Tag: adult protagonists

The Eccentric Family (Uchouten Kazoku)

(13 episodes)

What’s it about ?

Did you know that in modern-day Kyoto, there’s a three-way deadlock in power under the surface between the humans, the tanuki & the tengu ? Nope, me neither.

(Adapted from a novel.)

Characters

Yasaburo, our protagonist, is a tanuki. As a trickster and talented shapeshifter, he laughs at your narrow conception of gender and spends the whole episode looking like a high school girl. I like him : he’s fun and has a nice, snarky sense of humour. And he’s a protagonist that actually does stuff ! How novel !

Pr Akadama is an old tengu and used to be Yasaburo’s mentor ; he’s but a shadow of his older self ever since he broke his back in an ill-fated prank. Nowadays, Yasaburo still looks after him because he feels guilty about said prank, but he’s just about the only one who still cares about the old geezer. Except maybe for…

“Benten”, aka Satomi Suzuki, was Pr Akadama’s other pupil. She’s a normal human, but that hasn’t stopped her from learning how to walk on air from the old master. It’s more than heavily hinted that there was something romantic between the two of them, but he clearly hasn’t worked out. The crowd she freys with right now sound like bad news, but she’s still the scariest person in the room at any time. She’s entirely unapologetic about having suggested the prank to Yasaburo at the time, but it’s clear she regrets it. Not that she’ll ever admit it.

It looks like further episodes in the series may explore a bit more Yasaburo’s siblings and family, but so far they’ve just been cameos. (Younger brother is cute ; older brother doesn’t approve of Yasaburo’s antics.)

Production Values

Very nice : this Kyoto is bursting with life. There’s a lot of care to adjust the body language of each character to their true nature, and that without taking into account Benten, who owns every shot she’s in. I also love the initial camera trick of zooming in and out on the city to comically make a point about what’s happening in it.

Overall Impression

I expected this to be semi-inpenetrable to someone who doesn’t know much about Japanese folklore (wait, tengu are crow spirits ? Why didn’t I notice that before ?), but this turns out to be perfectly accessible to the uninitiated. It’s basically a love triangle that ended very poorly for everyone involved, but the episode succeeds in making clear that there’s a lot left unsaid and to be explored. Kyoto feels like City of Adventure where anything can happen and factions secretly and discreetly feud against each other. (Surely there’s an interesting reason why Akadama was having both a tanuki and a human as students, given how the three groups don’t usually mingle ? What the heck was he up to ?)

This is reminding me of Durarara!!, minus any apparently boring character around. This can’t be a bad thing, right ? Definitely following this one.

via [In which I review] New anime, Summer 2013 – Page 5.

Servant x Service

(13 episodes)

What’s it about ?

Work-com about civil servants at the welfare office.

(Adapted from a manga by the creator of Working!!.)

Characters

Yamagami, our protagonist. She has just joined the welfare office for one purpose only : finding and exacting revenge on the person who authorized her parents to name her

Lucy Kimiko Akie Airi Shiori Rinne Yoshiho Ayano Tomika Chitose Sanae Mikiko Ichika […]

. For very understandable reasons, this is a bit of a berserk button for her, and she’s got a general grudge against public servants.

Hasebe, another new hire, is the epitome of everything she hates public servants : he’s lazy, takes every opportunity to slack off, and uses his job to try and pick up girls. He’s also surprisingly competent and reliable on the very rare occasions he takes his job seriously and helps the other newbies out.

Miyoshi, the third newbie, is very awkward, but absolutely loved by the customers. Maybe it’s because she looks like the ideal daughter.

Ichimiya, their supervisor, has eight years of experience… and absolutely no clue how to handle them. He seems to spend half his time running ragged trying to prevent Hasebe from slacking off.

Chihaya, Yamagami’s senior at her desk, is very efficient at her job but sounds terminally world-weary. Yeah, this job can do this to you after a while.

Production Values

Quite nice ; a lot of the jokes are sold by the attention given to body language in this. Also, I quite enjoyed the gimmick for the OP sequence (which is only slightly less catchy than “Someone! one! one!”).

