Tag: adult protagonists

Lupin the IIIrd – The Woman called Fujiko Mine

(13 episodes)

What’s it about ?

The Lupin the IIIrd franchise has been around for decades (that’s where Miyazaki himself got his start), cranking out at least a new TV-movie a year ; this is the first new TV series in quite a while though.

Don’t let that history intimidate you, though ; not only is the franchise continuity-light to begin with, but this series goes back to basics, with the first meeting of Lupin the IIIrd & Fujiko.

Characters

Lupin the IIIrd, grandson of the original gentleman-thief. A thief himself, and so good at it that he’s getting a bit bored, to be honest. He’s now at the point where he’s warning the cops beforehand, because that’s more fun.

Fujiko Mine, Lupin’s sexy new rival. They collide on the same score, and it’s slightly irritated fascination at first sight.

Inspector Zenigata, the tireless policeman always on Lupin’s tail. This series makes a noble try at giving him some credibility, mostly by giving him a whiny sidekick (voiced by Yuki Kaji, of course ! Though he’s less annoying than usual, at least…) so that he’ll look better.

The score of the week involves a depraved cult leader trafficking rare narcotics on their private island… Oh, who cares, it’s just a backdrop for the Lupin/Fujiko interplay and an excuse for elaborate set pieces anyway.

Production Values

This clearly makes a bid for the best-looking show of the season. It’s got an impressive budget for the action set pieces, and a rough, artsy style that makes nearly every shot interesting to look at.

A word of warning : this is a sexy series, and Fujiko regularly gets topless and/or nearly naked over the course of the episode.

I really hope that ain’t the regular OP, because that pretentious voiceover sounds like it’s going to get annoying very quickly.

Overall Impression

Pretty !

But there’s something more beyond the mere dazzle. This is a series with a point to make : Fujiko uses her body as a weapon on every possible occasion, however degrading that may be ; and the OP monologue unsubtly points out she may well be a masochist, addicted to that thrill. I’m not quite sure whether this show is arguing it makes her inferior to Lupin (he outclasses her nearly every step on the way, mostly thanks to his “I can do offscreen whatever the plot needs me to” powers).

Still, they’ve got chemistry, the show is gorgeous, and heist anime are rare enough for me not to be picky. I’m in.

via [In which I review] New anime, Spring 2012 – Page 5.

Space Brothers (Uchuu Kyoudai)

(?? episodes – some sources say 48+)

What’s it about ?

In 2006, two young brothers vowed to become astronauts after seeing an UFO. Flash-forward to 2025…

(Adapted from an award-winning manga.)

Characters

Hibito, the younger brother (29). He did become an astronaut, and is part of an international effort to set up a viable colony on the Moon (as a tryout before they go to Mars). He’s the successful one, then, and thus a bit boring. Fortunately, the series isn’t really about him so far.

Mutta, the older brother (32), is our actual protagonist. He didn’t become an astronaut, instead making a career in designing cars. Which has just collapsed after he headbutted his supervisor for badmouthing Hibito. He’s having a bit of a midlife crisis, to put it mildly, especially as he’s now basically blacklisted from the automobile industry. It’s time for a drastic career change…

We also see their parents, who do let Mutta stay in, but will only let him wallow in self-pity for so long.

Production Values

Perfectly alright. This seems well-documented (NASA is mentioned in the credits) and the near-future feels real enough.

Overall Impression

Hard SF ? The token series with actual adult protagonists ? There’s no way I’ll skip this.

It helps that it’s actually quite good. Sure, the characters aren’t quite well rounded yet, but I’m willing to give it time ; and Hiroaki Hirata nails once again the dude going through mid-life crisis. And it looks like we’re going to see the realistic process of being selected as an astronaut, which was fascinating when Planetes did it.

via [In which I review] New anime, Spring 2012 – Page 2.

Carried by the Wind: Tsukikage Ran

(13 episodes, 2000)

My previous exposure

Suggested in this very thread.

What’s it about ?

Ran Tsukikage is a drifter that everyone she meets thinks is a samurai. (And she does have the skill : if she starts fighting you, you WILL lose, often in a matter of seconds.) She’s a woman of few words who rarely gives a toss about anything around her, except when sake’s involved ; in which case she’ll start rambling incoherently like a mean drunk.

Her sidekick is Meow, a very talkative martial artist who stumbled onto Ran in the first episode and stuck with her ever since. Let’s be frank, Meow is a bit stupid and gullible, which often provides the hook to involve the duo with whatever the plot of the week is. (This is a very episodic series.)

