Tag: from RPG.net

A Summer-colored Miracle (Natsuiro Kiseki)

(12 episodes)

What’s it about ?

Er, I’m not quite sure yet, even after having seen the first episode. The big selling point is that the voice-actresses of the four main characters make up the Sphere idol group, but that doesn’t make a story. There are some hints that those four middle-schoolers may be on the way to become idol singers, but it’s way too early to be sure that’s the direction the series is going for.

Characters

Saki [Ayahi Takagaki], the well-bred one. She’s scheduled to be moving away to Tokyo in a matter of days, but didn’t feel like warning her three best friends beforehand. She’s quite a handful.

Natsumi [Minako Kotobuki], the hot-blooded one. She’s rightfully annoyed that Saki, her partner in the tennis club, has just dropped all their plans, and spends the whole episode nursing a grudge.

Yuka [Haruka Tomatsu], the airhead. She’s obsessed about some washed-out idol group, a running gag that fails to be funny however many time the episode comes back to it. Obviously she’s worried about her friend-group collapsing, so she seeks the help of…

Rinko [Aki Toyosaki], the quiet one. Who’s a priestess in training at the local temple. She contrives to gather the four at a wishing stone hidden behind said temple. The thing seems to have worked in the past (they won a singing contest a few years ago), although that’s hardly tangible evidence given the low level of competition.

What is actual tangible evidence is that they somehow manage to fly up the sky after inadvertently all wishing for it. Wait, what ?

Production Values

I saw this through the eyebleed-o-vision webcasted preview, so it’s hard to tell the level of scenery porn yet. It’s alright, I guess.

Overall Impression

I’m not quite sure what to think of this yet, especially as I have no clue where it’s going. Obviously it’s a Sphere vehicle, but those are a decent bunch of voice-actresses, and they seem to have gone out of their way to avoid their usual pigeonholes.

Okay, I’ll admit I’m curious.

via [In which I review] New anime, Spring 2012 – Page 2.

Space Brothers (Uchuu Kyoudai)

(?? episodes – some sources say 48+)

What’s it about ?

In 2006, two young brothers vowed to become astronauts after seeing an UFO. Flash-forward to 2025…

(Adapted from an award-winning manga.)

Characters

Hibito, the younger brother (29). He did become an astronaut, and is part of an international effort to set up a viable colony on the Moon (as a tryout before they go to Mars). He’s the successful one, then, and thus a bit boring. Fortunately, the series isn’t really about him so far.

Mutta, the older brother (32), is our actual protagonist. He didn’t become an astronaut, instead making a career in designing cars. Which has just collapsed after he headbutted his supervisor for badmouthing Hibito. He’s having a bit of a midlife crisis, to put it mildly, especially as he’s now basically blacklisted from the automobile industry. It’s time for a drastic career change…

We also see their parents, who do let Mutta stay in, but will only let him wallow in self-pity for so long.

Production Values

Perfectly alright. This seems well-documented (NASA is mentioned in the credits) and the near-future feels real enough.

Overall Impression

Hard SF ? The token series with actual adult protagonists ? There’s no way I’ll skip this.

It helps that it’s actually quite good. Sure, the characters aren’t quite well rounded yet, but I’m willing to give it time ; and Hiroaki Hirata nails once again the dude going through mid-life crisis. And it looks like we’re going to see the realistic process of being selected as an astronaut, which was fascinating when Planetes did it.

via [In which I review] New anime, Spring 2012 – Page 2.

A Town Where You Live OVA (Kimi no Iru Machi)

(2 episodes)

What’s it about ?

Adaptation of a 18-volume (and counting) romance manga. Obviously, some degree of compression and creativity was needed to fit some of it into such a short format.

Characters

Haruto Kirishima, our generic male lead. Lives in a small country town.

