#49 : Hiwou War Chronicles (Karakuri Kiden Hiwou Senki)

(26 episodes)

What’s it about ?

Clockpunk show set in the Meiji period. It also has the honour of being the first show ever animated by studio Bones after their split from Sunrise.

Characters

For no obvious reason, the series opens with a few German merchants/tourists on a boat nearing the coast of Japan, expositing at length on this being the Meiji Era and what this entails on a geopolitical level… only for the rest of the episode to completely ignore this context, and showing that this version of Japan is actually full-on clockpunk.

Hiwou, our protagonist, is the bratty and plucky kid who’s at the center of the youngsters’ social club in his rural village (including his younger siblings). The big thing with this village is that they’ve been producting tons of clockwork dolls, mostly for entertainment purposes.

Enter the Wind Gang, a bunch of paramilitary thugs who swiftly conquer the village by surprise, capturing all the adults… but not the kids, who were off exploring a cave at the time. There, they find a clockwork proto-mecha that allows them to escape.

… But maybe not for long, as some of the kids want to double back to try and save their parents. That sounds like a really stupid idea, considering how they barely managed to escape the first time around.

Production Values

You can always count on a Bones production to be reasonably polished, and this is no exception.

Overall Impression

Well, this was inoffensive enough, I guess. The problem is that the first episode didn’t manage to make me care about those kids, or even the fate of the village. It’s got some decently-paced action sequences that are all about the flash and carry little substance. Really, it’s just a bit too bland.

I’m not really interested in watching any more of this.

Source: [In Which I Review] Anime series from 2000 – Page 13

Spring 2015 capsules

A few words on Vampire Holmes, first. It’s an adaptation of a… smartphone game app (!) as a series of barely-animated shorts ; the premise is that this Holmes completely sucks at using reason… not that it stops him from solving the crimes. It’s supposed to be funny, but this one joke is way too slight to support even a 3-minute short, let alone a whole season of it. Don’t bother with this one.

via [In Which I Review] New anime, Spring 2015.

 

Oh, frack it, I’m not doing a full review of Wish Upon the Pleiades (Houkago no Pleiades). For one thing, I already reviewed the pilot web-thingy 4 years ago, and this first episode is a slightly abbreviated version of the same story. I think Gainax reanimated the whole thing thanks to that sweet Subaru money, but I can’t be arsed to track the original version down to compare.

Anyway, it’s still as boring and utterly bizarre as a use of a sponsor’s money (the magical girls’ brooms roar like motorbikes ! The main character is named Subaru ! And, er, that’s it for product placement…) ; I can only fathom that the few people left at Gainax needed the money, no questions asked.

 

On Sunday aired a short called Rainy Cocoa (Ame-iro Cocoa), about a bunch of handsome dudes running a café. It’s a string of mediocre jokes and stereotypical characterization that just abruptly stops because we’ve hit the 2-minute mark. (There’s technically a cliffhanger with a dude suddenly showing up, but come on now.) Nothing to see there.

via [In Which I Review] New anime, Spring 2015 – Page 4.

 

A few words on a couple of shorts, first.

BAR Kiraware Yasai features a bunch of vegetables having a drink and complaining about how nobody likes them. It’s mildly cute as a concept, and at least it’s a joke that fits the “series of shorts” format, but there’s nothing particularly compelling in the execution to make me come back next week.

Urawa no Usagi-chan is *COME TO URAWA CITY* a series of shorts featuring a girl called Usagi *PLEASE COME, WE’RE DESPERATE ENOUGH TO COMMISSION THIS* who has utterly normal fri- *NO SERIOUSLY, WE NEED YOUNG PEOPLE TO COMPENSATE OUR POPULATION’S AGING* -ends *TOURISTS ARE FINE TOO*…

Excuse me, please wait a second.

/Shoots the representative from Urawa City’s tourism board.

Now, that’s better. Unfortunately, while there’s enough budget to make this look decent, the producers forgot to include anything like a plot, characters doing anything, or even the glimmer of a single joke. It’s just a scene that lasts for more that three minutes and accomplishes nothing in that duration.

via [In Which I Review] New anime, Spring 2015 – Page 4.

 

No full review for Saint Seiya : Soul of Gold. I’m not sure whether this is a proper sequel or just a side-story ; the premise is that a good chunk of the supprting cast sacrificed themselves in the Hades arc (which I haven’t watched), and now at least some of them find themselves surprisingly not dead (or maybe undead), in Asgard of all places. And of course there’s something nasty going on there.

