Month: July 2011

R-15

What’s it about ?

The Academy of Inspiration, where teenage geniuses from every possible field are gathered to cultivate their talent. Also, smut.

Characters

Taketo, our protagonist. He’s the best at what he does, and what he does is… writing porn novels. Since middle school. No, really, that’s the plot. Obviously, all his female classmates tend to view him with disgust… which isn’t unwarranted, considering how whenever he looks at one of them, he starts imagining them in porn scenarios and writing it in his notebook (when he’s not dreaming aloud). From what we can see of it, his output is cliché-ridden purple prose that sounds more laughable than arousing.

Ritsu, genius mathematician, his best friend, aka the Gay Option. He’s very defensive of Taketo, despite the guy not deserving it at all.

Raika, genius photographer, seems to be the only girl who genuinely likes Taketo and his perversion. They’re both in the Newspaper Club, and as such are tasked with interviewing…

Fukune, genius clarinette player. You’d think she’d be perfect fodder Taketo’s writing, but he’s actually somehow unable to write anything smutty about her (although he can still write cliché-ridden magical girl stories about her). Of course, his attempts at getting close to her are a complete disaster, given his (well-deserved) reputation.

The campus is filled with geniuses in every possible field. We’ve got a genius inventor (whose rockets coincidentally always seem to target Taketo…), a genius idol singer… and even a genius narrator who delivers a complete summary of Taketo’s life story. Which is admittedly the one genuinely funny joke in the whole episode.

Production Values

Average, and of course with tons of fanservice. We get to see a good number of Taketo’s fantasies, and it’s no wonder some of them are heavily censored.

Overall Impression

Dear gods, that was painful. Setting aside the repulsive premise and the bland characters, it commits the worst sin possible for a comedy : it’s not funny in the slightest.

I’d say this was easily the worst show in the season (yes, worse than pedo-bait Ro-Kyu-Bu), but there’s still three to go and at least one of them looks like a strong contender. But it’s certainly down there with the worst things I’ve ever watched.

via [In which I review] New anime, Summer 2011 – Page 7.

A Dark Rabbit has Seven Lives (Itsuka Tenma no Kuro Usagi)

(12 episodes)

What’s it about ?

Teenage vampires. Or something.

Characters

Taito, our average high school male protagonist. Nine years ago he got bitten and enslaved by his childhood sweetheart, but somehow he’s all forgot about that now, aside from random dreams about it. But that changes when a getting ran over by a truck makes it clear he’s immortal (decapitation’s involved) and jumps up his memories. He then sets out to find her back.

Himea, said sweetheart. She’s been imprisoned in limbo for 9 years, and is thus a bit disappointed he’s taken this long to save her. His “awekening” allows her to escape, though. She then magically ages her body up from 6 to 15, because her reunion scene with Taito would have been creepy otherwise. (Not that this isn’t creepy, but…) They barely manage to get together when she’s stabbed by…

Gekkou, presumably our antagonist. The idol student at Taito’s high school, he’s quite the jerk beneath the “perfect” façade. His superpowers include opening portals and the like, so I wouldn’t be surprised if he was the one to trap Himea. He’s followed around by a devoted groupie who mainly helps provide exposition.

There’s also Haruka, Taito’s current not-girlfriend (although she’d obviously like it to be more), who hovers around him to help with exposition delivery and then suddenly disappears from the story once Taito goes around looking for Himea.

Production Values

This looks like a horrible style clash. The basic linework is the kind of bright and shiny stuff, with everyone having wild and technicolor hair, that you’d expect from a much brighter show ; but it seems to have been processed through a brown filter, jerked around to produce unending Dutch angles, and peppered with random post-production embellishments (way-too-elaborate CG runes ! weird CG stylings on the screen borders that look completely out of place !) in a desperate effort to make it look darker and edgier. It’s a complete failure, and just looks hideous.

It doesn’t help that this show is marred by absolutely inane censorship. Whatever you may think about a gratuitous upskirt shot of dozens of Gekkou’s groupies, it’s just stupid to add a big white ray of light in the middle that completely fails to hide most of the panties. And that’s far from an isolated occurrence (either for the censorship or the tons of gratuitous panty shots).

Overall Impression

Oh, dear. This sure went to hell fast.

