#25 : Love Hina

(24 episodes + various OVAs & specials)

What’s it about ?

Adaptation of one of the now “classic” harem romantic comedy manga series.

Characters

Keitarou, our hapless protagonist, has yet to enter college despite turning 20. Part of the problem is that he’s applying to the prestigious Tokyo university that’s way beyond his reach. This is because he’s trying to be faithful to a promise he made with a girl as a kid, and this is the place they’re supposed to meet again. (His parents wish he would wise up.)

The plot kicks off when his grandma decides to stop running her lodging house, and brings him in as a replacement. The current tenants aren’t too pleased (especially with the tons of ridiculous misunderstandings before he can even introduce himself), but eventually give him a chance. They are :
– Naru, clearly our lead romantic contender, and already displaying plenty of tsundere chemistry with him. Also trying to enter the same university, except she’s actually good enough to have a good chance at it. (Odds of her being the childhood friend : very high.)
– Mitsune, the one obsessed with money ; her interest perked up when, like everyone else but Naru, she mistakenly understands that Keitarou is already in that university and on the fast track to a successful life.
– Motoko, the tall taciturn beauty with tons of fangirls.
– Kaolla, the weird little tanned blonde who just does random stuff.

As explained by Haruka, his aunt who barely has time to give a bit of a helping hand, there’s little choice here : either the tenants reluctantly accept a male manager, or there’s just nobody left to run the place and it just closes down.

Shinobu, a “normal” girl Keitarou runs into in the neighbourhood. Presumably she joins the regular cast later on.

Production Values

Decent enough. There’s a weird ethereal atmosphere throughout, as not only does Keitarou keeps daydreaming all the time, but also for some reason the town keeps being shrouded in fog, with weird old dudes being a bit creepy.

As the lodging house includes a hot springs, expect a good amount of fanservice.

Overall Impression

Well, this was pleasant enough. All of the basic elements have been done dozens of time, but there’s nothing wrong with using them, provided it’s done properly and with enough energy. And that’s the case here ; I was reasonably entertained.

And hey : it’s Love Hina ; it’s the kind of show so famous I feel like I should have seen them already. And this first episode was okay enough for me to have no qualms with finally getting on that sometimes in the next few months.

Source: [In Which I Review] Anime series from 2000 – Page 5

#20 : Boys Be…

(13 episodes)

What’s it about ?

Adaptation of a shonen romance manga series… Actually, there seems to have been several iterations of the manga, with the TV series picking and choosing characters and storylines as it saw fit.

Characters

Kyoichi, our male lead, is a high school student with a distinct inferiority complex over his unfitness and “unmanly” hobbies (such as his painting). It doesn’t really help that his hormones are kicking in and making him notice…

Chiharu, his childhood friend, who has grown into an attractive, if athletic and tomboyish girl. Kyoichi thinks he doesn’t stand a chance, especially after her senior in the track team makes his confession. In any event, he’s going to keep quiet about his own feelings. And if this description seems like it’s all about him… well, yeah. We never get into her head, although there are signs she might not be as unreceptive as he thinks she is, and is also trying to test the waters.

Makoto, his lecherous “friend”, who makes a point of mining data about all the girls in school… aside from Chiharu, because he doesn’t do tomboys. He’s a slimy worm and proud of it, and happy to share his knowledge with his pals. (Who look more embarrassed than pleased by his “help”.)

Yoshihiko, the third member of this circle of friends, is a quiet dude who doesn’t leave much of an impression yet.

It seems the series is going for an ensemble/anthology format, as next episode seems to be about Makoto rather than Kyoichi/Chiharu.

Production Values

Quite nice looking indeed ; the characters can act and convey more than they say through their body language.

Due to the content, there’s quite a lot of male gaze in the camera work whenever we’re put in Kyoichi’s position, but it’s more in the angles than actually showing anything. Which is why the eyecatches with live-action ass shots are especially puzzling.

Overall Impression

Let’s be clear : this is a boys’ club series. It shows in detail how teenage boys see girls, with no room for the latter’s experiences. But once that is said, there’s a certain purity to this approach, and it’s not like the script can’t do nuance. The boys clearly have very different outlooks on the subject ; there’s enough variation here to offer proper depth and character development. (And there’s always the possibility of future episodes showing a female point-of-view, although I’m not holding my breath.)