Mostly, they aimlessly roam the Edo-period Japanese countryside while getting on each other’s nerves. And the audience’s, too.

What did I think of it ?

Well, this could have gone better. While I don’t have a problem against our protagonists’ double act in theory, in practice it can get quite irritating very quickly (especially if Meow starts shouting a bit too much). While most of the time their antics reach the level of “mildly funny”, they rarely rise about it, and sometimes go down to “bloody annoying”.

It doesn’t help that I’m pretty sure I’ve already watched half of these plots, with much better execution, over in Samurai Champloo. Sure, that’s no fault of this show, but the comparison is unavoidable. Here, the directing is pedestrian, most of the characters are one-dimensional (special mention to the generic bad guys, who couldn’t sound more B-movie evil if they tried), and the strict episodic format prevents from attaining any kind of depth.

As it is, the series is cute for a few episodes, after which watching it became a bit of a chore. (I think I lost most of my goodwill with the “Meow finds a baby” episode and its questionable gender politics. And the less said about the “idiot blonde foreigner” episode, the better.) Not that it’s bad, but it just wasn’t funny enough to really be worth the time.

via [LTTP/WIW] Various anime from the 00s and beyond – Page 11.

Rec.

(10 12-minute episodes, 2006)

My previous exposure

None, beyond the notion that this is an early Studio SHAFT show, and I thought I should watch more of those.

(Also, I needed some counter-programming for Mushishi.)

What’s it about ?

A junior advertising worker drone starts housing a rookie voice-actress after her flat burns down. One thing leads to another, although their relationship is quite rocky indeed.

It doesn’t help that she then gets hired on his next project (not that he had any role in the decision), and she prefers to keep their relationship hidden so that the conflict of interests isn’t too obvious. Awkwardness ensues.

What did I think of it ?

I only noticed it too late : Shinbo didn’t direct this. So, none of his usual quirks are present, and this is a bog-standard romantic comedy with no creativity whatsoever in the photography. Oops.

Still, does it work on that level ? Well, just barely. The plot doesn’t go anywhere interesting in the very short running length, the characters don’t have much maturity or personality, and the supporting cast remain caricatures. There’s a semi-interesting plotline about the female lead’s career that feels more genuine than most depictions of the voice-acting business, but nothing to go out of your way for.

It doesn’t help that the format actively works against the story. The 12-minute length is a brutal mistress, and it’s obvious the story has been arbitrarily cut in pieces to fit it. (The first episode doesn’t even manage to establish the premise !) Also annoying are the random scene transitions every three minutes or so that are so jarring they took me out of the show.

I won’t say it was painful to watch, but there’s very little to recommend here.

via [LTTP/WIW] Various anime from the 00s and beyond – Page 9.

Mushishi

(26 episodes, 2005-2006)

My previous exposure

Suggested in this very thread. Also, wasn’t this in JesuOtaku’s top anime list ?

What’s it about ?

Ginko is a Mushishi, a nomad wise man who wanders around the countryside helping people with their problems with Mushi (mostly invisible, barely alive supernatural creatures who can have a huge impact on one’s life if one’s not careful).

Each episode is a standalone tale ; a few of them deal with Ginko’s past or the general ecosystem of Mushishi, but most just center on a particular case of Mushi happening to people and how Ginko tries to better the situation a bit.

What did I think of it ?

On the one hand, this show does everything right : a charismatic protagonist, gorgeous landscapes, effective storytelling that sketches up a new cast of characters each episode well enough for the watcher to care about them, a genuine sense of wonder about the beauty of Mushi…

But dear gods, this is a depressing series to marathon through. Most of the tales have truly horrific stuff happening to basically decent people because of one moment of carelessness or pride (or just plain bad luck). Very few of these people deserve such fates, and there’s a limit to what Ginko can do to help them (especially as he often arrives when it’s too late). What makes it worse is that you can’t really blame the Mushi either, because they’re not really sentient (with a few exceptions, such as the horrifyingly effective changeling tale) and just do what’s in their nature. The overall impression is that it just sucks to live in this world.

This has been a harrowing watch, and probably worked better on a weekly format, with enough time to rest between each episode. Don’t get me wrong, this is a very good show, but it’s a bit too good at telling its stories for me to really love it.

via [LTTP/WIW] Various anime from the 00s and beyond – Page 8.

THERMÆ ROMÆ

(6 13-minute episodes, aired two at a time to fill Black Rock Shooter‘s noitaminA timeslot until February)

What’s it about ?

A 2nd-century Roman architect marvelling about Japanese public baths.