There’s a wonderful pre-OP sequence where Himea bites Taito (in a dream/flashback) that is deliciously creepy and contains some genuinely good dialogue. But after that it’s a disjointed mess that barely makes any sense or has any logical flow. We also get some abysmal dialogue, such as when Taito stops dead in his tracks to deliver a mightily awkward six-line “As You Know” description of Gekkou to Haruka. There are a couple of good scenes here and there (such as Taito’s body wandering headless for a full minute, or most of Gekkou’s groupie’s banter), but even those are marred by the terrible artstyle.

Damn, there’s a decent nugget of a story somewhere in there. But the execution is far too bad for me to even consider watching another episode.

via [In which I review] New anime, Summer 2011 – Page 7.

The iDOLM@STER

What’s it about ?

Twelve young idol wannabes learning the job at their production company. (It’s an adaptation of a series of simulation games where you’re the producer and have to build them into proper stars.)

Characters

I’m not going to go into much detail about each idol : there’s the girl-next-door, the super-timid one, the annoying twins, the hick who loves animals, the trust-fund-kid who’s in it to get adored, the troll, the serious one who just wants to sing, the sleepy one…

We also see a bit of the production staff… and of course one of them’s an ex-idol.

In this episode, a new producer is put in charge of grooming them up to stardom… but he spends most of the episode pretending to be a cameraman filming a documentary on them (he’s actually trying to get to know them better, without them sucking up to him too much).

Production Values

Very average. Most of the episode uses the framing device of being some sort of documentary/realTV show… with a lot of “candid” moments that actually feel horribly manufactured, like all realTV to me. Also, for some bizarre reason the “cameraman” ‘s questions are shown only in subtitles (as if this were a game)… despite producer guy getting proper dialogue at the end. It’s quite baffling.

Overall Impression

Wow, this is terrible. The approach of developing all the characters at once is very unwieldy and the realTV framing device feels horribly artificial. None of the girls rise above their archetypes, and all told it’s a very boring watch.

If anything, this has made me slightly interested in the actual games (I like simulation games, and this sounds as good a concept as any other). But watching a full TV series of this, without any player interaction ? Get out !

via [In which I review] New anime, Summer 2011 – Page 6.

No. 6

(11 episodes)

What’s it about ?

In the future, after a near-apocalypse, most humanity has settled in a few super-awesome cities where they live carefree existences in a hi-tech environment… Well, at least that’s the official story ; considering there’s a Ministry of Peace around, I really doubt it’s as utopian as it claims.

Characters

Shion, our point-of-view character. A very mellow and easy-going high school kid who feels a bit constrained by society’s straightjacket. The utopian setting means he’s on the fast track to elite university and possesses very good first aid skills. He lives with his mother in the kind of house that clearly establishes him as very high in the food chain. (Or maybe everyone’s got one of these in the utopia, but I really doubt it.)

Safu, Shion’s classmate, who’s clearly interested in him, but gets politely relegated to the friend zone, to her despair. We also get to see her grandmother, who’s clearly bored out of her mind considering the dozens of hand-knit sweatshirts in her closet. (Utopia, my ass !)

Nezumi, an escaped convict who takes refuge in Shion’s house (who had left the window open). To his surprise, Shion doesn’t report him to the authorities, and actually hides him and nurses him back to health. Now, Nezumi clearly ain’t has bad as the newsflashes make him out to be, but Shion’s reaction is hard to explain unless you just accept it as part of his personality… And, well, I’m told the original novels played up the gay subtext a lot more, which I have no trouble believing.

Production Values

It’s Studio Bones : of course it looks good. The direction’s not particularly subtle, though (witness the numerous close-ups on the kids’ RFID tags !).

Overall Impression

This is obviously an ambitious project, earnestly trying to be meaningful and deep… but I’m not convinced it works. It’s way too unsubtle in its depiction of the udystopia, and I get the nagging feeling we’re heading for “Shion and Nezumi grow close together while running away from the authorities”, which isn’t a story I have the least bit of interest in.

I’ll give it another episode to try and convince me there’s more to it, but I’m not hopeful.

via [In which I review] New anime, Summer 2011 – Page 6.

Bunny Drop (Usagi Drop)

(11 episodes)

What’s it about ?

At a family reunion after his grandfather’s death, a man has parenthood suddenly thrust upon him.

Characters

Daikichi, our protagonist. 30 year-old. He seems to be a bit the black sheep of his family, seen a bit as a slacker (especially as he’s still single).