And you know, it’s almost refreshing to see a anime romance show where teenagers’ lewd thoughts are front and center, instead of being shoved aside for their base unseemliness. It’s certainly enjoyable enough to watch, and I’m putting it onto the “to see later” list.

Source: [In Which I Review] Anime series from 2000 – Page 5

Saekano: How to Raise a Boring Girlfriend (Saenai Heroine no Sodatekata)

(12 episodes if you include this “prologue”)

What’s it about ?

Adaptation of a light novel series lampooning romantic comedy clichés.

Characters

This series follows the members of a high school club aiming to produce a romance videogame, including :
– Tomoya, the one dude and apparent “leader” of the club, the idea guy giving direction to the group.
– Utaha, the main writer (who also makes light novels on the side). Very sardonic and critical of the clichés of the genre, she’s quick to make fun of Tomoya’s terrible exposition in his narration and dialogue. Also aggressively vamping on him, with enough plausible deniability to leave him confused.
– Eriri, the main artist (who also publishes bestselling doujinshi on the side). A proponent of flash over substance, and thus in content conflict with Utaha. It doesn’t help that she’s Tomoya’s childhood friend and doesn’t like this newcomer macking on him.
– Michiru, the musician, an oddball who mostly stays in the background so far.
– Megumi, the one “normal” girl in the club, with no apparent artistic ability. She’s used by Eriri as a model for her artwork. Paratext indicates that she’s the girl Tomoya is actually interested in, and thus the “Boring Girlfriend” in the title.

This is a hot springs episode, with all the (lack of) plot advancement this implies.

Production Values

It takes some gall for a show to open with a gratuitous and very fanservicey hot springs scene, only for one of its characters to immediately launch into a rant against this kind of thing (with another very weakly trying to defend the practice).

Aside from this, it’s a decent-looking show.

Overall Impression

Hum. Usually you get this kind of thing as an OVA, not on TV before the first episode even airs. (Especially as it’s clearly set somewhere in the middle of the series, and isn’t a real prologue.)

But while this episode, by its very nature, doesn’t establish or develop the plot in any way, it gives a very good overview of the character dynamics at play here, as well as the metafictional humour it’s going for. And there’s quite a lot to enjoy here ; Utaha’s dry wit and trolling are the major attraction, and play well with the rest of the cast. There’s nothing particularly original, but the execution is strong enough to overcome my pre-release fears about the plot direction.

This must be the first ever hot springs episode I’ve ever found promising. That alone makes me think it’s doing something right, and pushes the show onto my to-watch list.

via [In Which I Review] New anime, Winter 2015.

Fall 2014 capsules

Hmm. For some reason Karen Senki wasn’t even on my checklist. I can’t even find any hint it’s actually airing in Japan. But hey, it’s at the very least a Japanese co-production by the creators of Sakura Wars, and Crunchyroll is streaming it, so close enough for a token mention in this thread.

This is quite an odd series. For one, it’s 12 half-length episodes. For two, it’s full-CG. And for three, I can’t tell whether the plot being so disjointed and making no sense whatsoever is intentional.

It follows the adventures of Karen, who wages an essentially single-woman war against robots, who have taken over society and killed her cute young sister. (Or so she claims ; the flashbacks show nothing of the sort.) But the robots’ rule doesn’t seem that drastic, as everyone else seems to be carrying on normally, aside from whenever they have to deal with the collateral damage of Karen’s battles. Her being randomly attacked by killer-bots seems to be the exception, not the rule. One of her associates seems perfectly fine having a robot lover. And frankly, Karen just doesn’t sound entirely sane.

Or this may just be because the series as a whole is an excuse to string along elaborate action sequences. Now, they’re quite well-directed ; the problem isn’t so much that they’re hard to follow, but that they don’t fit with their context. But the real issue here is that the actual character animation is goddarn awful. People don’t move that way ! They can emote decently, but just about anything else about them is awkward. This is massively distracting, and doesn’t help the series’ case.

I’m giving it the benefit of the doubt, and a second episode. But I dread it’s going to test my patience quickly.

via [In Which I Review] New anime, Fall 2014.