Yuzuki Eba, a Tokyo girl who randomly decided to live at Haruto’s (the flashback is too vague to determine the exact circumstances), to his irritation. Presumably one thing eventually led to another, because the actual story here is that she’s now gone back to live in Tokyo, and they have kept a long-distance relationship over the last few months. Today he comes to Tokyo on a class trip, and they’re planning on finally meeting again.

Nanami Kanzaki, a classmate of Haruto’s whom he used to have a crush on. After presumably months of awkward love triangle, she eventually settled for them being just friends. Anyway, she’s also part of the class trip, and asks him to play the role of her boyfriend while she meets with one of her friends (to whom she bragged a bit too much). There’s absolutely no way for this to backfire !

Akari Kaga, said friend. It’s obvious she’s not entirely fooled by Nanami’s stunt.

Production Values

Perfectly serviceable. Some nice bits of scenery porn, even.

Overall Impression

Let’s be frank : the first half of this episode is fairly dull, as the two leads struggle to set up their meeting in a very boring way. Neither of them come off as particularly interesting here.

But this completely change once Nanami enters the picture. It’s charming how she scrambles to reinvent a happy relationship with Haruto despite things not having turned some well (as some judiciously chosen flashbacks show while illustrating her unreliable narration). There’s some genuine chemistry and drama in this very well-designed scene, even when you can plainly see the inevitable cliffhanger coming from the moment it starts.

It’s always a risky choice to adapt a long-running manga by choosing a storyarc set quite late in the overall story ; you can alienate a lot of potential viewers with convoluted relationships between characters they’ve not gradually grown familiar with (hello, Wandering Son !). This OVA avoids nicely the trap by focusing on the essentials of the relationship between the three leads, and making its particular story stand on its own. While it does matter that those three have a lot of history together (presumably detailed in numerous manga volumes I haven’t read), all you need to know is summed up perfectly in a way that seamlessly builds into the plot. The more I think about it, the more I can’t help by admire it.

Hopefully the concluding episode will live up to such a promising start.

via [In which I review] New anime, Spring 2012 – Page 2.

Ozma

(6 episodes)

What’s it about ?

Leiji Matsumoto does Dune. Well, kinda.

Characters

Maya, a princess in distress on the run from a generic army of bad guys. Whatever this is all about, she’s not telling yet. (Not that she gets much of a chance, what with getting interrupted all the time.)

Sam Coin, our teenage protagonist, who was originally out to fish for some Ozma (basically, giant sandworms) until he stumbled onto Maya’s chase scene ; he takes advantage of the confusion of an Ozma appearance to rescue Maya and bring her back to his home.

Said home is some sort of vaguely pirate-like sand-ship (that can burrow underground if needed). There are scores of minor characters in the crew, with the most noteworthy being Mimei, Sam’s not-girlfriend (who’s obviously terribly jealous around the new chick) and the Captain, a charismatic and cool-looking woman (until you realize she’s just zoned out).

Oh, and the army of bad guys is led by a Cyclops lookalike who’s obviously important, given his distinctive character design. (Not that they actually do much evil yet ; maybe it’s all a misunderstanding ?)

Production Values

Pretty good on the action side, although the CG elements are a bit too obvious to my liking.

Leiji Matsumoto’s hand in the designs is unmistakable : there are four noteworthy female characters, and they all have the same face ! (It’s all the more grating because some random male members of the crew get very distinctive designs.)

Overall Impression

I’m still not sure what to make of this. There’s nothing particularly wrong with it (my above very minor quibbles aside), it’s got enough energy to carry itself over… But, well, it’s more than a bit on the generic side.

Still, it’s only 6 episodes, and it’s perfectly inoffensive ; I could see myself sticking with it till its end.

via [In which I review] New anime, Spring 2012.

The Scarlet Fragment (Hiiro no Kakera)

(26 episodes)

What’s it about ?

It’s an adaptation of an otome game. You see those romance-simulators where the player can chose between a harem of characters ? This is the female-oriented version, where the player-stand-in is surrounded by a bunch of pretty boys.