Rin, a 6-year-old girl, and technically Daikichi’s aunt (apparently Grampa was pretty spry even in his seventies). Her mother having disappeared gods know where and Grampa having just died, nobody in the family’s really keen on taking care of her… except for Daikichi, who’s somewhat hit it off with her and steps up to take her under his wing. Does he know how to take care of a child, especially one as taciturn as Rin ? Of course not, but he’ll learn it on the fly. Hopefully.

We see a dozen other family members at the family reunion/funeral, but none of them leaves much of an impression… aside from Reina, Daikichi’s niece, who’s every bit annoying as any child that age can be at such a solemn gathering (cue embarrassed looks from her mother).

Production Values

Pastels everywhere ! (Although it’s not as deliberately artsy as Wandering Son.) The animation team seems mostly interested in carefully transcribing every character’s expressions (especially Daikichi’s perpetual frown), which is of course the most important with such a story.

Overall Impression

Well, that’s certainly different from the sound and fury of nearly everything else this season : a calm, laid-back inter-generational drama piece. It’s every bit as good as you’d expect from NoitaminA’s reputation and the buzz from the original manga (which I’ve heard is quite acclaimed).

The nascent chemistry between Daikichi and Rin (and their alienation from anybody else) is carefully established through body language and very sparse dialogue (I think he barely says ten lines to her before offering her to go with him, and she’s been entirely silent up to that point), without anything as clumsy as narration or internal monologue. I like this minimalistic approach.

Obviously it won’t be everyone’s cup of tea, but it’s very good at what it does.

via [In which I review] New anime, Summer 2011 – Page 6.

Mayo Chiki!

What’s it about ?

Ordinary high school dude discovers that the butler of his very rich classmate is actually a girl in drag. Hilarity ensues.

Characters

Jirou, our protagonist. His mother has left the country in search of something that’d challenge her in a fight, and his little sister’s routine to wake him up involves beating him to a pulp, so he has no problem taking a punch ; an ability that is sure to come handy. He’s afflicted with a bizarre allergy that makes him nosebleed when touched by a girl (and pass out on prolonged contact), so of course his repeated avoidance of anything female makes everyone think he’s gay.

Kanade, the super-rich girl whose Daddy owns the school. She looks like the perfect girl, but her demure exterior hides a grade-A sadist with no shame whatsoever.

Subaru, Kanade’s butler. Who’s secretly a girl, as part of those weird contrived family traditions that come up all the time in anime. Jirou stumbles on her in the male bathroom and accidentally learns his secret, which is only the beginning of his troubles. She wants to “get rid of the evidence”, of course, but Kanade eventually makes a deal between the three of them to keep all this a secret.

We catch a glimpse of various other side-characters, such as the mandatory lecherous best friend or the random cat-eared girl, but they don’t matter much yet.

Production Values

Average, and with a hefty dose of fanservice through convenient clothing damage. Nothing to write home about, although I quite like the soundtrack.

Overall Impression

I was all set to hate this, as the premise is unoriginal crap replete with clichés. But it surprised me by being actually quite funny : the jokes are well-timed, Kanade gets all the best lines (“The nurse left after I slapped her repeatedly with a bundle of cash”), and Jirou gets some decent sarcastic one-liners. Even Subaru’s not as irritating as her archetype (“supposedly strong girl who melts when the protagonist touches her”) would suggest.

Don’t mistake me, this is still crap. But it’s entertaining crap, and I’m perfectly willing to give it at least one other episode (although the next-episode-preview seems designed to make me reconsider by foreshadowing even more contrived stupidity).

via [In which I review] New anime, Summer 2011 – Page 5.

Mawaru Penguindrum

(24 episodes)

What’s it about ?

Two brothers are forced into a bizarre magical contract to save their deathly-ill sister. Also, penguins.

Characters

Shouma, the blue-haired younger brother, is our point of view character for most of the first episode. He’s the more subdued and introverted of the pair, although he does get quite emotional when his sister seems to die halfway through. If I’ve understood the plot well, the brothers take turns going to school and doing the chores (and taking care of Sis). It’s all but stated that their parents are dead.

(We get to see a couple of his classmates, such as the obligatory lecherous best friend and a girl that screams “potential love interest”, but they’re not important yet.)