 

Anyway, let’s say a few words on I Can’t Understand What My Husband Is Saying (Danna ga Nani wo Itteiru ka Wakaranai Ken). It’s a series of shorts adapting a 4-panel gag manga series. Basically, it’s about a wife being flummoxed by her husband’s ultra-otaku ways. It’s mildly funny, but most of these jokes have already been done to death, and you often wonder why those two even got married in the first place. (That’s actually addressed immediately, but her reasoning is more than a little evasive.) This is a perfectly inoffensive show, but I doubt it’ll hold my attention for long unless it gets significantly better soon.

via [In Which I Review] New anime, Fall 2014 – Page 2.

 

As it turns out, I just can’t make a proper review of Fate/stay Night – Unlimited Blade Works. Too much of my viewing experience was influenced by my foreknowledge from the DEEN series & movie, as well as Fate/Zero. It’s not like I can remember exactly who’s a Master (and of which Servant), especially as we’re in a different route and things might change around a bit, but I still know more than a few incoming twists that make it impossible to offer a “virgin” preview. (And I do have doubts on whether the series is aimed at anyone but people who’ve already seen either or both of these previous shows.)

Still, this is a good start. Way less infodumpy than Fate/Zero, and with some actual impressive battles right off the bat in this opening double-length episode. It helps a lot that it features Rin as a protagonist ; as someone who actually has a clue what’s going on, but not the details of who she’s fighting, she offers a more interesting and proactive perspective than Shirou did the first time around.

So far, so good. I was wondering whether I had lost interest in the franchise, but this looks fun enough to be worth watching.

via [In Which I Review] New anime, Fall 2014 – Page 2.

 

Mysterious Joker (Kaitou Joker) might be at least partially to blame for my sleepiness. It’s a kids’ show about a quirky Gentleman Thief… and if you’re wondering what’s the difference with Magic Kaitou, it’s the targeted age group : this show aims much lower. All the characters are highly annoying and SHOUTING all the time, the jokes fall flat, and I literally couldn’t follow the plot because I was falling asleep every couple of minutes. Something about the protagonist recruiting a “ninja” fanboy kid ? I don’t care at all, and it really doesn’t help that another show with similar themes which is superior in every way is airing concurrently. Pass.

Also falling flat : The Circumstances in My Home’s Bathtub (Orenchi no Furo Jijo). Now, this type of series of shorts based on 4-panel gag manga often have the problem of only delivering the same joke over and over, never really amounting to anything. Here, the issue is that I can’t even see the joke. Dude brings a merman to his bathtub by mistake, and that’s pretty much it. They don’t even have much banter. I just don’t get it.

via [In Which I Review] New anime, Fall 2014 – Page 4.

 

Sometimes I’m baffled by weird gimmicky series of shorts. Such as Hi☆sCoool! SeHa Girls, where anthropomorphic personalizations of Sega’s consoles enter a bizarre dedicated school ; it’s mostly an excuse to string along “nostalgic” allusions that most often fly completely other my head (as I was more of a Nintendo fan). It’s a better use of full CG animation than we usually get for these, but it’s still a niche gag series where I’m not part of the audience.

Oh, and since I’m pressed for time, I’m going to quickly skip over Gundam Build Fighters TRY : long story short, it’s very promising, doesn’t require any knowledge of the first season thanks to a time jump and a different cast (although Mr Ral still makes a cameo), and I’m pleased to see it has the girl as a true fighter and the leader of the team.

via [In Which I Review] New anime, Fall 2014 – Page 5.

 

No full review for Ronja the the Robber’s Daughter, as as I fell asleep watching the first episode and don’t care to give it another try. This Ghibli adaptation of a Swedish fantasy book is just very, very dull, and the uninspiring full-CG animation doesn’t help. (Those characters emote way too exaggeratedly for my tastes.) Don’t care, won’t watch any more.

Bonjour Sweet Love Pâtisserie has a completely different problem : it’s a generic shoujo “male harem” romance show that barely gets to breathe in the 5 minutes or so of screentime per week it gets. As a result, all the characters are walking clichés, and the “glamourous baking academy” setup feels completely artificial. Not really worth your time, this one.

via [In Which I Review] New anime, Fall 2014 – Page 6.

Your Lie in April (Shigatsu wa Kimi no Uso)

(22 episodes)

What’s it about ?