Overall Impression

Even better than I expected. This is a very funny series, made all the more hilarious because all of it sounds so true. It strikes exactly the right balance between mocking and empathizing with its characters. It’s also quite well-paced, letting the mystery of why the heck Yamagami is always hesitating before omitting to say her given name when introducing herself build up nicely. And it’s got more than one joke, which is always welcome in a gag show.

Definitely a must-see for me this season.

via [In which I review] New anime, Summer 2013 – Page 2.

The Devil is a Part-Timer (Hataraku Maou-sama)

(13 episodes)

What’s it about ?

When his demonic forces are about to get overwhelmed by the human army and their Hero, the Demon Lord decides it’s better to turn tail and flee to a parallel universe, i.e. our Earth. While he’s recovering his strength, he takes a part-time job at the local McDonald’s knock-off. Cue hijinks.

Characters

Satan, the Demon King. After the initial culture shock, he’s actually adapting very quickly to this world. He’s retained a little bit of his magic after entering this non-magical world, but he has no clue how to replenish it and has to use his reserves cautiously, only for emergencies such as obtaining proper papers with low-grade hypnosis or fixing the French fries cooking machine.

Alshiel, his minion. Satan had other generals, but Alshiel was the one who opened to portal to Earth and came with him. Clearly this wasn’t a plan with much thought behind it. He’s spending most of his time at the public library searching for a way to restore their magic. He’s getting a bit worried about Satan going native and forgetting about why they came here.

The supporting cast is rounded up by a couple of Satan’s coworkers : his sardonic boss, and the clumsy cute girl.

Also, he randomly bumps into the Hero on his way home from work. Wait, what ? That’s the cliffhanger, obviously.

Production Values

Wow, budget ! This looks way too good for a forgettable comedy show. The animation is superb, the soundtrack is very good, and the opening 5-minute heroic-fantasy battle scene is a sight to behold.

What did I think of it ?

Well, it’s reasonably funny. It’s a decent joke, sold by characters and direction that play the premise dead straight to increase the comedy value. It’s not a laugh-a-minute riot, but it mostly works.

I’m going to keep watching this one, I think.

via [In which I review] New anime, Spring 2013 – Page 4.

Absolutely Lovely Children: The Unlimited – Hyoubu Kyousuke (Zettai Karen Children: The Unlimited – Hyoubu Kyousuke)

What’s it about ?

A spin-off show about anime!X-Men’s Magneto figure.

This seems to be original material, after a 2008 TV series that was a semi-close manga adaptation.

Characters

Kyousuke Hyoubu really does share a lot of traits with Magneto at his best : charismatic, confident, more than slightly creepy, ridiculously over-powered (there’s a reason the show is subtitled “the Unlimited”), and a body count in the dozens in this episode alone. Despite this being his show, he’s actually positioned as a bit of an antagonist. As he should, really.

Andy Hinomiya is our real protagonist and point-of-view character. He’s a prisoner in an mutant esper detention facility set in some south-american-ish island military dictatorship. His powers are said to be kinda crap (some weak telekinesis ?), but he’s a very good fighter, and there’s definitely more than meets the eye. He catches Hyoubu’s attention, and eventually gets to join the Brotherhood of Mutants his group of esper terrorists PANDRA by the end of the episode.

Yuugiri, a young (?) girl hidden in the depths of the prison. She’s the real reason Hyoubu lets himself get “captured” : his plan was to rescue her from the get-go. Destroying a lab performing evil experiments on esper prisoners doesn’t displease him either. Anyway, he calls her “Queen”, which is quite intriguing. (Has he moved on from Kaoru ?)

Most of the PANDRA members sketched out in the main series are to be part of the cast, obviously. The titular Children aren’t anywhere in sight, although the OP/ED heavily promises that their handler Minamoto is going to show up at some point and be as badass as ever.

Production Values

Quite good. This seems to have more of a budget than the original series, with some impressive action sequences. Overall, the atmosphere is much more serious, with no comedic exaggerations, and character designs of the “noodle people” variety.

Overall Impression

This is a promising start. Hyoubu is an interesting character when he’s not being a lolicon perv, so there’s something to be said for a “serious” spin-off series focusing on his Brotherhood’s action, without the comedy trappings of the main show. (Although, you know, his tsundere telepathic flying squirrel sidekick is still around.)

