Carried by the Wind: Tsukikage Ran

(13 episodes, 2000)

My previous exposure

Suggested in this very thread.

What’s it about ?

Ran Tsukikage is a drifter that everyone she meets thinks is a samurai. (And she does have the skill : if she starts fighting you, you WILL lose, often in a matter of seconds.) She’s a woman of few words who rarely gives a toss about anything around her, except when sake’s involved ; in which case she’ll start rambling incoherently like a mean drunk.

Her sidekick is Meow, a very talkative martial artist who stumbled onto Ran in the first episode and stuck with her ever since. Let’s be frank, Meow is a bit stupid and gullible, which often provides the hook to involve the duo with whatever the plot of the week is. (This is a very episodic series.)

Mostly, they aimlessly roam the Edo-period Japanese countryside while getting on each other’s nerves. And the audience’s, too.

What did I think of it ?

Well, this could have gone better. While I don’t have a problem against our protagonists’ double act in theory, in practice it can get quite irritating very quickly (especially if Meow starts shouting a bit too much). While most of the time their antics reach the level of “mildly funny”, they rarely rise about it, and sometimes go down to “bloody annoying”.

It doesn’t help that I’m pretty sure I’ve already watched half of these plots, with much better execution, over in Samurai Champloo. Sure, that’s no fault of this show, but the comparison is unavoidable. Here, the directing is pedestrian, most of the characters are one-dimensional (special mention to the generic bad guys, who couldn’t sound more B-movie evil if they tried), and the strict episodic format prevents from attaining any kind of depth.

As it is, the series is cute for a few episodes, after which watching it became a bit of a chore. (I think I lost most of my goodwill with the “Meow finds a baby” episode and its questionable gender politics. And the less said about the “idiot blonde foreigner” episode, the better.) Not that it’s bad, but it just wasn’t funny enough to really be worth the time.

via [LTTP/WIW] Various anime from the 00s and beyond – Page 11.

Kino’s Journey

(13 episodes + 3 specials, 2003, 2005, 2007)

My previous exposure

Suggested in this very thread. And I vaguely remember having heard of it before.

What’s it about ?

Our protagonist Kino travels between various countries, atop her faithful motorbike Hermès. (Who can talk. Don’t ask.)

What did I think of it ?

This is a very episodic series, alternating between several tales in a single episode, up to a two-parter halfway through. The setup is basically always the same : Kino arrives in a new town/country, learns about their customs, stuff happens, and she leaves after three days. The whole thing is an excuse for exploring human sociology, and why they do what they do, however pointless it is. In particular, there’s a great unspoken ironic parallel in the “3 men and the railroad” between the 3’s pointless task, the “country where people don’t need to work (but do anyway, because doing something pointless is better than doing nothing)” tale-within-a-tale, and Kino’s own aimless wandering.

Kino is a very compelling protagonist, despite us barely ever getting into her head at all. She doesn’t talk much and offers no inner monologue ; Hermès’s whole role is to offer a naive proxy for the viewer so as to try and understand her. A few episodes offer some explanations about her backstory, although a great deal is left unsaid. What little we do get to see, though, I really like ; the Colosseum two-parter shows she’s got a strong sense of justice and a nasty sense of humour. I also like that she sometimes completely fucks up (seriously, driving that family of androids to suicide can’t have been her intention).

Another strong point of the series is that it knows how to vary tones across its tales ; it can go from the cheerful story of the first airplane to the grim and bloody Colosseum two-parter. The soundtrack is intriguing ; along with some direction effects, it often emphasizes the artificiality of the story and injects a dimension of “something’s not quite right” that contrasts nicely with the naive character designs. This works especially well in the second special where Kino goes on her first “real” journey.

It’s a bit of a shame that the last special is among the weakest tales (with CG backgrounds that are a bit too distracting to be impressive), though. Still, this has been a great series to watch, and is the first one suggested in this thread to join my Top 30.

via [LTTP/WIW] Various anime from the 00s and beyond – Page 9.

Gokujyo.

(6-minutes episodes)

What’s it about ?

Raunchy “comedy” set in girls’ high school.

This series became infamous when the network refused to air the first episode ; the producers also pulled the third one off the air due to “self-restraint”. Quite frankly, it sounds more and more like a publicity stunt.

Characters

Aya, our protagonist. Self-centered, rude, abusive to her “friends”, and often downright stupid, she has no redeeming features whatsoever. (Well, unless you’re into huge, fake-looking melons.) Most of the series revolves around her histrionics.