This is a perfectly alright on all levels : it looks alright, it quickly establishes the premise and the first miniboss, and even takes the time to allude to the Lion Gold Saint’s origin story as a stab to make him engaging as a protagonist. There’s even a weird cliffhanger to make the viewer question what’s really going on. Quite competent all around… It’s just that unlike the Latin-American market who demands the franchise to be revived every few years, I have no particular nostalgia for Saint Seiya (easy “endless stair-climbing” jokes aside), so I don’t particularly care about this project. Not for me, I guess.

via [In Which I Review] New anime, Spring 2015 – Page 5.

 

Now for the final straggler… and there’s no way in hell I’m doing a full review of Ninja Slayer From Animation.

The signs should have been obvious. It’s adapted from an elaborate prank (an alleged “traduction” of an American novel, serialized on Twitter). Episodes are barely 12-minute-long, and broadcast only on NicoNico over in Japan. (They’re in a goddarn 4/3 format !) They got the Inferno Cop guy to direct it. Of course it was going to turn out to be a no-budget, no-plot “gonzo parody”.

The thing is, this is actually much worse than Inferno Cop. I may not have liked it, but that show had personality and embraced its own lunacy. It wasn’t boring like this crap, and its shorter episode length made for much better pacing. Ninja Slayer, on the other hand, has an even thinner premise (“dude who hates ninjas gets reborn as a ninja who kills ninjas”), characters with no depth whatsoever, and just piles on cliché after cliché without ever doing anything interesting with them. It doesn’t even have the guts of going all paperdoll-style like Inferno Cop, instead having random bursts of semi-decent animation that make it look even more boring.

The only kind thing I can say here is that it’s got good colour design, and an okayish soundtrack. Everything else about it is pure, unadultered crap. Congratulations, Ninja Slayer ! You’re easily the worst show this season, and by far.

via [In Which I Review] New anime, Spring 2015 – Page 6.

Yamada & the Seven Witches (Yamada-kun to 7-nin no Majo)

(12 episodes)

What’s it about ?

Adaptation of a comedy manga series, the first episode of which features a conspicuous lack of witches. Hm.
Apparently it also got a short-lived live-action TV adaptation back in 2013.

Characters

Yamada, our protagonist, is nearly the platonic ideal of the “delinquant” high-schooler : a barely-contained ball of anger who’s rude, violent, and terrible in his studies. Fortunately, before he can get onto my nerves, he suddenly swaps bodies with…

Shiraishi, the best student in his class. Who doesn’t have much of a clue how this happened either, but wants him to wait until after school for them to sort this out, as she can’t afford to miss any more classes. So Yamada spends the rest of the day as her… and learns that she has more depth than the “boring honor student” he’s always dismissed her as : he now sees the creepy harassment from some of the boys, the intense bullying by some of her female classmates, and the fact she has no friends whatsoever. And you can clearly see his own personal growth that comes with this nascent understanding. Also, he has to deal with the fact that Shiraishi refuses him to resort to his go-to answer to everything (i.e. violence), especially as he’s still in her body.

Miyamura, the student council vice-president, who quickly guesses what’s going on and seizes this opportunity to revive the Supernatural Studies Club (of which he was the only member left). Yamada & Shiraishi had already figured out they switched bodies whenever they kissed ; Miyamura is the one leading the experiments that led to the discovery that Yamada could apparently do it with anyone. (One guess how. Shiraishi was surprisingly enthusiastic at the prospect.) Anyway, this lets everyone have a room where they can discreetly swap bodies, provided they occasionally help the student council out.

As I wrote earlier, no witches in sight. The OP sequence goes out of its way to try and frame Shiraishi, the head bully, a tentative applicant to the club who shows up at the end, and four other girls as the titular seven witches, but that feels more symbolic than implying any actual witchcraft at play here. (And if they do turn out to be real witches, that’d be a really surprising twist.)

Production Values

Quite good. It’s a show that relies on comedic timing and a good understanding of body language to sell its central concept, and it handles that well. The exaggerated way Yamada walks may be a bit too much, though.

Overall Impression

This is way better than I expected it to be. The core reason is that it spends very little time dwelling on the obvious jokes, and instead focuses on building everyone into stronger characters and finding fun ways for them to abuse the strange premise. That’s quite refreshing, really.