Adaptation of a shonen romance manga.
(Since the manga is due to end simultaneously, there’s a good chance for the whole story to be adapted.)

Characters

Kousei, our 14-year-old male lead. Throughout his childhood, his ill mother forced him to play the piano, training him to public-performance level through much duress. And then he cracked, and she died soon after. That was a couple of years ago ; now he’s done with it. But he still clings to the music world a bit, charting music sheets as a part-time job.

Tsubaki, his childhood friend, will totally deny she’s into him. And maybe they’re really just friends… but come on, this is a romance series. She’s quite fun, though.

Ryouta, one of their friends, is the typical jock : MVP of the football team and serial charmer. Not a bad guy, though.

Kaori, the girl Tsubaki set up a date with Ryouta for. (That meant inviting Kousei as a fourth.) She puts on airs as a charmingly demure girl, but really she’s more mischevious and aggressive than that. Also, she plays the violin.

Production Values

It’s a bit weird how we alternate between super-fluid music-playing set pieces, and much rougher comedic shorthand. It mostly works, but it takes a bit to get used to it.

Overall Impression

On first viewing, I found this a bit dull and unmemorable. After a second watch… well, it deserves a better reception than that. It’s a perfectly okay romance show, with fun female characters (I reserve my judgement on the boys). Kousei’s past trauma is a bit overdone compared to the otherwise light tone, though it’s not too jarring.

But the key issue here is that there’s not much of a hook. It sets up a few budding relationships, but there’s no firm sense of where this is headed. It’s pleasant enough to watch, but I’m not entirely sold yet.

via [In Which I Review] New anime, Fall 2014 – Page 5.

A Good Librarian Like a Good Shepherd (Daitoshokan no Hitsujikai)

(12 episodes)

What’s it about ?

Adaptation of a dating sim visual novel (which spawned a small franchise with five different manga adaptations, some light novels, and now this).

Characters

Kakei, our male lead, has the power of being super-boring. And, as an aside, to have random prescient flashes, but mostly being really, really boring. He’s got this monotone narration that would put anyone to sleep. He’s the only regular member of the library club, which means his main hobby is reading books alone.

Takamine, his mandatory lecherous best friend. And only friend, by the look of it. Since Kakei is inexplicably a chick magnet (thanks to genre conventions), he tags along and goes for the leftovers.

Shirasaki is a shy big-busted girl that Kakei saves from a traffic accident… and of course he ends up with his hand grabbing her chest. She spends half the episode chasing him… to thank him. And she wants him for her “make life fun” project. She doesn’t have anything but the name, but please help her ? At least until Golden Week ?

Sakuraba is one of the many irrate people who hunt Kakei down after pictures of the incident get passed around. But since she’s a pretty girl, she gets to mellow quickly and join the cast as the token tsundere.

Mochizuki, the Student Council President, cuts in to mention that she already has views on Kakei… er, strictly as a potential Student Council member, of course. Yeah, right.

As for the Shepherd, it’s a mysterious person sending emails with either some gossip (such as the aforementioned pictures), or cryptic garbage. A scene at the end implies they may actually be a group, with eyes on headhunting Kakei as their next leader.

Production Values

Decent enough for this kind of thing. The direction tries livening up the proceedings, but it can’t overcome the boringness of it all.

Overall Impression

Zzzzzzzz…

You may have inferred I found this a bit boring. The protagonist has no charisma whatsoever, the plot is sluggish, the hijinks beyond stale, and the Shepherd thing feels bizarrely underused despite being the one point that makes the show somewhat distinctive. Also, I’m a bit nonplussed by the setting. (50,000 students in the academy ? 650 per class ?)

My interest in this is close to nil.

via [In Which I Review] New anime, Fall 2014 – Page 5.

Yona: The girl standing in the blush of dawn (Akatsuki no Yona)

(25ish episodes)

What’s it about ?

Adaptation of a fantasy shojo manga series.

Characters

Yona, the titular 16-year-old spoiled little princess. About a third of her dialogue involves fussing over her (admittedly unusually bright red) hair. Daddy the King has covered her in presents and attention ever since his wife’s death, and the only point he’s being a bit strict on is who she’ll marry.

