than a bit perverted… and not really charmingly so.

“Takkun”, said fisherman, probably a high-schooler. The straight man of the show.

The credits promise more mermaids in the supporting cast, but for now the only other characters with lines are random starfishes and jellyfishes.

Production Values

This looks terrible. But it’s a gag series, so who cares ?

Also, lots of fanservice, although it’s often played for laughs.

Overall Impression

Oh, dear. A comedy show that’s nearly funny. Some of the jokes do work, but there are a lot of them that fall flat or are crassingly exploitative. It doesn’t have quite the charm and innocence of the inevitable comparison point (Squid Girl), alas.

It actually does improve a bit over the course of the episode, so I’m probably going to give it a second one. But this really isn’t the best gag show of the season.

via [In which I review] New anime, Spring 2013 – Page 7.

Summer 2012 capsules

Because I didn’t have anything better to do while waiting for the big premieres tomorrow, I checked out some of the OVA that surfaced over the last couple of weeks. This might have been a mistake.

Most perplexing is probably Ai Mai! Moe Can Change!. It’s an adaptation of a “moe-girl raising” game, where the key gimmick is that the player can change their clothes ad nauseam. None of this here… well, except that the girls keep changing clothes. Seriously, they rarely keep the same ones for more than a minute, thanks to a magical phone app (although its inventor later shows she can produce the the same effect with cakes !). There’s barely any plot in sight here, just sadistic barely-developed characters tormenting each other. Who the heck enjoys this kind of brainless drivel ?

Mahou Tsukai Nara Miso o Kue! (“Eat Miso if you’re a sorcerer !”) is barely any better. It’s basically a 12-minute trailer for an award-winning light novel… which is so painfully generic one wonders who thought it’d deserve any awards. The plot is a cliché-storm (down to the opening scene having a short bratty girl crashing into generic male lead’s flat), the characters have no personality beyond their archetypes, and the jokes are well-worn indeed. It’s the kind of stuff you’d expect to be parodied in Genshiken, except without any indication the writers know that. And did I mention it’s padded out with facepalm-inducing lingering candid shots of the main female characters ?

Don’t bother with either of those.

via [In which I review] New anime, Summer 2012 – Page 4.

A few words about Chitose Get You!, yet another series of shorts adapted from 4-panel manga. And well, whatever you think about its one joke (an 11-year-old girl with a crush on some random adult dude), at least it’s got some decent direction to sell it and make it somewhat watchable. Which is better than I expected.

via [In which I review] New anime, Summer 2012 – Page 7.

Rec.

(10 12-minute episodes, 2006)

My previous exposure

None, beyond the notion that this is an early Studio SHAFT show, and I thought I should watch more of those.

(Also, I needed some counter-programming for Mushishi.)

What’s it about ?

A junior advertising worker drone starts housing a rookie voice-actress after her flat burns down. One thing leads to another, although their relationship is quite rocky indeed.

It doesn’t help that she then gets hired on his next project (not that he had any role in the decision), and she prefers to keep their relationship hidden so that the conflict of interests isn’t too obvious. Awkwardness ensues.

What did I think of it ?

I only noticed it too late : Shinbo didn’t direct this. So, none of his usual quirks are present, and this is a bog-standard romantic comedy with no creativity whatsoever in the photography. Oops.

Still, does it work on that level ? Well, just barely. The plot doesn’t go anywhere interesting in the very short running length, the characters don’t have much maturity or personality, and the supporting cast remain caricatures. There’s a semi-interesting plotline about the female lead’s career that feels more genuine than most depictions of the voice-acting business, but nothing to go out of your way for.

It doesn’t help that the format actively works against the story. The 12-minute length is a brutal mistress, and it’s obvious the story has been arbitrarily cut in pieces to fit it. (The first episode doesn’t even manage to establish the premise !) Also annoying are the random scene transitions every three minutes or so that are so jarring they took me out of the show.

I won’t say it was painful to watch, but there’s very little to recommend here.

via [LTTP/WIW] Various anime from the 00s and beyond – Page 9.