Characters

Lucius, our protagonist, is a traditionalist architect who has a bit of a crisis of faith after falling out of favour, somehow ends up in modern Japan (or maybe is it a dream ?), and brings back some revolutionary ideas to design better public baths.

He gets a token friend as a soundboard for exposition, but mostly he monologues endlessly.

Production Values

This seems to have no budget whatsoever. The animation is beyond crude, frankly ; most web-broadcasted shorts I’ve watched over the last couple of years look better than this.

There are random oddities at times (non-standard character designs, including a cyborg dude in ancient Rome for some reason) that are probably just there for effect, although I’m not sure what the expected effect is (“funny” anachronisms ?).

Overall Impression

Uh. I’ve watched the first episode twice, just to be sure I hadn’t missed something. But no, I just can’t find the joke funny. I think I can see what they were going for, (and commend its makers for doing something so different from usual anime fare) but it just doesn’t work for me.

It doesn’t help that we basically get an (inexplicably blonde) foreigner who’s rude, racist and backwards-minded (ahah, Romans had slaves) discovering the awesomeness of Japan. Er…

Yeah, I think I’ll give this timeslot a pass until February.

via [In which I review] New anime, Winter 2012 – Page 8.

UN-GO

(11 episodes)

What’s it about ?

Mystery series set in the near future.

Characters

Shinjuuro Yuuki, “the Defeated Detective”. He’s very good at his job, but gets involved in cases so politically sensitive that they tend to get covered up by the authorities (hence his nickname, as his successes never get publicized to the wider public).

Inga, his intense pint-sized sidekick. Or is it Inga, the tall and sexy woman he claims to be his “boss” and who can hypnotize anyone in giving one (and only one) truthful answer ? Obviously there’s something bizarre at work here…

Rinroku Kaishou, elite consultant in Justice affairs (among other stuff). Apparently in the future justice will be privatized and corrupted so that this dude can order the whole system around. Sure, he’s a talented sleuth, solving the whole case despite not even being on the scene (he’s a recluse), but he’s also the one announcing the cover-up in the same breath.

Rie Kaishou, our point of view character so far, daughter of the former, sent to a political gala in his stead because he can’t be bothered. She fancies herself as a good sleuth too (and invokes his authority until he barges in through video-conference), but she gets carried away by the first red herring…

Izumi Koyama, a prosecutor. She’s mostly superfluous in the proceedings (which she obviously seems to resent quite a bit), and is often reduced to helping some exposition along.

The case of the week involves a businessman who allegedly embezzled money from reconstruction efforts (“as you know, our country was recently at war with terrorists…”), and gets killed halfway through the costume gala he set up to try and clear his name.

Production Values

It’s Studio BONES, of course it looks good. I note that they somehow managed to dress half the cast in period 19th-century garb, eh. The character designs have a bit more style than their usual offerings (especially Inga, in both forms).

What did I think of it ?

Well, this is certainly a fast episode : it burns through a complete mystery plot (including two full-blown red herrings) and some extensive setting exposition at breakneck speed. While you do need to pay attention (in particular, the “description of character” overlays are a bit too fast), it never loses sight of clarity. While it’s hard to try and deduce the solution before it’s given (especially are some crucial data is shown too late because of screentime constraints), it’s still a decent mystery in itself, with some nice pieces of foreshadowing.

I’m a sucker for the mystery genre : of course I’m going to keep watching this. But the quality is quite good, and I’m intrigued by the setting and Inga’s weirdness. It also seems to be fully aware there are only 11 episodes available, and is paced appropriately, which is a good sign.

via [In which I review] New anime, Fall 2011 – Page 10.

Fate/Zero

(25 episodes ; 1st episode is double-length)

What’s it about ?

It’s a prequel to Fate/stay night, but hopefully you don’t need to know anything about that one to follow it. Actually, previous knowledge of the franchise might kill the suspense a bit, given how it made it quite clear how things are supposed to end here.

Anyway : every few decades there’s a big fight between 7 champions (representing the major Mage families) around the Holy Grail, which can supposedly grant any one wish. Each “Master”, besides his own magical abilities, can summon a Servant (basically a ghost of a mythical figure) to help them out.

Characters

Kiritsugu Emiya, an elite anti-Mage assassin. Nobody’s quite sure why he’s in the game (his résumé makes him look quite suicidal), but he certainly sounds like a major contender. He’s quietly supported by his wife, who frankly looks like a dead woman walking. He summons a Saber Servant who’s supposed to be King Arthur… despite being quite obviously a woman.

Tokiomi Tohsaka, heir of one of the major Mage family, who decided to cheat by allying himself with (1) the Church (who are supposed to be neutral referees), and (2) Kirei Kotomine, a promising mage/priest who he got into the game somehow.