The good idea here is to have Andy as a protagonist, which gives the series a narrative arc of its own. I really doubt he’ll succeed in bringing Hyoubu down in any meaningful way, but it should be interesting to see him trying against impossible odds.

This is definitely more interesting than I was expecting, and notably better than its parent show. I’m in for the ride.

via [In which I review] New anime, Winter 2013 – Page 4.

Cuticle Detective Inaba (Cuticle Tantei Inaba)

(12 episodes)

What’s it about ?

The wacky adventures of a werewolf private detective.

Characters

Inaba, the title detective werewolf. Complete immature goofball. Aside from his (wildly inconsistent) tracking abilities, he can also “power up” and extract ridiculous power from strands of hair. His single point of angst is regarding his missing younger brother, and even that is played for laugh.

The less said about Yuuta, his scarily violent cross-dressing assistant, the better.

Kei, his other assistant, gets the “only sane man” role. Alas, I can’t see his sanity surviving more than a couple episodes of this.

Ogino, an actual police detective who knew Inaba before the latter left the force, and brings him new cases too tough (or too bizarre) for the police to solve. His pained attempts to desperately keep the plot on track aren’t too successful.

Our villain this episode (and apparently the long-term nemesis) is Don Valentino, a counterfeiting goat. His minions include a devoted dude with a paper bag over his head, and a dominatrix assassin.

Production Values

Not very good. The animation is basic, and the whole thing looks cheap on every level.

Overall Impression

Let’s not beat around the bush : this is a completely insane and surreal show, throwing more and more weirdness in as it goes. It’s never afraid to be stupid or mind-bendingly bizarre for the sake of a joke.

The problem is that it’s not really funny. Most of the jokes don’t work, either because they’re oversold or because they’re just plain bad. There are some that do raise a smile occasionally, but the majority are tediously unfunny.

I was ready to cry uncle after five minutes of this. The rest of the episode didn’t change my mind, so I’m not recommending watching this. It’s just too painful.

via [In which I review] New anime, Winter 2013 – Page 3.

PSYCHO-PASS

(22 episodes)

What’s it about ?

Minority Report, the Anime.

Characters

Tsunemori, the newbie cop fresh from the police academy, here to be heavily traumatized by the harsh reality in the trenches. At this stage she’s obviously mostly a device to explain how the setting works, although the plot is sadistic enough to put a new spin on this well-worn police drama cliché.

Masaoka, the grizzled old veteran who explains everything to the n00b. The twist is that he’s a “potential criminal” (or so the omnipresent computer system has decided), and thus part of a group of “hounds” on a short leash who help track down the currently-at-large other potential criminals. So it’s the newbie who’s in charge of him, and can pull the trigger on him at any moment. (The special-gun-that-only-works-on-potential-criminals fortunately has a “stun” setting, although all safeties are off if the target gets too unbalanced.)

Kougami, the other hound she’s in charge of, looks like male lead potential (complete with an albino archrival !), although he mostly stays in the background this episode.

Ginoza, her senior partner, supervises his own pair of hounds (the hard woman and the joker), and has no time to babysit her. And he’s slightly disappointed she’s showing some humanity and doubts about the fairness of the system.

The case of the week demonstrates the dystopian quality of the setting with the subtlety of an anvil. The perp is just a guy who failed a random street psych scan, is now hunted down for being a potential criminal, and decided that he’s going down he might has well commit a vile crime while he’s at it. And let’s not even get into his victim’s case, who gets so traumatized that she’s now failing psych scans too…

Of course, one can play devil’s advocate for the system and say that this dude was so unbalanced already that he would have done something horrible at some point anyway, and that our protagonists’ first response is always to bring their targets down non-lethally if they can so that therapy can be done properly. Still, that’s assuming the system actually works and the computers are trustworthy. Has this ever happened in this type of story ?

Production Values

Very good. While not as gorgeous as K, this clearly has a high budget, and maintains perfect clarity despite the heavy grit filter. Nice soundtrack, too.