Characters

Tamaki, our generic female protagonist. With her parents off doing cooperation work over in Africa or something, she’s moving back to the countryside to her grandmother’s estate. Which is very convenient, because she’s the next in line to be the Local Princess Protector Of Stuff, and Granny’s about to retire. She has no clue what this is all about, although she does seem to have the innate skill required to cast spells against the random creepy things crawling around the place.

Takuma, the mandatory gruff bishie who begrudgingly escorts her the whole episode (voiced by Tomokazu Sugita, impeccable as always). There seems to be no depth whatsoever to him besides that. He just grumbles and reluctantly gives some exposition from time to time.

Tamaki enrolls at the local high school, and there are a bunch of of female classmates that might have gotten a chance at becoming supporting characters if Takuma hadn’t dragged Tamaki out of the classroom within 30 seconds so that she could meet more bodyguard bishies. There’s the short one with a size complex, the quiet deadpan one, and the handsomer-than-the-others glasses dude.

Just in case you’re wondering whether there’s actually a plot here, the last minute shows us Tamaki’s Evil Blonde Counterpart and her squad of underlings. Not that they do anything yet, mind you.

Production Values

Slightly better than you’d expect. The random monsters do look suitably creepy and menacing, at the very least.

Overall Impression

This could have been worse. Sugita pulls off his character without being too annoying. Some of the jokes work. (I like that Tamaki’s bodyguards are called “The Five” despite there only being four of them.) The monsters look good.

But the key issue here is that it’s dreadfully unoriginal. There’s nothing to set it apart from any other series in the same genre. None of the characters display any dimensions beyond their respective archetypes. To put it bluntly, I just don’t care, and I can’t see myself bothering with another episode ; nearly everything else this season looks more interesting than “Generic Otome Game Adaptation #1642”.

via [In which I review] New anime, Spring 2012.

Carried by the Wind: Tsukikage Ran

(13 episodes, 2000)

My previous exposure

Suggested in this very thread.

What’s it about ?

Ran Tsukikage is a drifter that everyone she meets thinks is a samurai. (And she does have the skill : if she starts fighting you, you WILL lose, often in a matter of seconds.) She’s a woman of few words who rarely gives a toss about anything around her, except when sake’s involved ; in which case she’ll start rambling incoherently like a mean drunk.

Her sidekick is Meow, a very talkative martial artist who stumbled onto Ran in the first episode and stuck with her ever since. Let’s be frank, Meow is a bit stupid and gullible, which often provides the hook to involve the duo with whatever the plot of the week is. (This is a very episodic series.)

Mostly, they aimlessly roam the Edo-period Japanese countryside while getting on each other’s nerves. And the audience’s, too.

What did I think of it ?

Well, this could have gone better. While I don’t have a problem against our protagonists’ double act in theory, in practice it can get quite irritating very quickly (especially if Meow starts shouting a bit too much). While most of the time their antics reach the level of “mildly funny”, they rarely rise about it, and sometimes go down to “bloody annoying”.

It doesn’t help that I’m pretty sure I’ve already watched half of these plots, with much better execution, over in Samurai Champloo. Sure, that’s no fault of this show, but the comparison is unavoidable. Here, the directing is pedestrian, most of the characters are one-dimensional (special mention to the generic bad guys, who couldn’t sound more B-movie evil if they tried), and the strict episodic format prevents from attaining any kind of depth.

As it is, the series is cute for a few episodes, after which watching it became a bit of a chore. (I think I lost most of my goodwill with the “Meow finds a baby” episode and its questionable gender politics. And the less said about the “idiot blonde foreigner” episode, the better.) Not that it’s bad, but it just wasn’t funny enough to really be worth the time.

via [LTTP/WIW] Various anime from the 00s and beyond – Page 11.

Kino’s Journey

(13 episodes + 3 specials, 2003, 2005, 2007)

My previous exposure

Suggested in this very thread. And I vaguely remember having heard of it before.