Kariya Matou was the black sheep of his family, but he stepped in to become one of the player to avoid that fate for his new adopted sister (who happens to be Tohsaka’s second daughter, in a bizarre bit of political play). His grandfather’s sadistical training (bugs under his skin ? Eww…) have left him drained, but hey, he only has to last until the end of the game…

Kayneth Archibald El-Me… oh, who cares about this dude and his improbably long name. He comes from one of England’s most prominent Mage families and holds tenure in the London Magical University, but he barely gets two minutes of insufferably smug screentime. Instead, we follow…

Waver Velvet, one upstart student of his who stumbles into his Holy Grail-related documentation and artefacts and decides to have a go at it. The little shit is obviously going to fail spectacularly given the heavyweights around, but I can’t entirely fault him for trying.

That’s (at most) six Masters ; the 7th one stays conspicuously absent throughout the episode (although I do have my suspicions).

Production Values

NicoNico’s tiny broadcast doesn’t help to judge, but this looks quite good indeed. There’s no action sequence whatsoever yet, though, so we’ll have to wait a bit to see what the series can do there. (The OP – shown at the end – does display some nice animation, but that never means anything.)

What did I think of it ?

Do you like exposition ? I hope so, because this is 45 whole minutes of it. This is a series of flashbacks fleshing out all the main players, while explaining the premise ; there’s even a ridiculous scene that has Emiya & Kotomine thumbing through each other’s résumés at the same time. It isn’t too clunky, but it does mean that not a lot happens besides talking heads. As said above, there isn’t a single action sequence in sight, and we barely get through to the first few summons (in consequence, we don’t really get a sense of the Servants’ personalities, if they have any).

What we see of the characters, though, is somewhat interesting ; I especially like Waver’s scenes, as he looks like he’ll be fun to follow. Most of the other players are adults who seem quite adept at scheming, so there’s potential for compelling intrigues there. Which is needed, given how the ending is a foregone conclusion ; fortunately, it looks like the show isn’t even pretending to hide this will lead to a Emiya/Kotomine final showdown.

Overall, this wasn’t a dazzling start, but there’s some potential. Hopefully it won’t have the same problems as the original work… well, at least got rid of the supremely annoying protagonist, which is a step into the right direction.

via [In which I review] New anime, Fall 2011.

Rune Soldier Louie

(24 episodes, 2001)

My previous exposure

It’s one of the various shows I tried out for my “Spring 2001 in review” thread. The first episode was fun, so I marked it down for further watching. (There’s at least one other such show coming up soon-ish.)

What’s it about ?

D&D-inspired fantasy comedy show. The all-female team of Melissa (not-that-uptight cleric), Genie (amazon fighter) and Merill (short thief) were looking for a magician to complete their adventuring party ; alas (and fortunately for our zygomaticus muscles), they can only get Louie, a definitely male (aside from that one episode) and burly magician… who ain’t even much good at magic (he often tends to run towards the enemy fists first).

It’s striking how tabletop-RPG their adventures are, down to the character of Louie’s maybe-girlfriend Ila, who hands out quests, rewards, plot hooks and exposition (while being completely useless in a fight) like the best of NPCs. (It makes me wonder whether Louie’s player was the GM’s boyfriend that she added to the table against her players’ will…)

This is a very episodic series, with just 4 episodes actually dealing with the “main” plot (although there’s obviously a lot of setup for it hidden in the other episodes).

What did I think of it ?

Well, it’s very funny indeed, although some of the running gags maybe have been a tiny bit overused (especially Melissa’s “against my will” catchphrase). My favourite character would be Merill, whose constant unashamed greed is a sight to behold (and the great, late Tomoko Kawakami really gets to show off her range in some of the later episodes). The rival team were always welcome, thanks to being actually somewhat competent and sympathetic (and the Melissa/Isabel rivalry led to consistently great interplay, although the punchline was obvious from the start).

So, it’s great fun. The problem is that there’s not much beyond the surface, I presume on purpose : neither the characters nor the setting show much depth, and the various attempts to give some of them a more serious backstory (I’m looking at you, Genie) just fall flat. The series is at its best when it relishes in its stupidity and how much the characters act like PCs. Which it fortunately does frequently.

There very little ambition here besides having fun with a tabletop-RPG setting. It works, but nothing more.

via [LTTP/WIW] Various anime from the 00s and beyond – Page 5.