Soo-won, her cousin and childhood friend, is especially verbotten. He’s grown to be a handsome man and Yona has definitely noticed, but Daddy says no. It’s not really clear why, although his talk of the attackers killing Mommy has convinced Yona that it’s being in the royal family that’s dangerous, and thus Daddy is trying to protect Soo-won. I’m pretty sure something else is going on here.

Hak, young general and friend to both of them youngsters, agrees with me and smells a rat. He doubles the guards around the palace and leaves Yona to Soo-won, because he’s not blind and knows his place.

… Maybe he should have been even more paranoid, as Yona soon stumbles on Soo-won slicing through Daddy with his sword. What. The. Heck ? Hak arrives just in time to protect her, but we’ll have to wait until the next episode at least for an explanation.

The OP & ED sequences show Yona on the run with Hak and a few more attendants, so I guess that’s the direction the story will go with.

Production Values

Quite nice. And all the dudes are handsome because shojo, of course.

Overall Impression

Well, I’m a bit intrigued, but I suspect the answer to this is quite pedestrian (naked power grab by an idiot who should just have waited a few months to get to the throne painlessly), and there’s something vaguely unpleasant in the atmosphere here. It doesn’t help that Yona herself is more than a bit annoying at this early stage of her character arc.

I’ll pass, as I just don’t see myself watching 25ish episodes of this.

via [In Which I Review] New anime, Fall 2014 – Page 4.

Wolf Girl & Black Prince (Ookami Shoujo to Kuro Ouji)

(12 episodes)

What’s it about ?

Our token adaptation of a romance shoujo manga for the season.

Characters

Erika, our heroine, is the titular “Wolf Girl”. Meaning, the girl who cries wolf : she keeps spinning out the wildest lies as a desperate cry for attention. As you’d expect, this bites her back in the ass consistently. Heck, even the episode’s title makes it clear from the start (“Liar – Caught in her own trap”).

Aki & Karin are her new “friends” by default, i.e. the only girls left in her new class who weren’t already in cliques by the time she arrived. So she did as she always does : try and keep up with their conversation, even if that means lying all the time. Unfortunately, they’re “mature” gals who keep talking about their superficial relationships with their boyfriends, so Erika felt compelled to one-up them with this super-cool and perverted boyfriend of hers that she totally has.

Ayumi, Erika’s one actual friend (but unfortunately in another class), would very much like her to give it a rest already. It’s been two months, and it’s obvious Aki & Marin have their doubts about the boyfriend’s existence. At the very least, Ayumi making fake phone calls from him to Erika doesn’t cut it anymore, and her phone bill’s running off quite a lot, so she’s out.

Kyoya, a random handsome dude Erika stumbles on in the street. Here, stay still while she takes your picture, and be utterly confused as she runs away. There, that’ll be enough proof for the gals, right ? Wait, what do you mean he’s attending the same high school, and is famous enough to have gained the “Prince” nickname ? Oh, crap.

To Erika’s surprise, when she eventually comes clean to him, he’s actually fine with pretending to be her boyfriend. In exchange… well, he’s always wanted a dog. So spin around and bark.

Production Values

Perfectly alright for this kind of thing. It sometimes goes a bit abstract, and sometimes giving Erika random wolf ears doesn’t make the metaphor any less strained, but it sells the jokes and that’s what matters.

Overall Impression

In shoujo romance, there are basically two types of stories : either maladjusted shy kids take their time to get together, or the girl falls for an sadistic jerkass who blackmails her into an abusive relationship. We’re firmly in the second camp here.

The good news is that this series is actually fun instead of rape-tastic. Most of Erika’s troubles are self-inflicted, and Kyoya spends more time disentangling her from those messes than really pushing her boundaries. And while her misadventures are hilarious, she really needs to grow up ; if he can be the catalyst for that, then so be it.

A pleasant surprise. (Although I really shouldn’t be ; shoujo romances have often been well worth my while recently.)

via [In Which I Review] New anime, Fall 2014 – Page 3.

À la Recherche du Futur Perdu (Ushinawareta Mirai wo Motomete)

(12ish episodes ?)

What’s it about ?

Adaptation of a dating sim visual novel.

Characters

Sou, our dense and clueless male lead. He seems to be only interested in astronomy, to the intense frustration of the girls clustering around him. I’m with them, so much (deliberate ?) inattention to his surroundings is quite annoying.