There’s clearly a heavy Ghost in the Shell influence at play here, from some of the directing and aesthetics to the blatantly gratuitous camo-suit scene in the beginning.

Do be warned that Gen Urobuchi is involved in writing this series, with all the deliberate cruelty and gore this entails.

What did I think of it ?

Hum. This episode is so busy with making its premise crystal clear that it becomes a bit clunky. There are even jokes acknowledging how exposition-heavy it is !

Still, there’s nothing wrong with the premise… wait, no, of course the premise is very wrong. But it’s a decent starting point, and I trust Gen Urobuchi to do more interesting things with it in the next 21 episodes. I’m giving it at least a few more episodes to find its feet.

via [In which I review] New anime, Fall 2012 – Page 6.

Natsuyuki Rendez-vous

(11 episodes)

What’s it about ?

A romantic comedy between adults, which is a rare occurence indeed. Adapted from a josei manga, obviously.

Characters

Hazuki, our protagonist. He’s taken a shine to the florist down the street, and has become a bit of a stalker. Buying a new plant every weekday, applying for the part-time job… Now, if only he had the guts to say out loud half of his snarky narration, he might have a chance.

Rokka, the florist. Frankly, she doesn’t make that much of an impression beyond “cute and sad”, as we mostly see her through Hazuki’s eyes.

Atsushi, her husband. Who casually walks around half-naked in her house just to put Hazuki off. And it would have worked if the latter hadn’t learned that the former has been dead for three years. Yep, he’s a ghost.

Also in this episode are the former part-timer (going off abroad to be married) and Atsushi’s sister, who comes around on weekends to lend a hand in the shop. But they’re mostly there to provide some gentle exposition.

Production Values

Quite good, and there’s some good visual jokes of Atsushi just floating around. Gorgeous ED, too.

Overall Impression

I was all ready to ignore the noitaminA show that isn’t about talking yeast, but this is actually quite good. Yuuichi Nakamura lends his usual charisma to our male lead, and makes for a fun double act with Jun Fukuyama. The “ghost” setup is a lot of fun too, and I like that the plot doesn’t seem to be wasting any time.

Definitely a keeper.

via [In which I review] New anime, Summer 2012 – Page 10.

Poems of Love (Chouyaku Hyakuninisshu: Uta Koi)

What’s it about ?

Remember Chihayafuru last year, about that card game based on 100 classic Japanese poems ? This is a (very liberal) adaptation of those poems. At least, the ones about love stories. Which is about half of them, so that’s plenty enough material.

(Adapted from a very popular josei manga.)

Characters & Plot

Fujiwara no Teika, the dude who’s supposed to have compiled the 100 poems, serves as our host for what is basically an anthology series. I like his sense of humour, for what little we see of it. (And it’s nice to have Yuki Kaji in snarky mode for a change.)

There are two tales here. The first one involves the lower-class Ariwara no Narihira seducing Fujiwara no Takaiko, who’s set to marry to Emperor soon, and thus doesn’t have time for such dalliance. You’ve seen this story thousands of times before, but this one works thanks to Narihira’s incredible charm and impeccably smooth technique, and Takaiko’s very genuine reactions.

The second tale is about his brother Ariwara no Yukihira’s happy marriage, and it doesn’t really go anywhere. It seems to be mostly an excuse to flesh Narihira’s backstory out a bit.

I have no clue whether we’re going to see any of those characters (besides our host) again later. I kinda doubt it, as I seem to recall the 100 poems having been written over a span of several centuries.

Production Values

This is a very good-looking series, with thick outlines and several other design choices contributing to make it look a bit like ancient Japanese paintings.

The ED features rapping. Of course it does.

Overall Impression

There is a lot to like here : it’s gorgeous, the dialogue is very well-written indeed, and the characters have a lot of life in them.

But… It’s an anthology of archetypal love stories. There’s a big risk of them quickly starting to repeat themselves. One of them this episode is already lackluster, and I really doubt this is going to keep my interest for long.

Still, I’ll at least try to stick with it for one more episode. Maybe they’ll find a way for it sustain itself for the long run ?

via [In which I review] New anime, Summer 2012 – Page 10.