Kanba, the red-haired elder brother, seems to be much more of a Casanova (much to Shouma’s dismay)… but then we see him kissing his sister while she’s asleep at the very end of the episode. Hum…

Himari, their sister, is afflicted with one of those undefined fatal anime diseases. The doctors have no clue why she’s even still alive, and give her a few months at best. Which was optimistic, considering she drops dead in the middle of a trip to the zoo (the brothers were obviously trying to make her last few days as pleasant as possible). But never fear ! The (very ugly) penguin-shaped hat they bought her at the gift-shop takes control of her, and gives her some life back, provided the brothers enter a mysterious magical contract.

Shouma was starting to think it was all a dream, but then he starts getting stalked by a very helpful penguin… which turns out to be part of a trio which was sent to the siblings by parties unknown. Oh, and Himari gets controlled by the penguin hat again, providing some more exposition. Which barely explains anything, of course.

Production Values

It’s animated by Brains Base, one of the best studios currently around (even their C-show Kamisama Dolls looks better than average), so of course it looks good. But what is really striking are the multiple directorial touches that provide exposition in a fun way (the subway signs for location changes, or the ticker text for the hospital flashbacks) or just contribute to the playful atmosphere (the faceless masses reduced to bathroom symbols).

Which is only to be expected, considering this is the new project of capital-D Director Kunihiko Ikuhara (Revolutionary Girl Utena), who hasn’t done any substantial work for more than a decade. It’s actually surprisingly devoid of what I’d identified as his signature stylistic tics (there’s barely a rose in sight, and no pastel freeze-frames), but then I can only assume he’s moved on and is trying to make the best of modern animation techniques.

The ED heavily suggests that the brothers are going to take girl forms as part of their contract. Oh, Ikuhara, never change.

Overall Impression

I obviously has high expectations about this show, considering the director and studio behind it ; the complete lack of any promotional info regarding the actual premise only exacerbated my curiosity. I’m glad to say that this is well worth the hype, mystifying in all the right ways, possessing a superb sense of slapstick (the penguins are hilarious) and jokes that are genuinely funny, and grounded by the intriguing relationship between the three leads (and this, despite how irritating I usually find Himari’s character type).

This is head and shoulders above anything else this season : imaginative, funny, great looking, and gifted with a gripping emotional core. Sure, there’s still about 9 new shows I’ve yet to sample, but I really doubt any of them is going to be as good as this one. If you’re only going to watch one anime series this summer, make it this one.

via [In which I review] New anime, Summer 2011 – Page 4.

Uta no☆Prince-sama♪ Maji Love 1000%

What’s it about ?

Male harem romance in an academy grooming pop idols and composers.

Characters

Haruka, our generic female lead. The kind that arrives late because she was busy helping a random little girl. She joined the Academy because she dreams of composing music for her favourite idol. Voiced by Miyuki Sawashiro, whom I didn’t know could sound so boring and unsexy.

As per the rules of the genre, there are half a dozen prettyboy stereotypes just tripping over Haruka. There’s the boy-next-door, the rich-but-charismatic guy, the brooding dark dude, the childish one… and the mysterious guy who’s a dead ringer for Haruka’s favourite idol, but displays a completely different personality (angry loner instead of clown).

Rounding up the cast are Tomo, Haruka’s roommate (the female equivalent of the “perverted best friend who handily provides exposition about everyone” cliché), their homeroom teacher (an androgynous senior idol voiced by Yuuichi Nakamura)… and the FABULOUS principal, a retired idol who funded the creation of the academy with his royalties, and voiced gleefully by Norio Wakamoto – his entrance ceremony speech just has to be seen to be believed.

Production Values

This looks pretty good, if you don’t mind technicolor day-glo. The character designs for the dudes look beyond generic, though, and Haruka’s dead eyes are just plain creepy.

I quite like the opening sequence with all the guys doing a boys’ band routine : sure, it looks stupid and awkward, but there’s a certain charm to it, and the tune is annoyingly catchy (“Let’s song !”).

Overall Impression

Well, that’s certainly better than I anticipated. Not that it’s actually any good, mind you ; the harem romance is as cliché as possible, and neither the female lead nor any of the dudes look like they’ve got any potential to rise above their genericness. But there’s some decent entertainment to be had out of the setting, as both the homeroom teacher and the principal are FABULOUSLY camp and nearly make the episode worth watching from their few minutes of screentime alone.

I expect myself to get bored of it very quickly (especially if the harem plot gets too much screentime), but I’m surprising myself by giving it a tentative second episode.

via [In which I review] New anime, Summer 2011 – Page 4.

Kaitou Tenshi Twin Angel: Kyun Kyun Tokimeki Paradise!!