Crying Freeman

(6 52-minute OVA, 1988 to 1994)

My previous exposure :
I stumbled on the first three episodes while channel-surfing on late-night TV as a young’un (despite being somewhat under the advised age). It left quite an impression, to the point that I’m now revisiting it properly despite it being quite outside my advertised preferred time period. Oh, well.

What’s it about ?

The assassin codenamed Crying Freeman used to be an ordinary Japanese potter until he stumbled onto proof of the Chinese Mafia’s bad deeds, and was foolish enough to take them on. The organization (called “the 108 dragons”) in retaliation brainwashes him into the ultimate assassin, leaving him the only freedom of crying in despair after he kills someone. (The “Freeman” part is obviously ironic.) Years later, history repeats itself as a young woman called Emu stumbles onto one of his assassinations, and as a crucial witness becomes a hostage between the ambitions of the police, the 108 Dragons and the Japanese mafia. When Freeman goes and tries to assassinate her, she just has one wish : she doesn’t want to die a virgin…

At least, that’s the initial plot of the first OVA. You’d normally expect some standard “having sex breaks Freeman’s conditioning and he rebels against the 108 Dragons” plot… but that’s not what happens next at all. The 108 dragons are a surprisingly accepting bunch, see no problem in sparing Emu, and even promote the two of them to being the new leaders of the group at the beginning of Episode #2. To say that it’s a jarring change of gears is a grand understatement ; and it’s not for the better, as much of the ambiguity and tragedy of the original premise goes right out of the window as Freeman basically becomes a generic 90s antihero.

… Who likes to fight in the buff. Not only is it a very bloody series with tons of graphic violence, but there’s also a lot of nudity and it often veers into softcore porn. Not exactly the kind of stuff young!me was supposed to be watching at that age…

What did I think of it ?

There’s no two ways about it : it’s a trainwreck. But at least it’s an (unintentionally) hilarious one, so I didn’t mind spending a few hours revisiting it.

As stated above, it has the germs of an interesting (if somewhat well-troden) premise, but it then chooses to completely disregard it in favour of something much more bizarre. Shifting Freeman into a position of leadership is just a baffling move (especially since he’s a Japanese outsider in a Chinese organization), and it’s thus no surprise that one of the major leaders balks and betrays the 108 Dragons immediately. (Of course, the dude then allies with the Camora, who immediately backstabs him, but that’s the kind of things that happen.) Even more surprising is the introduction of Bayasan, the obese adult womanchild and black sheep of the 108 Dragons who tries to wrestle the organization’s control. She fails, obviously, but there’s something endearing about her incompetent enthusiasm. And she sticks around as comic relief, which contributes to make some of the latter episodes less boring (if not actually funny – this series can’t really do humour).

The most bizarre episode is probably the third, because of its weird pacing : at its heart, it tries to transition Emu into less of a damsel in distress, by giving her some training and having her pick up a magic evil sword… but then in the middle we get 35 minutes of Freeman fighting a random African crime syndicate (who tries to hijack a plane he just happened to be on), and in the process sleeping with two other women (one of whom permanently joins his harem). And it’s not even the most sexist episode (it’s a toss-up between rape-tastic #4 and evil!self-made-woman-who-spends-all-her-screentime-masturbating-at-Freeman #5).

Another weird thing about the series is that the 108 Dragons are suddenly whitewashed into being a somewhat honourable group, despite all the assassinating going around in the first episode (and the leader of the Japanese Mafia pointing out that they don’t deal drugs, unlike that Chinese scum !). From then on, it’s just a series of rival groups trying to take them over. Episode #6 is the only other one where the 108 are depicted like an actual criminal group (although that’s mostly slander by the bad guys of the day). Mostly, they’ve become passive and reactive, with an incredibly high internal body count for an organisation that was supposed to be so frightening in the first episode. This isn’t a ringing endorsement for Freeman’s leadership… (Although, conveniently, most of the old guard dies quite early on, so who’ll complain ?)

This series is a mess on so many levels it’s laughable. The plot makes no sense (and is inconsistent from one instalment to the other) ; Freeman as a character is stripped of all drama very early on, leaving the “Crying” gimmick as an artefact of a forgotten plotline. The artwork is very much a product of its time, stiff and emotionless. The fight scenes are okay, but hardly worth watching (and they progressively lose in creativity as the series goes on). The sex scenes aren’t as gratuitous as they could be, but they’re not of much interest either (and the sexism of the whole thing makes them all the less palatable).

If you’re ever planning to watch this for a laugh, stick with the first three episodes. The last three are distinctively more boring, as the writers were clearly struggling to find new plots.

via [LTTP/WIW] Various anime from the 00s and beyond – Page 3.