Humanity Has Declined (Jinrui wa Suitai Shimashita)

(12 episodes)

What’s it about ?

The most cheerful post-apocalyptic series you’ll ever watch.

Characters

Our unnamed protagonist lives in a small rural village as a mediator to the fairies, on behalf of the UN. This basically makes her in charge of the female population here, mostly by virtue of having a clue and not being afraid of abusing her authority.

She lives with her grampa, a scientist also studying the fairies. And he’s very obviously calling the shots in the village, for about the same reasons.

The locals seem to suffer from a severe case of the stupids, and are barely able to function anymore. It’s funny until starvation because of their own incompetence becomes a plot point.

Fortunately there’s the fairies… and whoever’s running the mysterious FairyCo that’s been dropping free (awful-tasting) food recently.

Production Values

Well, that’s a good way to make a post-apocalyptic setting very creepy indeed : over-saturated bright colours everywhere, and the more pink the better. And that’s before the headless chicken start showing up, or the action moves to the utterly absurd FairyCo factory.

Overall Impression

Warning : this show doesn’t bother to explain anything about its setting : why has humanity declined ? Is this village typical of the world ? What state is the UN in ? (Our protagonists don’t seem to have access to any technology or outside help.) What’s with the fairies ? Indeed, it seems to revel in the explosive decompression of throwing the viewer into this strange land, even spending a lot of time on pointing out that our heroine just had her hair cut for undisclosed reasons and not being comfortable with it : is there any significance to it ?

Fortunately, we have a strongly-defined central character to latch onto, with enough shrewdness and cynicism to compensate for the braindead villagers. What prevents her from being obnoxious is that she doesn’t really get away with it, thanks to her grandfather’s vigilance.

But what really sets this series apart is the sharp contrast between the sugar-coated presentation and the very black humour at its core (the bleeding bread scene in particular has perfect comedic timing). There’s also a strong sense that it knows exactly where it’s going and the haphazard pacing is deliberate.

Somehow, this looks like one of the most original and refreshing shows of the summer. (Yes, more than that one with the talking yeast.) Very worth checking out.

via [In which I review] New anime, Summer 2012 – Page 6.

Jormungand

(12 episodes + 12 more episodes this Fall)

What’s it about ?

Psychotic arm dealers are COOL.

Characters

Jonah, child soldier from whateverland. Presumably he’s got quite some backstory, but this first episode doesn’t care to enlighten us much yet. Having lost his family to the pointlessness of war, he obviously hates weapons, and thus arm dealers. But to do anything about it, he needs weapons. Hence why he’s now in the employ of…

Koko, head of a tight-knit arms-dealing group. The joke here is that half the time, she behaves like most other Shizuka Itou characters : constant flirting, childish temper tantrums… It’s just that in this context, it makes her even more terrifying. Especially when she suddenly drops back to “pro” mode in mid-sentence.

There are eight other members in the unit, but there’s no time for them to get too much development yet. there’s the prettyboy, the seasoned old soldier, the token other girl who’s a bit too protective of Koko, the guy in a suit and glasses that can’t be as innocent as he looks… Presumably we’ll get to know them better in the next 23 episodes.

Production Values

Impressive. This has the best car chase I’ve seen in a while, for example. And Koko wouldn’t work as well without the care applied to her body language and crazy faces.

Also, Taku Iwasaki signs the soundtrack. It’s not his flashiest, but It does become more and more catchy as the action sequences gather momentum. (Also, I laughed out loud at the track playing during the next-episode preview. Perfect choice.)

Overall Impression

Hello, Black Lagoon clone ! Not that there’s anything wrong with that, mind. It certainly manages to catch the right vibe, balancing charismatic psychotic characters, dynamic action sequences and discussions of existentialism quite well.

There’s one little problem, though : this first episode features two different jobs, and they both suffer from the small screentime they get. The first one has muddled stakes (it’s not immediately clear what our team is trying to achieve), and the second has them pulling a plan so straightforward it makes their opponent look like an idiot.

But that’s a minor problem ; the goal here was to sell us on the premise and the protagonists. Mission accomplished.

via [In which I review] New anime, Spring 2012 – Page 9.