It’s also an impressive performence showcase. Admittedly, not really from Ryota Osaka ; his Shiraishi-as-Yamada is just kinda flat. But Saori Hayami really gets to stretch herself here ; her Yamada-as-Shiraishi is hilarious, either as a hoarse default-mode or as a parody of feminimity ; and even her normally flat Yamada can turn out to be surprisingly playful and fun. Between this and the 2:15-minute rant, I’m getting more and more appreciately of her range.

This show had me laughing non-stop nearly throughout its first episode. It must be doing something right. Anyway, I’m sure I’ll keep watching it to the end. (And probably catch on that OVA episode that got released a few months ago.)

via [In Which I Review] New anime, Spring 2015 – Page 5.

#48 : Ghost Stories (Gakkou no Kaidan)

(20 episodes)

What’s it about ?

A horror show that’s not adapted from anything. Apparently the English dub took vast liberties with the script to make it into more of a black comedy, but that’s not what I’m watching.

Characters

Satsuki, our fifth-grader heroine. Her dad moved the family back into their mother’s hometown after she died, apparently because the in-laws could provide them with affordable housing. Anyway, that means Satsuki (and her younger brother Keiichirou) are going to a new school from now on. While it looks perfectly decent, they get sidetracked when their cat goes into the creepy abandoned older building…

Hajime, the bratty neighbour kid who tries to prank them (with his bespectacled best pal Reo), only to get a lot less confident once the lot of them get stuck inside.

Momoko, the nice sixth-grader whose hat got lost inside. Totally not a ghost. By an amazing coincidence, she spent some time in the same hospital where Satsuki’s mom spent her last days. And it’s looking less and less like a coincidence when it turns out that (1) Satsuki’s grandmother was a former headmistress of the school and (2) Mom left behind a manual of how to handle ghosts.

That thing comes in really handy, as the old school building is truly haunted. One could have ascribed the sudden opening and closing of the front door to the wind ; the chain repositioning itself, less so. And the various ectoplasm manifestations soon destroy any possible doubt.

Production Values

Quite good, actually. There are lots of slow panning CG shots of the corridors that must have been expensive at the time, and still look quite good while establishing quite the creepy atmosphere. So this is a rare 00s Pierrot show that looks good. I’m as surprised as you are.

Overall Impression

Hey, this is quite fun ! The kids are a good mix of personalities, the plot moves along at a decent pace, and the closing punchline is hilarious. There’s a good chance it’s got a proper ending, too.

I could definitely see myself watching this in full down the line.

Source: [In Which I Review] Anime series from 2000 – Page 13

Punch Line

(11 episodes)

What’s it about ?

“Once he sees underwear, humanity is destroyed!?” is the tagline for this project. It’s as good a description as any of the plot of a series that also features sentai super-heroes, ghosts, and time-travel. And panties, of course.

Characters

Yuuta, our protagonist, is in a bit of a pickle. He had a near-death experience in the course of his bus being taken hostage, and unfortunately something has taken over his body. So he’s stuck as a ghost, looking for a way to retake his body.

Chiranosuke is a friendly neighbouring cat-ghost who gives him a lengthy explanation about this, and gives him some pointers about a book that could help him. (Nope, I don’t trust him either.) Also, he informs Yuuta that while seeing underwear and getting excited will super-power him, doing it twice in quick succession will doom humanity immediately. Like, meteor falls and everyone dies. Fortunately, as a ghost Yuuta can tell causality to take a hike, and go back in time to retry a better path as many times as he needs. Since that involves navigating through an apartment complex with a number of female tenants, that’s going to take more than a few tries.

Mikatan is one of his neighbours. He’s been introduced to her a few months ago as just a semi-famous singer, but secretly she’s Strange Juice (sic), defender of justice ! And she doesn’t do that bad a job of it in that bus hostage crisis the series opens with.

Meika, who seems to run the building, also helps her out as mission control. Which might explain why Mikatan’s got a secret entrance to an underground base in her flat.

There’s also Lovera, the dodgy medium (who by a suspect coincidence was also on that bus), and Ito, the NEET.

And then there’s this cocky dude who seems to have orchestrated the bus hostage-taking, and is already at it again that night. I wonder how he fits into all this.