What’s it about ?

Our protagonist Kino travels between various countries, atop her faithful motorbike Hermès. (Who can talk. Don’t ask.)

What did I think of it ?

This is a very episodic series, alternating between several tales in a single episode, up to a two-parter halfway through. The setup is basically always the same : Kino arrives in a new town/country, learns about their customs, stuff happens, and she leaves after three days. The whole thing is an excuse for exploring human sociology, and why they do what they do, however pointless it is. In particular, there’s a great unspoken ironic parallel in the “3 men and the railroad” between the 3’s pointless task, the “country where people don’t need to work (but do anyway, because doing something pointless is better than doing nothing)” tale-within-a-tale, and Kino’s own aimless wandering.

Kino is a very compelling protagonist, despite us barely ever getting into her head at all. She doesn’t talk much and offers no inner monologue ; Hermès’s whole role is to offer a naive proxy for the viewer so as to try and understand her. A few episodes offer some explanations about her backstory, although a great deal is left unsaid. What little we do get to see, though, I really like ; the Colosseum two-parter shows she’s got a strong sense of justice and a nasty sense of humour. I also like that she sometimes completely fucks up (seriously, driving that family of androids to suicide can’t have been her intention).

Another strong point of the series is that it knows how to vary tones across its tales ; it can go from the cheerful story of the first airplane to the grim and bloody Colosseum two-parter. The soundtrack is intriguing ; along with some direction effects, it often emphasizes the artificiality of the story and injects a dimension of “something’s not quite right” that contrasts nicely with the naive character designs. This works especially well in the second special where Kino goes on her first “real” journey.

It’s a bit of a shame that the last special is among the weakest tales (with CG backgrounds that are a bit too distracting to be impressive), though. Still, this has been a great series to watch, and is the first one suggested in this thread to join my Top 30.

via [LTTP/WIW] Various anime from the 00s and beyond – Page 9.

Gokujyo.

(6-minutes episodes)

What’s it about ?

Raunchy “comedy” set in girls’ high school.

This series became infamous when the network refused to air the first episode ; the producers also pulled the third one off the air due to “self-restraint”. Quite frankly, it sounds more and more like a publicity stunt.

Characters

Aya, our protagonist. Self-centered, rude, abusive to her “friends”, and often downright stupid, she has no redeeming features whatsoever. (Well, unless you’re into huge, fake-looking melons.) Most of the series revolves around her histrionics.

Konatsu, Aya’s best friend chewtoy. Innocent and pitiful, she makes for an easy target.

A few other characters show up, such as their bland third friend, the resident pervert, Aya’s delinquent sisters…

Production Values

Not very good, but hey, it’s a comedy, it doesn’t matter. I do like a bit how Aya’s face constantly changes artstyles depending on her mood.

It’s obviously very fanservice-y, what with Aya constantly spilling out of her blouse or spending most of the first episode without panties on… But it does feel like the creators are just baiting the censors in a bid for controversy. (The next two episodes are way tamer, aside from a gratuitous short scene of Aya and Konatsu’s butts at one point in the third.)

Overall Impression

Oh, dear. A comedy series that ain’t funny. What’s more to say ?

Well, that may be overstating it a bit : there are a few jokes that do work. The problem is that the show proceeds to drive every one of them into the ground with no subtlety whatsoever. Also, while Aya could work in small doses, a whole show about her (even in 6-minute shorts) just makes her unbearable. I get that we’re supposed to hate her, but there’s too much of her here.

Also, the censor-baiting got on my nerves after a while. Especially when it became clear that the show was way more comfortable recycling Azumanga Daioh’s hiccup skit. It just feels forced.

via [In which I review] New anime, Winter 2012 – Page 12.

Smile Precure !

(50-ish episodes)

What’s it about ?

It’s February, time for yet another iteration of the Precure franchise. (Kid-friendly magical girls, basically.)