Konatsu, Aya’s best friend chewtoy. Innocent and pitiful, she makes for an easy target.

A few other characters show up, such as their bland third friend, the resident pervert, Aya’s delinquent sisters…

Production Values

Not very good, but hey, it’s a comedy, it doesn’t matter. I do like a bit how Aya’s face constantly changes artstyles depending on her mood.

It’s obviously very fanservice-y, what with Aya constantly spilling out of her blouse or spending most of the first episode without panties on… But it does feel like the creators are just baiting the censors in a bid for controversy. (The next two episodes are way tamer, aside from a gratuitous short scene of Aya and Konatsu’s butts at one point in the third.)

Overall Impression

Oh, dear. A comedy series that ain’t funny. What’s more to say ?

Well, that may be overstating it a bit : there are a few jokes that do work. The problem is that the show proceeds to drive every one of them into the ground with no subtlety whatsoever. Also, while Aya could work in small doses, a whole show about her (even in 6-minute shorts) just makes her unbearable. I get that we’re supposed to hate her, but there’s too much of her here.

Also, the censor-baiting got on my nerves after a while. Especially when it became clear that the show was way more comfortable recycling Azumanga Daioh’s hiccup skit. It just feels forced.

via [In which I review] New anime, Winter 2012 – Page 12.

Smile Precure !

(50-ish episodes)

What’s it about ?

It’s February, time for yet another iteration of the Precure franchise. (Kid-friendly magical girls, basically.)

This year, the dominant theme seems to be stories.

Characters

Miyuki, aka Cure Happy, our hyperactive protagonist. A fan of all kinds of stories, from fairy tales to TV superhero shows, as long as they get a happy end. She tends to voice her overactive trains of thought in public, which brings her tons of intrigued looks from bystanders. As it is, I can’t decide whether I’m charmed or I want to strangle her ; hopefully she’ll become a bit more subdued once the cast gets a bit more rounded.

Candy, the mandatory annoying toyetic critter. She manages to be even more ineffectual than the average (she looks for Precure warriors by randomly shouting “Precure !” in the street).

Our antagonist this episode is Wolfrun, a wolf-dude. So far, he’s utterly generic.

We also get a good glimpse of the girls slated to become the other four Precure ; there’s the hyperactive one from Kyoto, the shy one, the responsible one, and the well-bred class representative.

Production Values

Perfectly alright. This time around, we get bright colours and character designs that are way less fussy than Suite Precure, although it’s not quite as stylised as Heartcatch Precure. It’s a good balance, I think.

This is somehow a season saddled with terrible-to-bland-at-best OPs (even Persona 4 and Mirai Nikki have switched out what were the best OPs of last Fall), and this one doesn’t detract from the rule. The ED’s a bit more catchy.

Overall Impression

Well, at least it’s not Suite Precure. That was quite dire indeed.

So far, it’s off to a slow start. It looks like we’ll need four more episode until the team is assembled and the character dynamics become clearer ; there’s some promise but it’s too early to judge. And we’ve barely seen anything of the villains.

I’m going to reserve my judgement for now.

via [In which I review] New anime, Winter 2012 – Page 10.

Black★Rock Shooter

(8 episodes)

What’s it about ?

Melodrama about growing friendship between junior high school girls… interspersed with symbolically-linked action sequences starring their mute alternate personae in a psychedelic fantasy world.

The concept started from a supercell music video, then got a pilot OVA in 2010 ; this is another version that’s supposed to be telling the story properly.

Characters

Mato Kuroi, our exuberant protagonist. Her “introspective” narration (“The sky is blue !”) suggests she might not be the brightest bulb in the bunch. She’s quick to make friends… whether they actually want to or not. (And she’s aware she might be a bit too pushy on that front.)

Yomi Takanashi, an asocial classmate whom Mato takes a shine to. They do bond quickly (over a children’s illustrated book, of all things), but the problem is that Yomi is lorded over by…

Kagari, a tyrannical disabled girl who comes over regularly to her house. Let’s not mince words : she’s the villain of the piece, with overblown musical cues driving the point home.

The supporting cast include Mato’s generic best friend, and a school counsellor (wait, those actually exist in anime ?).