Production Values

WOW. Studio MAPPA have become known for drowning their latest projects in budget and producing impressive animation, but they’ve outdone themselves here. The bus hostage crisis is by far the most gorgeous and well-paced action sequence of the season so far. And then there’s the camera loving to move around in any shot to convey Yuuta’s disorientation, an effect that can’t be cheap to animate.

Also, kick-ass soundtrack. Apparently that’s from the most successful music producer in Japan.

Of course, there’s no going around the fact that much underwear is on display here. At least it’s varied and never boring.

Overall Impression

Well, that was weird. But it’s utterly manic in a way that agrees with my sensibilities : it knows how to use each and every second of screentime to display something awesome, funny, or both. And it’s got great comedic timing. (Best joke of the episode : Chiranosuke turning to his laptop to complete his exposition, and having to shut down a window with cat porn before resuming without missing a beat. Second best joke : Mikatan doing an elaborate transforming dance, only to finally put on her Strange Juice costume the old-fashioned way, while Meika just rolls her eyes.)

After a while, the underwear fanservice even becomes a portent of DOOM rather than actually titillating… Which is of course the central joke of the series. It a show that wants to eat his cake and still have it, while having the audience cheer it on. For me, it works.

This is just as good as I was expecting. No way I’m skipping it.

via [In Which I Review] New anime, Spring 2015 – Page 4.

EtoTama

(12 episodes)

What’s it about ?

A comedy show about the the cat being left out of the Chinese zodiac… Wait, Wikipedia claims a manga adaptation of this started publication in 2013. How long has this TV show been stuck in the pipeline ?

Characters

Takeru, our male protagonist, found a cheap house to inhabit. Unfortunately, it’s haunted by…

Nyaa-tan, the personification of the Cat zodiac sign. Which doesn’t exist in the Chinese zodiac, of course. (She blames the Rat.) She intends to reclaim her rightful place by… actually, I fell asleep halfway through this, so I have no clue what her zany plan entails. The only thing I can see is that the house is no longer standing by the end of the episode.

Takeru is also harassed by all 12 of the other zodiac signs. There’s a running joke of nobody remembering those past the Snake, so I’ll take that as a cue not to bother listing them all. The only one with a degree of distinctiveness is Chuu-tan (ie the Rat), who smirks in the background while wearing a dominatrix outfit. Of course she does.

Production Values

Nothing to write home about. It’s okay, I guess, although some of the signs’ outfits are more than a bit fanservicey (especially Moo-tan !).

Overall Impression

Ah, the token series that completely puts me to sleep in spite of its hyperactivity. But then, those one-note characters are unengaging, the central joke isn’t particularly funny, and I just can’t bring myself to care.

Next show, please !

via [In Which I Review] New anime, Spring 2015 – Page 4.

#47 : Inuyasha

(167 episodes + a few movies and OVAs + a 26-episode conclusion series)

What’s it about ?

Adaptation of a fantasy manga series by Rumiko Takahashi, of Ranma 1/2 fame.

Characters

Kagome, our protagonist, is an ordinary teenage girl. One day she falls at the bottom of a weird well in the backyard of her family’s property, and ends up in a world that looks like Feudal Japan, except slightly more fantasy-ish.

Inuyasha, a dog-man spirit stuck to a tree, is the first thing she sees outside the well. She doesn’t know he’s been trapped there 50 years ago by Kikyo, the head priestess of the nearest village, and is thus probably bad news ; the local villagers don’t take well to Kagome trying to free him.

Kaede, Kikyo’s apprentice and now the village elder, calms things down a bit. For one thing, Kagome does look a bit like Kikyo (which would mean more to me if Takahashi could draw more than one young female face). For another, she seems to be able to effortlessly spot supernatural stuff, something even Kaede has trouble with. (I get the impression that Kaede is trying her best to carry Kikyo’s legacy despite not having much of any natural talent for it.)

A serpent-ish monster then shows up, having followed Kagome from the well ; it’s after the small orb of power that’s somehow in her body. Ultimately, only an alliance of convenience with Inuyasha can defeat it… only for him to immediately turn on Kagome. Wait, isn’t the title character supposed to be a good guy ? [Actual text from the next-episode preview.]

Production Values

Decent for a daytime shonen action show of the time (it’s definitely not Pierrot-like), but the shortcuts are easy to spot.