This year, the dominant theme seems to be stories.

Characters

Miyuki, aka Cure Happy, our hyperactive protagonist. A fan of all kinds of stories, from fairy tales to TV superhero shows, as long as they get a happy end. She tends to voice her overactive trains of thought in public, which brings her tons of intrigued looks from bystanders. As it is, I can’t decide whether I’m charmed or I want to strangle her ; hopefully she’ll become a bit more subdued once the cast gets a bit more rounded.

Candy, the mandatory annoying toyetic critter. She manages to be even more ineffectual than the average (she looks for Precure warriors by randomly shouting “Precure !” in the street).

Our antagonist this episode is Wolfrun, a wolf-dude. So far, he’s utterly generic.

We also get a good glimpse of the girls slated to become the other four Precure ; there’s the hyperactive one from Kyoto, the shy one, the responsible one, and the well-bred class representative.

Production Values

Perfectly alright. This time around, we get bright colours and character designs that are way less fussy than Suite Precure, although it’s not quite as stylised as Heartcatch Precure. It’s a good balance, I think.

This is somehow a season saddled with terrible-to-bland-at-best OPs (even Persona 4 and Mirai Nikki have switched out what were the best OPs of last Fall), and this one doesn’t detract from the rule. The ED’s a bit more catchy.

Overall Impression

Well, at least it’s not Suite Precure. That was quite dire indeed.

So far, it’s off to a slow start. It looks like we’ll need four more episode until the team is assembled and the character dynamics become clearer ; there’s some promise but it’s too early to judge. And we’ve barely seen anything of the villains.

I’m going to reserve my judgement for now.

via [In which I review] New anime, Winter 2012 – Page 10.

Black★Rock Shooter

(8 episodes)

What’s it about ?

Melodrama about growing friendship between junior high school girls… interspersed with symbolically-linked action sequences starring their mute alternate personae in a psychedelic fantasy world.

The concept started from a supercell music video, then got a pilot OVA in 2010 ; this is another version that’s supposed to be telling the story properly.

Characters

Mato Kuroi, our exuberant protagonist. Her “introspective” narration (“The sky is blue !”) suggests she might not be the brightest bulb in the bunch. She’s quick to make friends… whether they actually want to or not. (And she’s aware she might be a bit too pushy on that front.)

Yomi Takanashi, an asocial classmate whom Mato takes a shine to. They do bond quickly (over a children’s illustrated book, of all things), but the problem is that Yomi is lorded over by…

Kagari, a tyrannical disabled girl who comes over regularly to her house. Let’s not mince words : she’s the villain of the piece, with overblown musical cues driving the point home.

The supporting cast include Mato’s generic best friend, and a school counsellor (wait, those actually exist in anime ?).

Mato’s alter ego in the fantasy world is the title Black★Rock Shooter, a scantily-clad action chick who can transform her hand into a giant cannon-gun. Besides everything in the scenery trying to kill her, she turns out to be fighting what are obviously the alter egos of Kagari and Yomi. It’s not very clear yet, but the little I remember from the OVA heavily hinted that the “real” scenes were flashbacks set before Mato got access to the fantasy world.

Production Values

Obviously, most of the animation budget went to the fantasy action sequences, which are very impressive indeed, and always clear to follow despite their insanity. The “normal world” sequences are obviously more pedestrian, although the body language remains good throughout.

And obviously, most of the soundtrack comes courtesy of supercell. It works out quite well, I think.

Overall Impression

Well, that was quite better than I expected. I wasn’t a fan of the original OVA (the “normal” sequences were just trite and boring there), but this is an improvement on nearly all fronts. While not outstanding on its own right, the “normal” thread is just entertaining enough not to detract too much from the “fantasy” action, and much better at providing context for it than the first time around. (Although Kagari might be a bit too much on the nose to entirely work as an antagonist.)

I’m definitely going to follow this one.

via [In which I review] New anime, Winter 2012 – Page 9.