Mato’s alter ego in the fantasy world is the title Black★Rock Shooter, a scantily-clad action chick who can transform her hand into a giant cannon-gun. Besides everything in the scenery trying to kill her, she turns out to be fighting what are obviously the alter egos of Kagari and Yomi. It’s not very clear yet, but the little I remember from the OVA heavily hinted that the “real” scenes were flashbacks set before Mato got access to the fantasy world.

Production Values

Obviously, most of the animation budget went to the fantasy action sequences, which are very impressive indeed, and always clear to follow despite their insanity. The “normal world” sequences are obviously more pedestrian, although the body language remains good throughout.

And obviously, most of the soundtrack comes courtesy of supercell. It works out quite well, I think.

Overall Impression

Well, that was quite better than I expected. I wasn’t a fan of the original OVA (the “normal” sequences were just trite and boring there), but this is an improvement on nearly all fronts. While not outstanding on its own right, the “normal” thread is just entertaining enough not to detract too much from the “fantasy” action, and much better at providing context for it than the first time around. (Although Kagari might be a bit too much on the nose to entirely work as an antagonist.)

I’m definitely going to follow this one.

via [In which I review] New anime, Winter 2012 – Page 9.

Rec.

(10 12-minute episodes, 2006)

My previous exposure

None, beyond the notion that this is an early Studio SHAFT show, and I thought I should watch more of those.

(Also, I needed some counter-programming for Mushishi.)

What’s it about ?

A junior advertising worker drone starts housing a rookie voice-actress after her flat burns down. One thing leads to another, although their relationship is quite rocky indeed.

It doesn’t help that she then gets hired on his next project (not that he had any role in the decision), and she prefers to keep their relationship hidden so that the conflict of interests isn’t too obvious. Awkwardness ensues.

What did I think of it ?

I only noticed it too late : Shinbo didn’t direct this. So, none of his usual quirks are present, and this is a bog-standard romantic comedy with no creativity whatsoever in the photography. Oops.

Still, does it work on that level ? Well, just barely. The plot doesn’t go anywhere interesting in the very short running length, the characters don’t have much maturity or personality, and the supporting cast remain caricatures. There’s a semi-interesting plotline about the female lead’s career that feels more genuine than most depictions of the voice-acting business, but nothing to go out of your way for.

It doesn’t help that the format actively works against the story. The 12-minute length is a brutal mistress, and it’s obvious the story has been arbitrarily cut in pieces to fit it. (The first episode doesn’t even manage to establish the premise !) Also annoying are the random scene transitions every three minutes or so that are so jarring they took me out of the show.

I won’t say it was painful to watch, but there’s very little to recommend here.

via [LTTP/WIW] Various anime from the 00s and beyond – Page 9.

Mushishi

(26 episodes, 2005-2006)

My previous exposure

Suggested in this very thread. Also, wasn’t this in JesuOtaku’s top anime list ?

What’s it about ?

Ginko is a Mushishi, a nomad wise man who wanders around the countryside helping people with their problems with Mushi (mostly invisible, barely alive supernatural creatures who can have a huge impact on one’s life if one’s not careful).

Each episode is a standalone tale ; a few of them deal with Ginko’s past or the general ecosystem of Mushishi, but most just center on a particular case of Mushi happening to people and how Ginko tries to better the situation a bit.

What did I think of it ?

On the one hand, this show does everything right : a charismatic protagonist, gorgeous landscapes, effective storytelling that sketches up a new cast of characters each episode well enough for the watcher to care about them, a genuine sense of wonder about the beauty of Mushi…

But dear gods, this is a depressing series to marathon through. Most of the tales have truly horrific stuff happening to basically decent people because of one moment of carelessness or pride (or just plain bad luck). Very few of these people deserve such fates, and there’s a limit to what Ginko can do to help them (especially as he often arrives when it’s too late). What makes it worse is that you can’t really blame the Mushi either, because they’re not really sentient (with a few exceptions, such as the horrifyingly effective changeling tale) and just do what’s in their nature. The overall impression is that it just sucks to live in this world.

This has been a harrowing watch, and probably worked better on a weekly format, with enough time to rest between each episode. Don’t get me wrong, this is a very good show, but it’s a bit too good at telling its stories for me to really love it.

via [LTTP/WIW] Various anime from the 00s and beyond – Page 8.

Winter 2012 capsules

Some quick notes :

Amagami SS Plus basically resumes where it left off : each of the 6 main girls gets 2 more episodes set after their original arcs. We start off with Ayatsuji (the verbally-abusive class president). Frankly, at first it’s more than a bit self-indulgent (a perverted bath scene that turns out to be the MC’s erotic dream ? Seriously ?), but it does pick up after that, and the new plot is actually a lot of fun. Got me worried for a while, though.