What’s it about ?

Magical girls fighting colorful villains.

Characters

Haruka, aka Red Angel. The redhaired tomboy of the pair. Brash, terrible in class, more interested in sports and dudes, you know the type. Voiced by Yukari Tamura, of course.

Aoi, aka Blue Angel. The bluehaired girly girl of the pair. Soft-spoken, honor student, less good in a fight (but still kicking ass with her bow and arrows), you know the type. Voiced by Mamiko Noto, of course.

Their boss is actually their school’s principal, who’s helped by a ninja butler who likes to randomly show up from trapdoors whenever he needs to contact the pair.

The villain this episode tries to steal a necklace that is of course one of the seven McGuffins of the setting ; she’s the kind of bwahahah-evil villains that thinks that transforming the pair into catgirls is an effective tactic. And it’d have worked, too, if it hadn’t been for…

Misty Night, the mysterious masked man that’s very close to getting a lawsuit from Sailor Moon‘s Tuxedo Mask (he even throws roses the same way !), and is totally not the hot student council president Haruka has a crush on.

The OP teases that a third Angel is upcoming, but we don’t see her yet.

Production Values

Decent action sequences, I guess. The OP is –ing annoying in its squeakiness.

Overall Impression

…zzzzzzz…

Excuse me, I nearly fell asleep from the blandness of this show. I don’t think it’s possible to create more generic a magical girl show than this. Presumably it’s a pastiche of the genre, but there’s nothing interesting or funny in the way it’s done. I though at first it was a retro revival of some beloved old franchise, but aside from a pilot OVA a few years ago it seems to be completely new. As such, it’s quite baffling : it’s not a kids’ show (it airs at otaku’o’clock), and it’s not interesting enough to appeal to anyone else. Unless they keep on piling the fetishes during the fight scenes (the catgirl thing was still quite tame), which isn’t my thing but there’s a sizeable audience for that.

Anyway, avoid this.

via [In which I review] New anime, Summer 2011 – Page 3.

Kamisama Dolls

What’s it about ?

A young man tried walking away from his village full of conspiracies and deadly man-controlled robots… but it all comes back to bite him in the ass.

Characters

Kyouhei, our protagonist. He used to be a controller for one of those big mind-controlled robots they call “Gods”… but after a traumatic event, he decided to quit it all and become an ordinary salaryman in the big city. Yeah, like that ever works. The elders let him go, but it’s made very clear they’re still in charge of his life, whatever he thinks.

Hibino, the woman’s Kyouhei’s had a crush for a long time. I’m sure that he going to the same high school and joining the same company is totally coincidental. Not like he ever works up the nerve to ask her out, though (despite numerous opportunities in this first episode). She’s from his village too, although she wasn’t aware of the whole conspiracy/robots thing. He goes to live with her and her father after his flat gets destroyed halfway through the episode (at their invitation), which is totally not awkward at all.

Utao, Kyouhei’s little sister, has taken over his former role as robot controller. She comes in out of the blue, presumably to protect Kyouhei from…

Aki, another member of the village with a God robot in tow, and a complete psychopath (if that flashback with a dozen corpses is anything to go by). He was kept under heavy lock until someone made the mistake of mentioning Kyouhei had skipped town, at which point he escaped and started stalking him (with the “randomly and gruesomely kill someone in an elevator minutes before Kyouhei steps in it” kind of stalking). He’s not actually belligerent against Kyouhei, ranting about how the village elders are the real monsters, and Utao probably overreacted when she bombed Kyouhei’s flat (and Aki inside) to kingdom come. (Not that I believed for a second that Aki’s bodybag handled the village’s MIB was any proof of his death…)

Oh, and there’s a cryptic prologue with a couple of kids fighting off… something… that I can’t make head or tails of. Presumably they’ll explain it properly at some point.

Production Values

Pretty good animation, and the abrupt mood change from “drunken office party” to “oh my god is that a corpse in the elevator” is well handled. I also like the way how the hovering robots sing whenever they move ; it’s a nice way of making them otherworldly.

Is this the first show this season with a decent OP in graphics as well as song ?

Overall Impression

Well, this first episode does a good job of raising my interest in a premise I didn’t quite care for initially. Mission accomplished, I guess. The plot has potential, but it doesn’t grab me as viscerally as, say, Deadman Wonderland did last season. We’ll see how it goes.

via [In which I review] New anime, Summer 2011 – Page 3.