Overall Impression

This is okay, I guess. Decent setup for the classic “stranded in a parallel world” plot, with characters sketched out enough to be pleasant to follow. Obviously Inuyasha isn’t going to be a long-term antagonist, but at least his initial heel persona makes the start of this a bit fresher.

But there’s no way in hell I’m going to watch 200ish episodes of this. The initial TV series obviously got padded to hell and back (not that Takahashi needed much help, considering how the manga ran for 12 years), and it’s just not compelling enough to justify this kind of time investment to me.

Source: [In Which I Review] Anime series from 2000 – Page 13

Mikagura School Suite (Mikagura Gakuen Kumikyoku)

(12 episodes)

What’s it about ?

Adaptation of a comedy light novel series, itself based on a series of vocaloid songs. Is this starting to become a thing ?

Characters

Eruna, our protagonist, does her best to be as irritating as possible. She’s lazy (to the point of playing around instead of choosing a high school to attend after her graduation), shallow (she picks the school her cousin suggests because it’s got nice-looking uniforms and dorms), and more than a bit of a pervert. Also, she’s clearly attracted to girls, if her dating sims and the way she slobbers over any pretty girl in sight are any indication.

Fortunately for her, the entrance exam is a joke. She gets a ridiculously easy special test (“1+5 = ?”), and a nonsensical interview that she passes just for seeing the magical mascot interviewing her. (There’s noise in the background that she got fast-tracked because of her bloodline or something like that.)

The school’s gimmick is that there are a number of cultural clubs competing in battles, and the standing of your club determines the quality of your accommodations ; as someone in no club yet, Eruna gets barely any food, 5 minutes of water in the shower, and a sleeping bag in a corridor. This gives her strong incentives to join a club, any club. She just has to find one that’ll accept her. Given her obnoxious personality, that’s no easy feat.

Each representative of a club we see lugs around a giant symbol of their club, for some reason. So far, we have :
– the enthusiastic head of the calligraphy girl (giant paintbrush)
– the super-shy and apologetic member of the astronomy club (decent-sized telescope)
– the member of the painting club with the face of a thug (and merely some paint on his face)
– …I’m not sure I want to know what the club of the guy hanging around in the background with a big scythe is about.

Seisa, the headmistress’s granddaughter, heads the “going home club” (of which she is the only member), which is apparently a polite excuse for her to stay in her room most of the time. She goes out of her way to offer Eruna potential membership in her club. Eruna is delighted (she’d been drooling over the beauty posing in the school’s leaflet for a while), although she’s slightly more worried when Seisa asks her to take her place in the club battle… next week.

I have no clue what’s going on in the prologue.

Production Values

Quite good. It can sell the school as a place of wonder and weirdness, and it’s got decent comedic timing.

Overall Impression

Well, that was certainly baffling. Still, I’m a bit intrigued ; and while Eruna is a terrible excuse for a human being, she’s at least entertainingly so. I’m as curious as her as what the heck is going on with this school ; provided some answers come at a decent pace, this could prove to be fun. On the other hand, if it keeps on being gratuitously random and goes nowhere, it’ll wear on my patience very quickly.

This could turn out either way ; still, I’m willing to give it a second episode. Don’t waste it and please get to the point.

via [In Which I Review] New anime, Spring 2015 – Page 4.

My Love Story!! (Ore Monogatari!!)

(24 episodes)

What’s it about ?

Adaptation of a shoujo romantic comedy manga series.

Characters

Takeo, our protagonist, is a hulk of a kid. Despite just graduating middle school, he’s about twice as tall as his classmates. He’s brusque, not good at schoolwork and a bit dumb, but he’s a good kid at heart.

Makoto, his best friend, has nothing in common with him ; he’s a handsome kid all the girls around fawn over. Including just about every girl Takeo liked ; they all tend to confess to Makoto before Takeo can make a move. Makoto rejected every single one of them, and Takeo didn’t have the heart to push things any further.

If you’re wondering why they’re friends… well, they’re neighbours and have known each other forever. Takeo is the only person who makes Makoto laugh through his bumbling ; and somehow, it doesn’t feel mean-spirited. They just feel like they’re comfortable with each other.

Yamato is a girl Takeo saves from a groper in the train. The joke is that while she seems genuinely attracted to him, he assumes she’s just interested in Makoto standing just behind him, like all the other girls. Cue long series of misunderstandings. (By the way, while Makoto does find her nice – apparently the first time he said that of a girl ever – he’s also eager to get out of the way so that Takeo can romance her without obstacle. Unfortunately, he doesn’t quite manage to.)

