What’s it about ?
Adaptation of a reputed horror manga series.
Shinichi, our protagonist, is an ordinary high school student with barely any more quirks than a bug phobia. He’s got normal parents and normal school friends. He’s the epitome of generic and unnoticeable… Until that night where a bud from space (?) invaded his right hand. He managed to stop its progression thanks to quick thinking. The thing didn’t manage to reach his brain, so it starts negotiating.
His right hand is now a being with its own mind. It can talk (after a little time to learn the language). It can sprout eyes. Indeed, it can alter its shape into bizarre forms at an impressive speed. But it’s symbiotic with Shinichi, deriving sustenance from what he eats, so it really wants the two of them to cooperate, however freaked out he is. Frankly, it’s all the more creepy as it rationally explains why its survival depends on his well-being.
Shinichi was the lucky one. A few other people in the country had a similar encounter, except it went to their head. The abominations that were born are truly horrific. Also, they feed by killing people (often their former family), and leave the shredded bodies lying around.
This series is a perfect example of how a good horror series doesn’t need to show anything that would require the heavy censorship that mars lesser shows. It opens with somebody’s head being swallowed whole, but with careful enough framing to avoid showing too much gore. The mere depiction of the body horror is enough to be utterly creepy and disgusting. And it’s certainly a show that has way too many ideas on how to twist flesh around in unnatural shapes.
Fun score, too. I’ve never heard of the composer, but he makes good use of dubstep and other genres to instil uneasiness.
This is a very focused first episode, with Shinichi and his right hand carrying the show. The good news is that it works : they have excellent chemistry, and the visual flair involved in its transformations makes it worth watching on its own. The transformations are just incredible of fluidity and uncanniness.
Now, it’s not quite clear yet where this is going ; and the script takes a non-linear approach that doesn’t add much. But I’m willing to give it a bit of time to settle in. I want to see what’s the right hand’s next move.