I’d gotten the impression that Nisemonogatari would star the Araragi sisters, but that’s only in the loosest sense of the term ; this is really a straight sequel to Bakemonogatari, with new arcs focusing on said sisters. Well, “focusing” may be too strong a word ; the arc is titled after Karen, and she doesn’t even show up this episode (while Tsukihi gets less than 5 minutes). The bulk of the episode is devoted to an extended prologue that I fail to see what it’s got to do with anything, and a long talk between Araragi and Mayoi that often makes me uncomfortable whenever he’s making a joking pass at molesting her.

Don’t get me wrong : the direction is still as impressive as ever, and the dialogue is on fire ; but this isn’t quite gelling together yet. (But then, I’ve never been that impressed by Bakemonogatari ; it’s good, but there are huge chunks that leave me cold.)

And maybe I should say a few words about Poyopoyo Kansatsu Nikki, a series of 3-minute shorts where a round cat gets adopted by a family. I’m getting the impression those shorts aren’t for me, because there’s barely any meat there ; although this one gets point for being faster-paced than most and managing to get in quite a few jokes. But that’s a few chuckles at best, and I’m not going to bother with any more of it.

via [In which I review] New anime, Winter 2012 – Page 4.

THERMÆ ROMÆ

(6 13-minute episodes, aired two at a time to fill Black Rock Shooter‘s noitaminA timeslot until February)

What’s it about ?

A 2nd-century Roman architect marvelling about Japanese public baths.

Characters

Lucius, our protagonist, is a traditionalist architect who has a bit of a crisis of faith after falling out of favour, somehow ends up in modern Japan (or maybe is it a dream ?), and brings back some revolutionary ideas to design better public baths.

He gets a token friend as a soundboard for exposition, but mostly he monologues endlessly.

Production Values

This seems to have no budget whatsoever. The animation is beyond crude, frankly ; most web-broadcasted shorts I’ve watched over the last couple of years look better than this.

There are random oddities at times (non-standard character designs, including a cyborg dude in ancient Rome for some reason) that are probably just there for effect, although I’m not sure what the expected effect is (“funny” anachronisms ?).

Overall Impression

Uh. I’ve watched the first episode twice, just to be sure I hadn’t missed something. But no, I just can’t find the joke funny. I think I can see what they were going for, (and commend its makers for doing something so different from usual anime fare) but it just doesn’t work for me.

It doesn’t help that we basically get an (inexplicably blonde) foreigner who’s rude, racist and backwards-minded (ahah, Romans had slaves) discovering the awesomeness of Japan. Er…

Yeah, I think I’ll give this timeslot a pass until February.

via [In which I review] New anime, Winter 2012 – Page 8.

Inu x Boku SS

What’s it about ?

A building for the filthy rich where all the tenants each get a devoted “Secret Service” servant. Well, that’s the cover story ; the big twist is that all of them are actually (traditional Japanese) monsters. (Well, descendants of monsters, but since they can change form at will it’s basically the same thing.)

Characters

Ririchiyo, our female lead, the “Boku” from the title. She is just moving into the place, and doesn’t like the idea of having a butler/bodyguard/whatever looking after her. Actually a yuki-onna, which might explain the “ice queen” persona she often affects.

Miketsukami, her bodyguard, the “Inu” from the title. And literally too, as he’s a “dog with several tails” monster. His behaviour is very dog-like indeed, frequently embarassing her.

Renshou, Ririchiyo’s childhood friend/big brother figure. He’s got a big tattoo that gives him a bad boy look. Mostly there so she has another person to talk to on a rational level. (He’s really a scroll-like monster.)

A couple of other master-servant pairs, including a deathly-timid (and actual death spirit) girl who’s very convenient to get rid of burglars.

Production Values

About average. The show has a tendency to shift into super-deformed mode for each punchline, which might have worked if the jokes were actually funny. (Also, the narration at the beginning randomly showing up on the screen just looks pretentious.)

Overall Impression

Oh, dear. This show has exactly one joke (Ririchiyo finds her servant embarassing), and I was already losing patience when we got to the twist. Which is mildly interesting in itself, but not enough to redeem the annoying lead characters and the gratuitous master/servant fetishism.

One episode was enough, thank you.

via [In which I review] New anime, Winter 2012 – Page 7.