Production Values

Well, shojo adaptation, so expect bright shiny colours and tons of sparkles. The contrast with Takeo’s frightening appearance is the whole point, of course.

On the other hand, there are often some gag asides that are just written in the background ; that must have worked better in the original medium.

Overall Impression

Well, that was fun. It’s a simple setup, but with charming enough characters and a slightly unusual protagonist that its feel fresher. Hopefully the 2-season length of the show means that they’ve planned it so that it can have a decent conclusion (although you never know, as the manga is still ongoing).

Anyway, I don’t need much incentive to watch a shojo romantic comedy, a genre I always find at least decently entertaining ; and since this seems to be the only such offering this season, I’m not going to be picky. Especially as it’s certainly good enough.

via [In Which I Review] New anime, Spring 2015 – Page 4.

Triage X

(10 episodes)

What’s it about ?

Adaptation of a very fanservicey manga series about hospital-themed vigilantes.

Characters

Arashi, our brooding protagonist, and pointman of the vigilante team. Also a high-schooler, because fuck plausibility. His tragic backstory : both him and his best friend Ryu were caught in a terrorist attack, and the only reason he’s the lone survivor of that is that the surgeon used parts of Ryu’s body to piece him back together. So now he’s regularly having visions of kid!Ryu, acting as a sort of moral compass.

By the way, the surgeon was Ryu’s father, and is the one who founded and directs the vigilante team Black Label. (They need to excise the cancers of society ! he exposits with a completely straight face to a team that must have heard that speech dozens of times already.) Other members include :
– Mikoto, Arashi’s direct partner, who drives him around on a motorbike, if possible with crazy stunts. Such as erupting into a room from a window… on the fourth floor. (How she managed that is left refreshingly unexplored.)
– Oriha, the bomb maniac, who also does stuff like an impromptu musical idol number in front of utterly bemused goons. The camera does its best to ensure we know she wears panties.
– Yuuko, a spotter who shows up sunbathing in a bikini during the opening mission. Her boobs are the first thing the episode opens with.
– And several more boring members. All of them in some kind of nurse/doctor-themed outfit.

Together, they fight crime ! Their initial target was the corrupt head of a construction company ; the other half of the episode is devoted to his son, who is intent on inheriting the family business, and kidnapped an accountant about to talk to the cops, as well as his daughter. Why his daughter ? Because he needed someone to gratuitously torture, and the accountant just wouldn’t do !

Tatara is a grizzled cowboy cop who showed up slightly before the heroes in that second case, and without the backup needed to handle the dozens of goons in the building. Frankly I have no clue how he hoped to arrest the son on sheer bravado… which really doesn’t work here. I think we’re supposed to believe his interference fucked everything up, with the accountant getting shot and the right-hand-man managing to escape, but frankly I’d rather blame our “heroes” for being more showy than effective and bungling this on their own.

Hinako is a schoolmate of Arashi’s who’s got a crush on him, but clearly her flat D-cup has no chance against the likes of Mikoto (who also attends the same high school). Poor girl.

There’s a stinger with a bunch of other villains (most of them female) plotting something in some room where they forgot to put on the lights. Since they’ve got distinctive character designs and some behaviour quirks, I presume they’re gonna be important ; but it’s left to future episodes to give us a clue as to what they’re actually up to.

Production Values

This is the kind of show where the adverts promise that the DVDs & BluRays won’t have any of that pesky steam or random white light. On the other hand, the gratuitous shower scene is the only point where that comes into play ; and it’s only the tip of the iceberg for the fanservice here, with most of that uncensored.

Overall Impression

What makes me roll my eyes here isn’t the obnoxious fanservice. It’s how drab and serious this tries to look despite how ridiculously exploitative everything is. Arashi is drowning in angst, Ryu’s father seems to actually believe in his rants, and I’m apparently supposed to take Tatara’s feelings of impotence somewhat seriously. Ahah, no. Alas, there is such a thing as being too deadpan, and the show crossed the line. I really hope the manga author had his tongue firmly planted in cheek ; unfortunately, that nuance is lost in adaptation.

One episode of this trainwreck was enough, thank you.

via [In Which I Review] New anime, Spring 2015 – Page 4.