Kaori, his longtime childhood friend. Why she’s leaving in the same house is left completely unexplained at this point. Anyway, she’s effectively been friendzoned, and she responds in pure tsundere fashion, alternating between pouty passive-aggressiveness and hopeful wishful-thinking.

Airi, the president of the astronomy club, also has a thing for Sou, and does have better chemistry with him to the point that Kaori feels threatened… But Airi is intent on playing matchmaker so that she can move on. Also, she’s not entirely defined by her relationship with him ; her main thing is to play “mediator” between any troublemakers at school by beating the crap out of them. (For some reason, the Student Council even encourage her.)

Nagisa, the senior in the club, has the uncanny ability to show up out of nowhere (“I was here from the start”), which has obviously helped us gather blackmail material on just about everyone. Which helps a lot to smooth things over after Airi’s bursts of violence.

Kenny, the foreign exchange student who seems to have no real purpose in the story beyond being weird and randomly funny. Maybe he’s a figleaf so that the Astronomy Club isn’t just Sou’s harem ?

Now, things get weird towards the end, as Kaori finally finds the nerve to confess to Sou, only to be hit by a truck. No, seriously. Except everything’s back to normal in the next scene, as we seem to have slided back in time slightly… and then a naked girl shows up in the next room over from the Astronomy Club’s. The heck ?

Production Values

Perfectly decent. I could do without Airi flashing her panties whenever she kicks people, but it’s a blip in an otherwise fairly tame series.

Overall Impression

Well, that was weird. This looked like an utterly forgettable and generic romance series until the episode’s bizarre conclusion. That definitely got my attention. It does help that it wasn’t actually bad until then ; the characters had some likeability and were better written than average for this type of thing.

On the other hand, I’m wary of the gratuitous Proust reference in the title, which feels more than a bit pretentious. (Especially as the subtitle is complete gibberish.) Can the series really follow up on such a start without messing the landing up ? That remains to be seen.

Still, it bought itself a second episode, which is more than I thought going in. Don’t waste it.

via [In Which I Review] New anime, Fall 2014 – Page 2.

Love Stage!!

(10 episodes)

What’s it about ?

Adaptation of a yaoi romantic comedy manga.

Characters

Izumi, our main character, is drifting through college. He’s got delusions of becoming a manga artist, but his art’s worse than mine. He’s basically just an otaku, fanboying over this one magical girl series.

His parents would very much like him to follow in the family business, i.e. show business. Mom’s still acting, while Dad has moved on to running a talent agency. (Bro is fronting a famous rock band.) But Izumi just won’t have any of this. He just feels too awkward on set.

A decade or so ago, Izumi did act in a wedding agency’s commercial with his parents ; he was a last-minute replacement for the child actress catching the bouquet. (Yes, actress. Izumi looks so feminine that it wasn’t hard to wing it.)

Ryouma, who was the boy playing opposite Izumi in that commercial, is very interested in the wedding agency’s project of making a sequel. His one condition is reuniting the whole original cast. The parents are delighted, as he’s now a very famous actor/model. Izumi’s way less enthusiastic, but they eventually managed to bribe it into participating.

Sagara, the uptight manager, is one of the few people on set who knows Izumi’s not a girl (the others being his personal makeup/costuming squad, who’ve been sworn to secrecy). You can see him obviously having little patience for Izumi’s apathy, but damn it this is his job and he’s going to do it well. What he didn’t anticipate : somebody changing the script at the last moment to include a kiss between Ryouma and Izumi. Uh oh…

Production Values

Not very good ; the standard yaoi character designs are rather ugly.

Overall Impression

Well, it’s yaoi. I was all prepared to write it off as “not my thing”, especially as it looks rather shabby.

… And then the jokes start hitting a homerun, and it turns out I’m actually enjoying this quite a lot. This is fun. That the premises seems devoid of the rape subtext so endemic to the genre is a big plus, but it’s just got charm. Izumi’s parents are ridiculously entertaining, the little pokes at show business are quite funny, and the whole thing is quite well scripted overall, with good comedic timing.

I’m surprised to say this has a good chance of staying on my watchlist.

via [In Which I Review] New anime, Summer 2014 – Page 5.